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Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life?

When her husband is suddenly killed in a car accident, the widowed Milly Bott is surprised to find that he has left her only a small fraction of his wealth, bequeathing the rest to a charity for fallen women, with the cryptic note that ‘my wife will know why’. From that moment she knows that her late husband must have known about her clandestine affair.

Often compared to Madame Bovary and Anna Karenina, Theodor Fontane's Effi Briest tells the poignant story of a passionate and spontaneous young woman who becomes trapped in a dull and restrictive upper-class existence. Married at the tender age of 17 to Geert von Innstetten, an ambitious nobleman and civil servant nearly 20 years her senior, unworldly Effi is whisked away to the quiet town of Kessin, on the Baltic coast of Prussia, where she is left to raise a daughter alone while her husband travels for work.

Famous today for his Trois Gymnopédies, Erik Satie was an eccentric and solitary figure who was nevertheless viewed by some as a prophet of French musical modernism, his striking creativity championed by Ravel and Debussy.

The Ultimate Classics Collection: Volume One is a continent-hopping, century-spanning collection of 15 essential classic novels by British, American, and Russian authors, read by a cast of incredible narrators including Stephen Fry, Jason Isaacs, Adjoa Andoh, David Rintoul, and many more. Included here are stories by some of the greatest writers of all time, including Fyodor Dostoyevsky; Charles Dickens; Franz Kafka; Herman Melville; Leo Tolstoy, amongst a host of others.

This collection brings together some of the most influential and beloved novels in the English literary canon. From dystopian futures to sweeping romantic tales, these works explore human nature, social class, morality, and the quest for identity. Spanning genres and centuries, The Essential British Classics Collection is a celebration of the best of British storytelling, offering profound insights into the human experience.

Magdalen and Norah Vanstone have known only comfort and affluence for their entire lives. Orphaned suddenly following the unexpected deaths of their parents, the illegitimate sisters find themselves flung into the other extreme of living: their father had neglected to amend his will following their parents' recent marriage, leaving them with nothing, and their bitter, estranged uncle, the legal inheritor of the family fortune, mercilessly refuses them support.

Producers Garrick Hagon and Liza Ross discuss Samuel Richardson's landmark novel Clarissa with Lucy Scott, who plays the part of Clarissa in the Naxos AudioBooks recording. Clarissa is one of the longest novels in the English canon; its epistolary form and narrative experimentation made it a huge challenge for the veteran team of audiobook producers and narrators.

Satan’s final judgement on Victoria sums up a shocking novel, set in Venice at the end of the 15th century, that tracks the path of its heroine from abused victim to fully fledged criminal. Her conscious embodiment of vice seems to know no limits. Depicting unfettered desire and gratuitous cruelty, and challenging taboos of race and class, this tale of lust, betrayal, and multiple murder has Dacre moving beyond the limits of contemporaneous gothic heroes into a truly hellish zone of her own.

A classic work of military strategy, On War sets forth the theories and tactics of Carl von Clausewitz, a distinguished Prussian general who was notable for his roles in the French Revolutionary and Napoleonic Wars. The book covers a broad range of topics, including weapons, terrain, troops, and leadership, as well as the importance of defense over offence, the balance of power, and the subordination of war to politics. Praised for its timeless insights, Clausewitz’s treatise is often compared to the work of Machiavelli and Sun Tzu, and remains relevant to military leaders.

Claude Debussy is regarded by many as the quintessential French composer, with music that invited both warm applause and frosty criticism in his day. While our ears no longer hear him as controversial, his works heralded the dawn of an artistic period founded on innovation and experiment, and a desire to break with the past in search of new expressive means. With never a dull moment, Debussy went from being a musical misfit at the Paris Conservatoire to bohemian life amongst the Symbolist poets and some scandalous love affairs.

A milestone in the history of the novel, Samuel Richardson’s epistolary and elaborate Clarissa follows the life of a chaste young woman desperate to protect her virtue. When beautiful Clarissa Harlowe is forced to marry the rich but repulsive Mr. Solmes, she refuses, much to her family’s chagrin. She escapes their persecution with the help of Mr. Lovelace, a dashing and seductive rake, but soon finds herself in a far worse dilemma.

The Book of Margery Kempe is the extraordinary account of a medieval wife, mother, and mystic from Norfolk. Having married in c. 1393, given birth to 14 children, and pursued unsuccessful ventures in brewing and milling, Kempe made a vow of chastity and embarked on a life of prayer, penance, and pilgrimage.

Among Jane Austen's favorite novels, and a key work in the rise of Romanticism, Camilla follows the story of three young women, from childhood to young adulthood, and their pursuit of matrimony. Kind but naive Camilla is in love with Edgar Mandlebert, a handsome and noble young man. Intelligent Eugenia, destined to inherit her uncle's great wealth, is plagued with misfortune as she is left disfigured by smallpox and has men court her for financial gain only. Meanwhile their cousin, beautiful but selfish Indiana, never finds a fortune for her good looks.

Twenty years ago, student Daisy Harrington went out for the evening and never came home. Her body was found a week later. The killer was caught. Case closed. Now, on what would have been her fortieth birthday, her five university housemates are invited to a weekend gathering. None of them want to go. But none of them can refuse—the invitation makes it clear that if they don’t attend, the past they’ve spent two decades hiding will finally come to light.

""A beautiful story of unfolding secrets and unforeseen consequences, filled with moments that are somehow restrained and astute and gorgeously written all at the same time.""—Holly Gramazio, bestselling author of The Husbands “Infinitely moving, quirky, acutely observed and beautifully...

London, 1927. On the morning of Friday 5th February, 1927, Miss Agnes Humphries – the landlady of the attractive, if-slightly shabby, white-fronted townhouse at Number 23 Burlington Square – has a decision to make. The rooms of the second floor lie empty, since poor Mr Blandford’s unfortunate demise, God rest his soul. And Agnes must make up her mind as to who will be her new lodger. Agnes must choose between them. But what will her decision lead to? One of the choices could result in scandal, one in devastation, and one could even lead to happiness. If only she gets it right.

Beginning Theory has been helping students navigate through the thickets of literary and cultural theory for over two decades. This new and expanded fourth edition continues to offer listeners the best single-volume introduction to the field. The bewildering variety of approaches, theorists and technical language is lucidly and expertly unravelled.

Published in 1919, Woolf's early novel unfolds in Edwardian London, where Katherine Hilbery, the granddaughter of a celebrated poet, navigates questions of marriage, independence and intellectual freedom. Her forthright acquaintance, Mary Datchet, a suffragist committed to political change, carries a contrasting vision of life and love, and her opinions throw Katherine's choices into sharp relief. While more traditional in form than Woolf's later works, Night and Day reveals her emerging mastery of psychological depth and subtle irony.

In our own time, when the dark threat of a dystopian world is not an alien or avoidable concept, The Last Man (1826) is revealed as a trailblazing novel. With a truly global view, Mary Shelley’s futuristic romain à clef–containing portraits of her husband Percy (Adrian), Lord Byron (Raymond) and several others–spearheaded the apocalyptic genre for an intimidated 19th-century readership that rejected her ‘diseased imagination’ and ‘polluted taste’.