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Late summer, 1270. Although the Simon de Montfort rebellion is over, the smell of death still hangs over the land. In the small priory of Tyndal, the monks and nuns of the Order of Fontevraud long for a return to routine. Their hopes are dashed, however, when the young and inexperienced Eleanor of Wynethorpe is appointed their new prioress. Only a day after her arrival, a brutally murdered monk is found in the cloister gardens, and Brother Thomas, a young priest with a troubled past, arrives to bring her a more personal grief.

In March 1279, Edward I takes a break from hammering the Welsh and bearing down on England's Jews to vacation in Gloucestershire. The royal party breaks the journey at Woodstock Manor. There, one life begins as the queen gives birth to a daughter, and one draws to an end as apoplexy fells Baron Adam Wynethorpe. Hastening to the baron's deathbed is his eldest son, Hugh, a veteran of Edward's Crusades who can't shake off the battle horrors he has witnessed.

In the spring of 1277, Prioress Eleanor goes on a pilgrimage to a famous East Anglian shrine. There are rumors that King Edward may also visit the shrine soon to seek God's blessing for his invasion of Wales. Lurking in this sacred place, however, is an assassin hoping to murder a king. Soon after Prioress Eleanor and Brother Thomas arrive, a nun falls to her death from the priory bell tower. Brother Thomas finds the body, and the pair quickly grasp that this nun's death was not an accident.

Thomas Hardy's moving story of star-crossed lovers shows human beings at the mercy of forces beyond their control, setting a tragic drama of human passion against a backdrop of space and scientific discovery. Unhappily married, Lady Constantine defies social standards when she falls in love with the youthful and socially inferior Swithin St. Cleeve. In an ancient monument converted into an astronomical observatory, they isolate themselves from society and create their own private universe.

The 14th century reflects two contradictory images: on the one hand, a glittering time of crusades and castles, cathedrals and chivalry, and the exquisitely decorated Books of Hours; and on the other, a time of ferocity and spiritual agony, a world of chaos and the plague.

In the winter of 1271, death stalks the corridors of Wynethorpe Castle on the Welsh border. When the Grim Reaper touches the beloved grandson of the castle lord, Baron Adam sends for his daughter, Prioress Eleanor of Tyndal, and her subinfirmarian, Sister Anne, to save the child with their prayers and healing talents. Escorting them to the remote fortress is Brother Thomas, an unwilling monk fighting his private demons.

Eleanor Trewynn is a recently retired widow who has moved to the small village of Port Mabyn in Cornwall. Neither frail nor retiring, after a lifetime of traveling the world, she's ready for an uneventful life with her dog and friends in this quiet town. Unfortunately, excitement seems to happen around her. Her friend and neighbor, artist Nick Gresham, returns from a trip only to find several of his paintings slashed, reportedly by rival local artist Geoffrey Clarke.

Mary, unloved and selfish, finds friendship and happiness helping her neurotic, invalid cousin become strong and healthy. Nature's powerful magic touches both children as they toil to revive their secret garden. The story alludes to some very modern themes including the ability of mental beliefs to create health, the strength of group optimism, and the restorative power of nature.

In The March of Folly, two-time Pulitzer Prize winning historian Barbara Tuchman tackles the pervasive presence of folly in governments through the ages. Defining folly as the pursuit by governments of policies contrary to their own interests, despite the availability of feasible alternatives, Tuchman details four decisive turning points in history that illustrate the very heights of folly in government.

As the autumn storms of 1271 ravage the East Anglian coast, Crowner Ralf finds the corpse of a brutally murdered soldier in the woods near Tyndal Priory. The dagger in the man’s chest is engraved with a strange cursive design, and the body is wrapped in a crusader’s cloak. Was this the act of a member of the Assassin sect, or was the weapon meant to mislead? Ralf’s decision to take the corpse to the priory for advice may be reasonable, but he is soon caught up in a maelstrom of conflict, both personal and political.

In the late summer of 1274, King Edward has finally been anointed England’s ruler, and his queen contemplates a pilgrimage in gratitude for their safe return from Outremer, a journey that will include a stay at Tyndal Priory. Envoys are sent to confirm that everything will be suitable for the king’s wife, and Prioress Eleanor nervously awaits them, knowing that regal visits bring along expense and honor. The cost is higher than expected, however, when Death arrives as the emissary.

Taught the art of lace-making during her orphanage childhood, Heather Blackstone managed to earn her living in a Nottingham factory. But the legend of her ancestry haunted her dreams. When a gypsy-fortune teller predicted a journey, Heather knew that her destiny was clear: she must find a way to reclaim the castle that bore her family name and the fortune that was rightfully hers.

Baron Herbert’s return from crusade should have been a joyous occasion. Instead, he grows increasingly morose, withdraws from his family, and refuses to share his wife’s bed. When his sons begin to die in strange accidents, some ask whether Herbert harbors a dark sin for which God has cursed him. Or perhaps there is a malign presence at this stormblasted castle, oddly named Doux et Dur.

The most perfect of Jane Austen's perfect novels begins with 21-year-old Emma Woodhouse comfortably dominating the social order in the village of Highbury, convinced that she has both the understanding and the right to manage other people's lives - for their own good, of course.

It is 1887, and an unsettled London is preparing for Queen Victoria's Golden Jubilee. For Maribel Campbell Lowe, the beautiful, bohemian wife of a maverick politician, it is the year she plans to make her own mark on the world. But her husband's outspoken views inspire enmity as well as admiration - and the wife of a member of parliament should not be hiding the kind of secrets Maribel has buried in her past. When a notorious newspaper editor begins to take an uncommon interest in her, Maribel fears he will destroy not only her husband's career but both of their reputations.

In this illuminating book, Witold Rybczynski walks us through five centuries of homes both great and small, from the smoke-filled manor halls of the Middle Ages to the Ralph Lauren–designed environments of today, on a house tour like no other: one that delightfully explicates the very idea of “home.”

This landmark biography penetrates the barriers of legend to bring to full and intimate life a man whose burning passions - for painting, women, and ideas - were matched by a compulsion to invent reality in his life no less than in his art. Here is the tragic story of a man who, from his teenage passion for a gypsy boy to the chilling bitterness and betrayals of his old age, was unable to love and was driven to dominate and humiliate the women - and men - who fell under his hypnotic spell.

Witold Rybczynski takes us on an extraordinary odyssey as he tells the story of designing and building his own house. His project began as a workshed but through a series of "happy accidents" the structure gradually evolved into a full-fledged house. In tracing this evolution, he touches on matters both theoretical and practical, writing on such diverse topics as the ritualistic origins of the elements of classical architecture and the connections between dress and habitation. He discusses feng-shui and considers the theories of such architects as Palladio, Le Corbusier, and Frank Lloyd Wright.

The story begins in a dusty village lost in the Argentine pampas, where a girl, born out of wedlock, scrambles her way to the capital city by the time she is 15. It ends with the embalmed corpse of Eva Perõn being hidden away by nervous politicians for fear that if the working people of Argentina knew where it was buried, it would inspire them to revolution.

It is May 1272, and Prioress Eleanor of Tyndal, recovering from a near-fatal winter fever, journeys to Amesbury Priory to visit her aunt in time for the Feast of Saint Melor. Although Eleanor hopes to regain her strength in the midst of pleasant childhood memories, death reveals a most troublesome fondness for her company. A ghost now haunts Amesbury. Is it perhaps the spirit of a pregnant woman who drowned herself in the River Avon? But soon the specter turns murderous.