Risultati Editore "Blackstone Audio, Inc." in Letteratura e fiction

Set in the 1920s, The Glimpses of the Moon details the romantic misadventures of Nick Lansing and Susy Branch, a couple with the right connections but not much in the way of funds. They devise a shrewd bargain: they'll marry and spend a year or so sponging off their wealthy friends, honeymooning in their mansions and villas.

Webster's Dictionary gives the meaning of the word "miasma" as "an infection floating in the air; a deadly exhalation". And in the opinion of Mr. Robert Ferguson, that description, though perhaps a little too flattering, on the whole summed up Master Roland Bean pretty satisfactorily. Until the previous day, Master Bean had served Mr. Ferguson in the capacity of office-boy. But there was that about Master Bean which made it practically impossible for anyone to employ him for long.

In Youth in Bondage, the second volume of Nick's journals, we find him stuck in Sheeni's hometown of Ukiah, living like an indentured servant with his penny-pinching father while his paramour and her boyfriend are away at school in Santa Cruz. But trouble finds Nick again when the F.B.I. picks up his trail and he must rely on the cahones of his tough alter ego, Francois Dillinger.

He didn't intend to burn half of Berkeley to the ground or create a media frenzy by faking his best friend's suicide or enroll in high school dressed as an elderly Italian woman. However, he did. Nick Twisp started out an honor student and ended up a fugitive. His ongoing struggles to make sense out of high school, deal with his divorced parents, and lose his virginity have resulted in his transformation from an unassuming, precocious 14-year-old to a modern youth in open revolt.

Youth in Revolt brings us the journals of Nick Twisp, California's most precocious diarist, whose ongoing struggles to make sense out of high school, deal with his divorced parents, and lose his virginity result in his transformation from an unassuming 14-year-old to a modern youth in open revolt. As his family splinters, worlds collide, and the police block all routes out of town, Nick must cope with economic deprivation, homelessness, and the gulag of the public schools.

A neurotic young graduate student looking for distraction from her doomed thesis is inexplicably swept off her feet by a narcissistic philosophy professor. The obsession continues even after he has dumped her for someone even needier and she has given up on school and become a television writer. Meeting again in New York, they begin an adulterous affair that, of course, can only end in some kind of crisis.

The story opens in the country parsonage of Dr. Primrose, a kindly man who has a good heart, a good family, and a good income. Suddenly, his idyllic life is cruelly devastated by a series of misfortunes, and he ends up in prison. Yet, despite all this calamity and injustice, the vicar never loses sight of Christian morality, a conviction which lends him genuine nobility and, in the end, also brings justice and the restoration of his family and fortune.

Topper is a hilarious, ribald comedy about a mild-mannered bank manager and two capricious ghosts, George and Marion Kerby, who make it their mission to rescue Topper from the drab "summer of suburban Sundays" that is his life.

England between the wars was a paradise of utter calm and leisure for the very, very rich. But into this enclave is born Mrs. Emmeline Lucas - La Lucia, as she is known - a woman determined to lead a life quite different from the pomp and subdued nature of her class. With her cohort, Georgie Pillson, and her husband, Peppino, she upends the greats of high society.

O. Henry wove several stories together into this highly episodic narrative, taking his title and inspiration from Lewis Carroll's ballad of the walrus and the carpenter in Through the Looking-Glass. The stories are set in the fictional country of Anchuria in Central America, a banana republic where larceny is rampant and revolution lurking in every impoverished back alley. O. Henry offers a cutting satire of contemporary politics and prejudices.

In his first published work in prose, James Joyce paints vivid portraits of the people of Dublin, his city of birth, in a collection of stories whose larger purpose, he said, was to depict a "moral history of Ireland". From the first story, in which a young boy encounters death, to the haunting final story involving the middle-aged Gabriel, the book gives an unflinching and realistic portrayal of "dear, dirty Dublin" in the early 20th-century.

Sandra Foster studies fads and their meanings for the HiTek corporation. Bennett O'Reilly works with monkey group behavior and chaos theory for the same company. When the two are thrust together due to a misdelivered package and a run of seemingly bad luck, they find a joint project in a flock of sheep. But a series of setbacks and disappointments arise before they are able to find answers to their questions - with the unintended help of the errant, forgetful, and careless office assistant Flip.

Lady Wetherby had a big, soft heart, and she hated hurting her fellows. As a rule, when she had bad news to impart to any one, she administered the blow so gradually and with such mystery as to the actual facts that the victim, having passed through the various stages of imagined horrors, was genuinely relieved, when she actually came to the point, to find that all that had happened was that he had lost all his money.

With this satirical novella, English schoolmaster Edwin A. Abbott provides both a mathematical fantasy and pointed observations on the social hierarchy of Victorian culture. The narrator, “a Square,” resides in the fictional two-dimensional world of Flatland. When he is visited by a sphere, he is suddenly faced with proof of the existence of three dimensions and is forced to see the limitations of his world.

Says Charles Pooter, "I fail to see - because I do not happen to be a 'somebody' - why my diary should not be interesting." Surprisingly, Mr. Pooter's life is fascinating! The fascination is two-fold: firstly, his astounding arrogance that we should care about his domestic trivia and narcissistic scribblings. Secondly, we can all sympathize with (and wince at!) this ridiculous slave to convention.

Sideways: Chile follows the further adventures of Miles Raymond (played by Paul Giamatti in the critically acclaimed movie Sideways). It’s now a few years later and Miles is a successful author with a blockbuster movie adaptation under his belt, but he’s still searching for something, and depression has him, once again, in its taloned grip. When he is offered a chance to travel to the country of Chile and visit their wine regions for a magazine assignment, Miles—his world turned upside down by bad financial investments and even worse luck with relationships—happily agrees.

Some might remember My Friend Irma as the movie that served as the launching pad for Dean Martin and Jerry Lewis. Others recall a television show of the same name. But My Friend Irma actually originated as a radio sitcom that aired on CBS from 1947 to 1954. The show chronicled the daily highjinks of an extremely dim-witted blond stenographer named Irma Peterson and her screwball friends.

P.J. O'Rourke traces his development from hippie protester to conservative grouch to jaded humorist. Along the way, we are privy to his strange, twisted days as editor in chief of National Lampoon, as well as the in-depth looks at appropriate sports for middle-aged Republicans, namely those which can be engaged in with a smuggled Havana between the teeth - fly-fishing, bird hunting, deep-sea fishing, and of course, golf. Plus, you'll hear O'Rourke's take on the Virtues of Automobiles - because what good was oil doing sitting in the ground for millions of years? - and many other hilarious rants in this off-the-wall collection by America's premier political humorist.

Every town has at least one beloved if misunderstood eccentric, and Beanie Bradsher belongs to Mayhew Junction. Some - LouWanda Crump, for example - would call Beanie a spectacle, but Beanie just marches - and dresses - to the beat of a different drum.

You Know Me, Al is a classic of baseball, the game and the community. Jack Keefe, one of literature's great characters, is talented, brash, and conceited. Self-assured and imperceptive, impervious to both advice and sarcasm, Keefe rises to the heights, but his inability to learn makes for his undoing. Through a series of letters from this bush-league pitcher to his not-quite-anonymous friend Al, Lardner maintains a balance between the funny and the moving, the pathetic and the glorious.