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Handsome, wealthy, and a veteran of service in India, Captain Edward Ashburnham appears to be the ideal "good soldier" and the embodiment of English upper-class virtues. But for his creator, Ford Madox Ford, he also represents the corruption at society's core. Beneath Ashburnham's charming, polished exterior lurks a soul well-versed in the arts of deception, hypocrisy, and betrayal.

Set just before World War I, The Good Soldier is a tragic, psychologically rich novel of love, betrayal and illusion. It is regarded as one of Ford's best works, and has been adapted for theatre, television and radio. Poignant and intricately crafted, The Good Soldier is told through the eyes of John Dowell, an unreliable and often naïve narrator. Through fragmented and non-linear storytelling, Dowell recounts the breakdown of his marriage to Florence, and the deterioration of Edward and Leonora's relationship, his prior friends.

Two couples, two marriages; both seemingly perfect, both falling apart. Beneath the surface gentility of the American John Dowell with his wife Florence and the landed grace of Edward and Leonora lie fictions and deceit. There are secret desires, hidden power-games, suicides and madness. Everyone is hiding something; even the narrator can’t be trusted. Brilliantly inventive, tragic and ironic, The Good Soldier is one of the great novels of the 20th century.

The Good Soldier was first published in 1915. The iconic novel might be characterized as a melodrama of English upper-class infidelities, cut into little pieces, then retold out of sequence by a narrator who occasionally appears to be half asleep. That is not wholly wrong, yet many have seen in this novel's beguiling voice, innovative narrative technique, and acute depiction of erotic repression a literary masterpiece. In 2015, the BBC ranked The Good Soldier 13th on its list of the 100 greatest British novels.

Ford Madox Ford's Parade's End tetralogy, written in the aftermath of World War I, was originally published in four parts in the 1920s: Some Do Not…; No More Parades; A Man Could Stand Up —; and Last Post. Highlighting the tension between traditional values and a rapidly changing social order in a world embroiled in war, the story details Tietjens' turmoils in both his personal life and on the warfront—and what follows when some of those struggles become one and the same.

The Nature of a Crime is a haunting literary collaboration between Joseph Conrad and Ford Madox Ford, exploring the dark undercurrents of human morality and the elusive boundaries between crime and conscience. Told through a series of deeply personal letters, the narrative reveals a man on the verge of emotional and ethical collapse as he reflects on a hidden past, his relationship with a mysterious woman, and the consequences of his actions.

The Fifth Queen is Ford Maddox Ford’s masterful trilogy of historical fiction centered on Katharine Howard, a young girl of a proud, noble, and impoverished family who catches the jaded eye of Henry VIII and becomes his controversial fifth Queen.

The Good Soldier is a story about the complex social and sexual relationships between two couples - one English, one American - and the growing awareness of American narrator John Dowell of the intrigues and passions behind their orderly Edwardian façade. It is Dowell’s attitude - his puzzlement, uncertainty, and the seemingly haphazard manner of his narration - that makes the book so powerful and mysterious. In Ford’s brilliantly woven tale, nothing is quite what it seems.

Last Post is the fourth and final installment of Ford Madox Ford's Parade's End tetralogy, a work that Ford hoped would contribute to the obviating of all future wars. The story follows Christopher Tietjens, a wealthy British landowner and the last British Tory; his wife, Sylvia; and his mistress, Valentine Wannop.

A Man Could Stand Up—is the third of four installments in Ford Madox Ford's Parade's End tetralogy, which follows Christopher Tietjens, a wealthy British landowner and the last British Tory; his unfaithful wife, Sylvia; and his mistress, Valentine Wannop. Opening on Armistice Day (November 11, 1918), A Man Could Stand Up—serves as the climax of the series. Highlighting the tension between traditional values and a rapidly changing social order, the novel details Christopher and Valentine's trials as the post-war world takes shape around them.

No More Parades is the second of four in Ford Madox Ford's Parade's End tetralogy, a work that Ford hoped would contribute to the obviating of all future wars. The novel follows Christopher Tietjens, a wealthy British landowner and the last British Tory; his unfaithful wife, Sylvia; and his mistress, Valentine Wannop. Highlighting the tension between traditional values and the new reality of a world marred by war, the novel details Tietjens' turmoils in both his personal life and on the warfront—and what follows when those struggles become one and the same.

The Parade's End tetralogy privileges not the conflict of World War I itself, but the impact the war had on its participants and upon society writ large. It is often referred to as one of the greatest 20th century novels, and one of the best depictions of war in literature.

The tragic story of two couples, one American and one English, traveling together through Europe for an extended amount of time told by a seemingly unreliable narrator John Dowell.

The Last Post, the fourth and final volume of Parade's End, is set on a single post-war summer's day. Valentine Wannop and Christopher Tietjens share a cottage in Sussex with Tietjens' brother and sister-in-law. Through their differing perspectives, Ford explores the tensions between his characters in a changing world, haunted by the experience of war, facing an insecure future for themselves and for England.

A Man Could Stand Up, the third volume of Parade's End, brings Ford's characters to the 'crack across the table of History', across which lie their uncertain post-war futures. Divided into three parts, the novel is a kaleidoscopic vision of a society at climactic moment.

This is the second novel in the series of four, depicting the meeting, courtship and ultimate fulfilment of two modern heroes, Christopher Tietjens and Valentine Wannop, despite social condemnation, personal travails and World War I.

The first volume of Parade's End introduces the central characters: Christopher Tietjens, a brilliant, unconventional mathematician; his dazzling but unfaithful wife Sylvia; and the young Suffragette Valentine Wannop. It starts with the cataclysmic meeting of Tietjens and Valentine: a weekend whose violence prefigures the coming war.

Joseph Conrad (1857 – 1924) was a Polish-British writer regarded as one of the greatest novelists to write in the English language. Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature. Conrad wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of what he saw as an impassive, inscrutable universe. Conrad collaborated in some works with Ford Madox Ford. Ford (1873 – 1939) was an English novelist, poet, critic and editor whose journals ...

Major BBC adaptations of Ford Madox Ford’s two most famous works, with stellar casts including Tom Goodman-Hill, Ruth Gemmell, Kyle Soller and Mark Bonnar A forgotten great of British fiction, Ford Madox Ford wrote over 80 books, founded two trailblazing literary journals and was a friend and...

An invading group from the Fourth Dimension takes over a corrupt Earth - Summary by Mark Leder