Risultati di "G.K. Chesterton" in Tutte le categorie

Father Brown, a modest, mild-mannered priest with a sharp intellect and even sharper sense of the human condition, is thrown into a series of mysteries which often baffle both his peers and the authorities. Despite his humble appearance, Father Brown can easily detect falsehoods, see through disguises and defy tampered logic to get to the truth. From cases of theft, fraud and murders with no apparent weapon, Brown remains calm in the face of evil time and time again, utilising compassion, empathy and keen intuition.

L’irresistibile Padre Brown torna a stupirci con le sue incredibili doti intuitive, sempre accompagnate da un’incrollabile fede nella forza del Bene sul Male! In una serie di indagini appassionanti e cariche di humour, il brillante prete dell’Essex deve affrontare il mistero di strani specchi e di enigmatiche armature, smascherando ciarlatani che simulano doti soprannaturali e riconducendo assassini spietati sulla retta via... Il londinese Gilbert Keith Chesterton (1874-1936) è stato fra i più importanti intellettuali cattolici della sua generazione.

Ecco come Gilbert Keith Chesterton descrive il fortunato personaggio letterario uscito dalla sua penna: “ La prima caratteristica di Padre Brown è di non avere caratteristiche; la sua importanza, di non apparire importante; e che la sua qualità cospicua quella di non essere cospicuo, e il suo ordinarissimo esterno vuole essere in contrasto con la sua attenzione e la sua intelligenza insospettate.

Step into one of the most brilliant works of Christian apologetics ever written. In Orthodoxy, G.K. Chesterton unleashes his wit, paradox, and razor-sharp intellect to defend the enduring power of faith against skepticism, materialism, and modern chaos. First published in 1908, this timeless...

Addentratevi nel capolavoro profetico di G.K. Chesterton dove fantasia e rivoluzione si scontrano nella Londra del futuro. Ambientato ottant'anni più avanti rispetto alla sua epoca, questo racconto satirico segue la trasformazione di uno scherzo reale in una lotta epica che porta il fasto medievale nelle strade moderne.

Ecco come Gilbert Keith Chesterton descrive il fortunato personaggio letterario uscito dalla sua penna: ''La prima caratteristica di Padre Brown è di non avere caratteristiche; la sua importanza, di non apparire importante; e che la sua qualità cospicua quella di non essere cospicuo, e il suo ordinarissimo esterno vuole essere in contrasto con la sua attenzione e la sua intelligenza insospettate. Non è trasandato, ma piuttosto accurato; non è impacciato, ma molto delicato ed accorto".

Written by G. K. Chesterton, Orthodoxy addresses foremost one main problem: How can we contrive to be at once astonished at the world and yet at home in it? Chesterton writes, "I wish to set forth my faith as particularly answering this double spiritual need, the need for that mixture of the familiar and the unfamiliar which Christendom has rightly named romance."

Discover a world of heroes and villains, suspense and intrigue. This riveting and comprehensive collection brings together some of the best crime writing of all time. Ruth Rendell and Frances Hegarty spearhead the modern genre, moving through the popular and rarely recorded Graham Greene, to Edgar Wallace and G.K. Chesterton and his master detective Father Brown. And that's not all.

Father Brown is an eccentric priest with his own particular ways of dealing with crime. David Timson, having completed the whole of Arthur Conan Doyle's Sherlock Holmes canon, a remarkable achievement, turns his hand to the genial but certainly not innocent priest! This collection contains a group of stories from the Innocence of Father Brown, told unabridged.

A thorough introduction to Saint Francis’s extraordinary character and spiritual journey, Chesterton’s biography is both a fascinating historical account of the man’s life, as well as a profound meditation on holiness and humility. Chesterton portrays Saint Francis not only as a holy man, but also as a gentle lover of animals, and a radical spiritual revolutionary. He unveils how Saint Francis renounced a life of comfort and wealth to dedicate himself wholly to God, evoking the man’s loving and joyful spirit.

Esteemed writer G. K. Chesterton offers a compelling critique of the works of Charles Dickens, sharing his profound admiration and unique insights into Dickens literary genius in his distinct and engaging style. (Summary by Karen Merline)

Evan MacIan is a tall, dark-haired, blue-eyed Scottish Highlander and a devout Roman Catholic. James Turnbull is a short, red-haired, gray-eyed Lowlander and a devout but naïve atheist. The two meet when MacIan smashes the window of the street office where Turnbull publishes an atheist journal. This act of rage occurs when MacIan sees posted on the shop's window a sheet that blasphemes the Virgin Mary, presumably implying she was an adulteress who gave birth to an illegitimate Jesus.

«Si solo leemos una obra de Chesterton —debería avergonzarnos si así fuera— ha de ser Ortodoxia. Seguramente, nadie ha defendido la fe cristiana con argumentos tan sorprendentes y ejemplos tan deslumbrantes, como Chesterton lo hizo en Ortodoxia. Una obra maestra de retórica que (...) realmente constituye uno de los libros mejor escritos del siglo XX» (Dale Ahlquist, presidente y cofundador de la American Society Ches- terton ). Ortodoxia es el libro más importante de una personalidad excepcional.

Among the oldest stories of human civilization, Aesop's fables are a collection of extended proverbs with moral messages attributed to the Greek slave Aesop, who lived in the fifth century BC. Children will delight in these basic human truths represented by talking animals and plants, and adults will marvel at the plainspoken language of these ancient tales.

This collection of the finest short story mystery fiction by the most acclaimed writers, past and present features Sir Arthur Conan Doyle, Thomas Burke, Harry Kemelman, and everyone in between. Edited by multi-award-winning mystery connoisseur Otto Penzler, it offers a delightful mixture of mystery and suspense.

Shabby and lumbering, with a face like a Norfolk dumpling, Father Brown makes for an improbable super-sleuth. But his innocence is the secret of his success: refusing the scientific method of detection, he adopts instead an approach of simple sympathy, interpreting each crime as a work of art, and each criminal as a man no worse than himself… Here you will find the complete Father Brown stories in the chronological order of their original publication. The Innocence of Father Brown Starts at Chapter 1, The Wisdom of Father Brown Starts at Chapter 13.

Certain of the great roads going north out of London continue far into the country a sort of attenuated and interrupted spectre of a street, with great gaps in the building, but preserving the line. Here will be a group of shops, followed by a fenced field or paddock, and then a famous public-house, and then perhaps a market garden or a nursery garden, and then one large private house, and then another field and another inn, and so on.

The Head of Caesar is a short story by Gilbert Keith Chesterton: There is somewhere in Brompton or Kensington an interminable avenue of tall houses, rich but largely empty, that looks like a terrace of tombs. The very steps up to the dark front doors seem as steep as the side of pyramids; one would hesitate to knock at the door, lest it should be opened by a mummy. But a yet more depressing feature in the grey facade is its telescopic length and changeless continuity.

The Duel of Dr. Hirsch is a short story by Gilbert Keith Chesterton: M. Maurice Brun and M. Armand Armagnac were crossing the sunlit Champs Élysées with a kind of vivacious respectability. They were both short, brisk and bold. They both had black beards that did not seem to belong to their faces, after the strange French fashion which makes real hair look like artificial. They were both young. They were both atheists, with a depressing fixity of outlook but great mobility of exposition.

Mr. Edward Nutt, the industrious editor of The Daily Reformer, sat at his desk, opening letters and marking proofs to the merry tune of a typewriter, worked by a vigorous young lady. He was a stoutish, fair man, in his shirt-sleeves; his movements were resolute, his mouth firm and his tones final; but his round, rather babyish blue eyes had a bewildered and even wistful look that rather contradicted all this. Nor indeed was the expression altogether misleading.