Risultati letto da "David Timson" in Tutte le categorie

Charles Dickens: The Short Stories Collection contains all of Charles Dickens' major published works of short fiction - written between 1836 and 1841. Narrated by award-winning readers David Timson, Nicholas Boulton, and Matt Addis, these stories take us from the hilarious to the heartbreaking, and give a deeper insight into Dickens' life and London in the mid-1800s.

Charles Dickens: The Travel Collection contains all of Charles Dickens' major published travelogues. Journeying through Italy, America, France, and London, we get a glimpse into nineteenth century European and American culture, as well as a deeper insight into Dickens and his life. Also included here are 12 stories from Sketches by Boz which detail London life during Dickens' life, showcasing his uncanny ability to capture the best and worst of life, and giving us an unparalleled insight into mid-century London.

The Essential Dickens Collection brings together four of the most well-known and beloved novels written during Dickens' lifetime, as well as one of his most famous essays about London: Night Walks. In this collection you'll hear Stephen Fry narrating Great Expectations, Scrooge's ghostly journey narrated by Jason Isaacs, David Rintoul leading us through David Copperfield, and other award-winning narrators bringing Dickens' most beloved stories to life.

The Magic Flute almost defines a masterpiece, because it can be enjoyed on every level. It is a superb fairy story, complete with dragons, demons, a handsome prince, and a lovely maiden seriously in need of rescue; it is a political satire, social commentary, and psychological drama; it is full of tunes from the playful to the heart-stopping, jolly songs, and deeply spiritual outpourings. It is, in short, "Mozart" - and there is no greater compliment than that.

La sonnambula was written by Bellini as a vehicle for two of the supreme singers of his age and accordingly is a fine example of the school we call bel canto, where beauty of voice and the virtuosity of the singers is integral to conveying the emotions in the soul of the composer. The fact that Bellini was one of the great melodists, writing long, beautiful vocal lines, that he was a master orchestrator and that he could write stirringly for the chorus all conspire to make La sonnambula extremely enjoyable.

With the possible exception of Mozart, Verdi is the most popular opera composer who ever lived. Quite early in his career his tunes were being cranked out by barrel organs throughout Europe and were well known to many who may never even have heard his name. But the complex man behind them remains elusive and puzzling. In this portrait-in-sound, Jeremy Siepmann and a group of distinguished actors take an in-depth look behind the popular image of a man who was, and perhaps remains, the most enduring national hero in Italian history and a colossus in the history of music itself.

Madama Butterfly runs the gamut of operatic emotions. The title heroine has a fragility wonderfully expressed in her entry music, deep sexual instincts as shown in the love duet, and immense tragic stature in her last hours. The fate of Madama Butterfly - married to an American sailor and then abandoned - engages our emotions to a degree equaled by few other opera heroines. The oriental setting and the exquisite orchestral and choral writings are treasured bonuses.

Puccini’s swansong has a claim to being the last great popular opera. Its melodies have enchanted audiences since its posthumous premiere in 1926, two years after Puccini’s death. It involves a chilling story of love and cruelty, an intriguing cast of characters against the exotic backdrop of Imperial China, magnificent choruses and ensembles, and dazzling orchestration in an exotic score that comprises a string of remarkable arias - among which the great tenor aria "Nessun dorma" is the jewel. It is more than Puccini’s last opera: It is the last word, in every sense, on Italian opera.

Verdi’s Falstaff repays careful study with real pleasure. It is opera’s happiest irony that the great Italian master should cap a career - distinguished for its blood-and-thunder tragic masterpieces - with the greatest comic opera in the Italian repertory. The genius of Shakespeare is harnessed (in a miracle of compression) by master-librettist Boito to give the 80-year-old Verdi a superb libretto, on which he lavished more wonderful tunes than most composers manage in a lifetime.

The Pickwick Papers, Dickens's first novel, is a delightful romp through the pre-Reform Bill England of 1827. Samuel Pickwick and the rest of the Pickwickians are some of the most memorable of all Dickens's creations, and it is a joy to hear of their adventures in search of "interesting scenes and characters", and the repeated efforts of the quick-witted Sam Weller to rescue them all from disaster.

La Bohème is one of the three operas - the others are Carmen and Aida - believed to be the most popular ever written. In the case of La Bohème the reason is that it virtually defines the term "romantic". The poignant story of Mimì and Rodolfo is told in music of such tender beauty, allied, as always, to Puccini’s intuition of what works in the theatre. The result is an opera that readily appeals to our emotions and senses.

Il Trovatore has been ruthlessly parodied. It is a tale of murder and mayhem, burned babies, roasted hags, would-be nuns, strolling minstrels, and bad baritones. And indeed the libretto does call for a willing suspension of disbelief. The reward is in the music, a score as prodigally melodic as only the mature Verdi could write: the "Anvil" chorus, the "Miserere" scene, two great tenor arias, a beautiful baritone aria - a richness without embarrassment.

Ancient Egypt and the war with Ethiopia is the setting for Verdi’s grandest opera. It is the story of the love between Rhadames, the Egyptian general, and Aida, an Ethiopian slave, and the jealousy of Amneris, daughter of the King of Egypt. It was written in 1871 to a commission from the Khedive of Egypt to inaugurate the new opera house in Cairo. Aida generally is considered one of the most spectacular of Verdi’s operas.

La Traviata owes its enduring popularity to a superb story of young love and fatal sacrifice, set to music by Italy’s master melodist at the peak of his powers. Interest and poignancy are added by the fact that this is a true story - the baritone ‘heavy’ is Alexander Dumas who wrote The Count of Monte Cristo. But it is the central figure, the heroine Violetta, the archetypal ‘whore with the heart of gold’ who dominates the piece. It is her opera and we love her for it.

Rigoletto is simply wonderful entertainment with superb music. It is also much more - a daring (for its time) attack on aristocratic privilege, a tender love story, and an impassioned appeal on behalf of the disadvantaged, all set to music of such wealth and beauty that, with its sister operas La traviata and Il trovatore, it has defined Italian opera for 150 years. Overcoming initial trouble with the censors, Verdi's Rigoletto was a smash hit at its premiere and has not been out of the repertoire since. It’s not hard to see why.

The 'Young Adult Classics' series continues with The Hound of the Baskervilles, the most popular Sherlock Holmes story. It is a chilling tale of a slavering dog on the moor that will excite listeners of any age. The popular classics, presented in an abridged form, are brilliantly brought to life by master Holmes reader David Timson and enhanced with atmospheric music.

The award-winning Sherlock Holmes narrator David Timson leads us through Conan Doyle's most famous tale. This extended story brings the archetypal detective to the moors with his friend and biographer Dr. Watson to investigate the mystery of a beast terrorizing the neighborhood.

A Study in Scarlet was the very first Sherlock Holmes novel. Here, in the most remarkably precise manner, Doyle produced two of the most well-known characters in English fiction. Their individual traits and their relationships, their ambitions and foibles are introduced against the backdrop of an exciting story of revenge and persistence, which starts in Victorian England but moves to the American West, and the environment of the early Mormon communities.

This is a story from The Return of Sherlock Holmes I collection.

David Timson introduces London Labour and the London Poor and its author Henry Mayhew, who in 1841 founded the satirical magazine Punch before his social conscience moved him to expose in his remarkable book the terrible poverty in London - then the richest city in the world.