Risultati di "D-H Lawrence" in Tutte le categorie

"L'amante di Lady Chatterley", dello scrittore inglese D.H.Lawrence, è uno dei romanzi erotici più celebri e scandalosi del Novecento...

Sullo sfondo della Grande Guerra, che scardina le famiglie allontanandone i componenti e che divide le coscienze alla luce del nuovo disordine mondiale, il caso fa incontrare nuovamente, dopo molti anni, una nobile signora inglese ed un conte tedesco, ferito e prigioniero del Paese divenuto nemico. Incontro dopo incontro, quel rapporto, dapprima superficiale, si approfondisce sempre di più; un rapporto strano, fatto di attrazione e repulsione insieme, che il lettore vede scorrere nella sua ambivalenza fino allo scioglimento finale, determinato dal ritorno dalla guerra del marito di lei.

Sons and Lovers, Lawrence’s third published novel, was written by the author at the height of his literary powers. The story of class differences (the relationship between a woman of middle-class family and a miner) in the tough world of coal mining, it brought a refreshing realism to literature. It remains a challenging text (and is studied widely). It is particularly effective as an audiobook in the hands of reader Paul Slack, who comes from Nottinghamshire.

Sons and Lovers, D. H. Lawrence's first major novel, was also the first in the English language to explore ordinary working-class life from the inside. No writer before or since has written so well about the intimacies enforced by a tightly knit mining community and by a family where feelings are never hidden for long. When the marriage between Walter Morel and his sensitive, high-minded wife begins to break down, the bitterness of their frustration seeps into their children's lives.

The last and most famous of D. H. Lawrence's novels, Lady Chatterley's Lover was published in 1928 and banned in England and the United States as pornographic. While sexually tame by today's standards, the book is memorable for better reasons---Lawrence's masterful and lyrical prose, and a vibrant story that takes us bodily into the world of its characters.

"In Love" handles a serious subject in a light, almost comic way. A couple are engaged but have no sexual feelings for each other. The tensions, as they try to do what is expected of them, explode until a compromise is reached. But will the marriage last?

Lawrence explores love, sex, passion, and marriage through the eyes of two sisters, Gudrun and Ursula Brangwen. Intelligent, incisive, and observant, the two very different sisters pursue thrilling, torrid affairs with their lovers, Rupert and Gerald, while searching for more mature emotional relationships. Against a haunting World War I backdrop of coal mines, factories, and a beleaguered working class, Gudrun and Ursula's temperamental differences spark an ongoing debate regarding their society and their inner lives.

Some of the greatest poets and lovers in the English language speak of their love in this seductive and romantic collection. Here are the voices of Romeo, Robert Burns, Lord Byron and many others.

The story of the physical relationship between the aristocratic protagonist Constance Chatterley and gamekeeper Oliver Mellors - which occurs right under the nose of her wheelchair-bound husband, Clifford. In exploring the class system of the early 20th century, the novel also touches upon the declining coal-mining industry, its effect on the workers, and the politics which surrounded it. Yet possibly the most important theme is the individual’s need for physical as well as intellectual satisfaction.

Under-appreciated until now, The Lost Girl is perhaps D.H. Lawrence's most beautiful, thoroughly contemporary, love story. This captivating novel charts the journey of a woman caught between two worlds and two lives, one mired in dreary, industrial England and a life of convention, the other set in the vibrant Italian landscape holding the promise of sensual liberation.

Lawrence wrote three drafts of ‘Lady Chatterley’s Lover’ between 1926 and 1928: ‘The First Lady Chatterley’s Lover', this audiobook, ‘John Thomas and Lady Jane’ and the final version, ‘Lady Chatterley’s Lover’. Although all three books have the same story line of an aristocratic woman falling in love with a working-class man, there are differences in their tone and sensibilities.

 "None of That" concerns itself with the nature of desire. The man in the story is no more than an animal with base instincts but is attractive to women. The woman looks for something deeper with imagination, but in the end is brought down by the more instinctive man. Lawrence again seems to be saying that a woman cannot exist beyond the control of a man, however crude, and can only bring unhappiness on herself if she tries to live on her own terms. 

 "The Man Who Was Through With the World" picks up the same themes as in Lawrence's short story "The Man Who Loved Islands". He asks if we can ever withdraw from the world, no matter how much it disgusts us. The ironic part of this fragment is that the hermit vainly seeks to think holy thoughts while all around him is the natural world which could provide his life with meaning. The fragment is unfinished, leaving the listener to wonder if the hero would return to the world, if the world would come to him, or if nature would take its course and let him die in his hut. 

 Two Blue Birds tells the tale of the classic triangle of the man, the wife and the secretary, who struggle to work out what their relationships are with each other. Neither of the women seem to want the man sexually but the secretary offers devotion while the parasitic wife has more insight into the man and his work. All the relationships seem unhealthy, all three seem to want something different but are incapable of expressing what they desire. 

 Lawrence uses the story of a storm and the deaths it causes to revive the feelings for (if not an actual belief in) the old gods, in this case Mercury whose shrine is ignored by the tourists but who takes his revenge. 

Just as the lovely Alvina Houghton comes of age, her widowed father’s business starts to dry up. In a drastic effort to regain his fortune and secure his daughter’s standing in society, James Houghton buys, of all things, a theater. Her father’s plans and dreams go misunderstood in the town, but the theater itself does quite well...for a time. One of the traveling players employed at the theater, a sensual Italian man named Ciccio, catches Alvina’s eye, and she finds herself intensely attracted to him. 

"Mother and Daughter" can be understood as one of Lawrence's diatribes against women. Two women do their best to get along without men, but in the end, as Lawrence always proposed, a woman cannot be fulfilled without a dominant man, however unsuitable he may be.

"The Undying Man" is a slightly unfinished piece, drawing its inspiration from Shelley's Frankenstein about the creation of life and the fear of death. It is interesting to speculate where Lawrence would have gone with the story, but the sound of broken glass is the most likely ending. 

"The Lovely Lady" is a fine observation of a life - the lovely lady of the title - that thrives by sucking the life out of others. The two victims escape by a somewhat melodramatic and comical means, but in the process destroy the lovely lady and form what will probably be a dull and passionless union.

"A Dream of Life" is unfinished, but there is enough extant to let us know where Lawrence was going in this story. He begins by looking back and bemoaning what has become of his generation, under the thumb of women and lacking the spark of his father's mining friends. Then, in a scene reminiscent of Pilgrim's Progress, he travels forward in time and sees his village in the distant future. The people are living in an idealized commune, but do they have the spark of life?