Risultati di "A.G. K.G." in Tutte le categorie

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.

Drei Dinge habe ich in meiner Zeit an der Darkblood – ich meine Darkhen Academy – gelernt: Vergewissere dich immer, dass ein Dämon tot ist, bevor du ihm den Rücken kehrst. Jede Magie hat ihren Preis. Nichts bleibt lange verborgen. Keine Geheimnisse, keine Gefühle und schon gar keine dunklen Lords. Gerade als ich dachte, der Kampf gegen Luxora sei endlich vorbei, beschließt der dunkle Lord, sich aus der Asche zu erheben. Ratet mal, wen sie im Visier hat. Jep, mich. Als ob das nicht schon schlimm genug wäre, hat der Rat des Hexenzirkels mein kleines Warlock-Geheimnis entdeckt.

Willkommen an der Darkblood ... ups, ich meine Darkhen Academy. Ich habe die ersten zwei Semester an der Darkhen Academy kaum überlebt. Wie soll ich das dritte überleben, wenn Ryder gegangen ist und mir das Herz gebrochen hat? Aber mir bleibt nichts anderes übrig, als zu kämpfen. Denn Luxora und ihre Schergen warten nicht darauf, dass ich über meinen Herzschmerz hinwegkomme. Angesichts der zunehmenden Angriffe in der Menschenwelt müssen meine Freunde und ich wieder auf Dämonenjagd gehen. Und zu diesem Zweck ist mein Vater geradezu besessen davon, meine magischen Kräfte zu entfesseln.

Willkommen an der Darkblood … ups, ich meine Darkhen Academy. Unsere Aufgabe ist einfach: Wir sollen alle Dämonen töten, bevor sie in der Menschenwelt Schaden anrichten und den zerbrechlichen Frieden zwischen unseren beiden Reichen zerstören. Kinderleicht, oder? Doch wenn ich nicht herausfinde, wie ich dieses Teufelsmal von meiner Brust loswerde, werden die Dämonen nicht aufhören, mich zu jagen. Zum Glück ist mein lang verschollener Vater aufgetaucht und hat versprochen, mir zu helfen.

Explore the intriguing world of Man Who Was Thursday, a riveting blend of fantasy, comedy, and thriller, penned by author Chesterton. Subtitled as a Nightmare, the narrative plunges into a sinister plot crafted by anarchists, aiming to obliterate the world. Often hailed as Chestertons magnum opus, this novel promises a captivating ride into the realms of chaos and anarchy.

Willkommen an der Darkblood... ups, ich meine Darkhen Academy. Es gibt drei Regeln, um an der Eliteschule für übernatürlich Begabte zu überleben: 1. Sprich nicht mit den Sieben, der Clique, die die Akademie beherrscht. Schau nicht einmal in ihre Richtung. 2. Gehe niemals bei Vollmond in den Fae-Wald... 3.Und verliebe dich auf keinen Fall in deinen extrem heißen, geheimnisvollen Lehrer. Leider habe ich mich noch nie wirklich an Regeln gehalten.

Discover the intrigue and mystery of The Man Who Knew Too Much, penned by the prolific and influential English author, Gilbert Keith Chesterton. Known for his vast literary contributions, including journalism, poetry, and novels, Chestertons most memorable work remains the Father Brown stories. This book shares a unique similarity with his famous detective series. The protagonist, Horne Fisher, is intricately linked to the top-tier politicians of his time, providing him with insider knowledge on the mysteries he encounters and resolves. Dive into this gripping narrative and unravel the ...

Murder comes in two familiar forms. Whether as a crime of passion with high emotions or a cold dispassionate plot to take life in order to gain in some way, the act strikes us all as somehow inhuman. Beneath us as civilised beings. But however we cloak our animal instincts the need to remove a human being and gain relief from abuse or gain from money, the term is just the same – MURDER. Robert Louis Stevenson, Arthur Conan Doyle, J M Barrie, W W Jacobs and many others bring their literary heft to bear in as calculating a way as any killer could.

En el Londres surrealista de cambio de siglo, el poeta Gabriel Syme es reclutado por un destacamento antianarquista en Scotland Yard. A partir de este momento empezará su bizarra y trepidante misión en la que tendrá un objetivo como detective encubierto. Según Chesterton, se trataba de un nuevo tipo de novela, una historia en la que se tipifican pensamientos modernos, pero no con argumentos, sino con incidentes simbólicos: una comedia alegórica.

DES MEURTRES IMPOSSIBLES ! 9 nouvelles ou courts romans célèbres, mettant en scène des meurtres commis dans des lieux hermétiquement fermés. 9 énigmes qui sont autant de défis aux capacités de déduction et d'imagination de l'audiolecteur.

In this galloping collection of twenty pointed essays, G. K. Chesterton (1874-1936) nimbly punctures the philosophical pretensions of modern non-Christian thinkers and artists—heretics, as he calls them. Chesterton good-naturedly takes on contemporaries Rudyard Kipling, H. G. Wells, James McNeill Whistler, and even his good friend George Bernard Shaw, exposing the muddled logic of their popular ideas with his characteristic wisdom and razor-sharp wit. He also begins to lay the groundwork for Orthodoxy, his subsequent account of a rational and coherent Christian faith.

In this classic of Christian apologetics, Chesterton lays out a sort of “spiritual autobiography”—how he personally came to believe. Chesterton considered it a companion book to his earlier work Heretics. Where Heretics was a collection of essays defending the Christian faith, Orthodoxy is Chesterton’s own story of how he came to believe that faith.

In a London of the future, the drudgery of capitalism and bureaucracy have worn the human spirit down to the point where it can barely stand. When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results.

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor. O'Connor had a shrewd insight to the darker side of man's nature and a mild appearance to go with it--and together those came together to become Chesterton's unassuming Father Brown. Chesterton loved the character, and the magazines he wrote for loved the stories.

Chesterton demonstrates his intense distrust of power and "progressives," railing against Prohibition, vegetarianism, theosophy, and other "dreary and oppressive" forces of modernity. In a spirited response to the government's attempt to curtail alcohol sales, Humphrey Pump (called Hump) a pub owner in the fishing village of Pebblewick takes to the road in a donkey cart. Accompanied by Captain Patrick Dalroy, a crimson-haired giant with a tendency to burst into song, Hump provisions the cart with a cask of good rum, a giant round of cheese, and the signpost from his pub, The Flying Inn.

Father Brown - das ist jener englische Geistliche, der äußerst bescheiden daherkommt, vor dessen Kombinationsgabe und Scharfsinn aber der größte Bandit und der berühmteste Kriminalist den Hut ziehen müssen! Hier mit seinem ersten Fall: Das blaue Kreuz. In diesem bringt er gleich seinen späteren Freund und Helfer, den Verbrecher Flambeau, zur Strecke.

G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory.

G.K. Chesterton was one of the towering figures of British literature in the early twentieth century. A man of massive size, massive personality, and massive appetite, Chesterton famous personality, dress, and personality gave rise to an eponymous adjective: Chestertonian. Although he is renowned for the Father Brown detective series, Chesterton also wrote volumes of nonfiction. First published in 1917, A Short History of England is exactly that, serving Chesterton's goal of publishing "a popular book of history written from the standpoint of a member of the public."

"The Hammer of God," readers are surprised to learn from Father Brown that the murderer is not a violent madman but rather a very respected member of the community. The Reverend Wilfred Bohun could no longer stand the scandalous behavior of his alcoholic brother Norman, who blasphemed God and humiliated the Reverend Bohun in the eyes of his parishioners. Chesterton states that Wilfred and Norman Bohun belong to an old noble family whose descendants are now mostly "drunkards and dandy degenerates." Rumor has it that there has been "a whisper of insanity" in the Bohun family.