Risultati Editore "Blackstone Audio, Inc." in Giudaismo

It is the story of a boy growing up in the war-torn Jerusalem of the 40s and 50s in a small apartment crowded with books in 12 languages and relatives speaking nearly as many. His mother and father, both wonderful people, were ill-suited to each other. When Oz was 12 and a half years old, his mother committed suicide - a tragedy that was to change his life. He leaves the constraints of the family and the community of dreamers, scholars, and failed businessmen to join a kibbutz.

The Lost begins as the story of a boy who grew up in a family haunted by the disappearance of six relatives during the Holocaust - an unmentionable subject that gripped his imagination from earliest childhood. Decades later, spurred by the discovery of a cache of desperate letters written to his grandfather in 1939 and tantalized by fragmentary tales of a terrible betrayal, Daniel Mendelsohn sets out to find the remaining eyewitnesses to his relatives' fates.

The Counterlife is about people enacting their dreams of renewal and escape, some of them going so far as to risk their lives to alter seemingly irreversible destinies. Wherever they may find themselves, the characters of The Counterlife are tempted unceasingly by the prospect of an alternative existence that can reverse their fate. Illuminating these lives in transition and guiding us through the book's evocative landscapes, familiar and foreign, is the mind of the novelist Nathan Zuckerman.

Martin Buber’s I and Thou has long been acclaimed as a classic. Many prominent writers have acknowledged its influence on their work; students of intellectual history consider it a landmark; and the generation born after World War II considers Buber one of its prophets. Buber’s main proposition is that we may address existence in two ways: (1) that of the “I” toward an “It,” toward an object that is separate in itself, which we either use or experience; (2) that of the “I” toward “Thou,” in which we move into existence in a relationship without bounds.

No American city was more important to the Nazis than Los Angeles, home to Hollywood, the greatest propaganda machine in the world. The Nazis plotted to kill the city's Jews and to sabotage the nation's military installations: plans existed for hanging 20 prominent Hollywood figures such as Al Jolson, Charlie Chaplin, and Samuel Goldwyn; for driving through Boyle Heights and machine-gunning as many Jews as possible; and for blowing up defense installations and seizing munitions from National Guard armories along the Pacific Coast.

The Art of Inventing Hope offers an unprecedented, in-depth conversation between the world's most revered Holocaust survivor, Elie Wiesel, and a son of survivors, Howard Reich. During the last four years of Wiesel's life, he met frequently with Reich in New York, Chicago, and Florida - and spoke often on the phone - to discuss the subject that linked them: both Wiesel and Reich's father, Robert Reich, were liberated from Buchenwald death camp on April 11, 1945. What started as an interview assignment from the Chicago Tribune evolved into a friendship and partnership.

The Big Jewish Book for Jews brings together Jewish wit, inspiring tales, classic skills, and even pickle recipes, for the instruction and edification of the modern Jew. Readers will learn how to sacrifice a lamb unto the Lord, the rules of Canasta, how to build a pyramid (the Bernie Madoff and the Egyptian kind), and how not to accept the first table you are shown to in a restaurant.

Ariel Burger first met Elie Wiesel at age 15. They studied together and taught together. Witness chronicles the intimate conversations between these two men over decades as Burger sought counsel on matters of intellect, spirituality, and faith while navigating his own personal journey from boyhood to manhood, from student and assistant to rabbi and, in time, teacher. In this profoundly hopeful, thought-provoking, and inspiring audiobook, Burger takes us into Elie Wiesel's classroom, where the art of listening and storytelling conspire to keep memory alive. 

In a major work of scholarship both erudite and very funny, Jeremy Dauber traces the origins of Jewish comedy and its development from Biblical times to the age of Twitter. Organizing his book thematically into what he calls the seven strands of Jewish comedy - including the satirical, the witty, and the vulgar - Dauber explores the ways Jewish comedy has dealt with persecution, assimilation, and diaspora through the ages. He explains the rise and fall of popular comic archetypes such as the Jewish mother, the JAP, and the schlemiel and schlimazel.

The topic of neurotheology has garnered increasing attention in the academic, religious, scientific, and popular worlds. But there have been no attempts to explore more specifically how Jewish religious thought and experience may intersect with neurotheology. The Rabbi's Brain engages this groundbreaking area.  

In the 2014 New York Times best seller Jesus on Trial, David Limbaugh made a case for the Gospels as hard evidence of the existence of God, drawing on his own spiritual journey from skeptic to believer. Now Limbaugh looks deeper into the scriptures and discovers that Jesus Christ's very being reveals itself in a close reading of the sacred texts.

In Why We Remain Jews, Dr. Vladimir Tsesis describes the path he traversed from religious ignorance to strong belief in the Jewish religion. Tsesis assigns a special place to the proof of his conclusion that religion and science - especially in light of recent discoveries - are not antagonists but are in fact in complete harmony, supplementing and not excluding each other.

In the spring of 1933, more than 8,000 Jewish musicians, actors, and other artists were expelled from their positions with German orchestras, opera companies, and theater groups. Later that year, the Jüdische Kulturbund, or Jewish Culture Association, was created to allow Jewish artists to perform for Jewish audiences.