Risultati per "Anatole France" in Letteratura e narrativa

Anatole France (1844 – 1924), è stato uno scrittore francese, Premio Nobel per la letteratura nell'anno 1921. Nel 1896 iniziò a scrivere la Tetralogia della storia contemporanea, composto di quattro romanzi, di cui questo è il primo. I romanzi hanno per protagonista il signor Bergeret, modesto e disilluso, ma colto e arguto professore di un liceo di provincia, attraverso i cui occhi France descrive la società del suo tempo.

In questo secondo volume della tetralogia della Storia contemporanea, che segue “L’olmo del Mail”, troviamo il signor Bergeret impegnato in discussioni politiche sulla corruzione dei funzionari della Repubblica e su questioni di morale cristiana e non, mentre, nella sua vita domestica (di cui il manichino di vimini è ingrato simbolo), egli acquisisce “l’inestimabile vantaggio di essere tradito”.Cornice musicale: A real slow rag, di Scott Joplin.

Anatole France is een Franse schrijver, beschouwd als een van de grootste van het tijdperk van de Derde Republiek, ook was hij een van de grootste literaire critici. Hij werd één van de meest significante geweten van zijn tijd door het aantrekken van vele oorzaken sociale en vroege twintigste eeuw beleid. Hij ontving de Nobelprijs voor zijn gehele oeuvre in 1921.

In questo quarto volume della tetralogia della Storia contemporanea, il signor Bergeret, promosso docente alla Sorbona, si trasferisce a Parigi con la sorella e la figlia Paolina. Con la sorella esplora il proprio passato, incontrato casualmente nella sua vecchia casa d’infanzia, sfitta e rovinata; con la figlia acquista una brillante ascoltatrice dei suoi discorsi filosofici, divenuti, finalmente, ottimisti.

In questo terzo libro della Storia contemporanea, il signor Bergeret si riconcilia finalmente con la vita. Diventato professore titolare, acquisita la dolce compagnia di un cane, continua, fra riflessioni filosofiche e prese di posizioni politiche del tutto scomode riguardanti l’affare Dreyfus, ad accompagnarci nel viaggio di questa Francia in cui governi radicali e conservatori si alternano, e in cui l’antisemitismo viene considerato patriottico.

La tragedia di un poveruomo stritolato da una macchina infernale. E questa prima impressione viene alla fine confermata da un epilogo incerto quanto doloroso. Ma tra la tesi e la sintesi, nel mezzo, si collocano infiniti spunti che meritano una scomposizione analitica, e che spiegano il corso degli eventi che travolgono lo sfortunato carrettiere. Ne voglio cogliere due, perché sono più attuali che mai: la strumentalizzazione della legge e la sua sostanziale ipocrisia.

Es difícil valorar hoy lo que significó Anatole France en su tiempo. Fue un escritor adorado por los liberales del mundo occidental.

Es difícil valorar hoy lo que significó Anatole France en su tiempo. Fue un escritor adorado por los liberales del mundo occidental. En él se daba esa militancia respetuosa por los lugares comunes de lo políticamente correcto.

Mademoiselle Jeanne, drawn by curiosity and the allure of mystery, attends a midnight Mass at the village church, said to be haunted by spirits of the departed. As the night unfolds, the air grows thick with a palpable sense of dread, and the shadows of the past emerge to claim their presence among the living. In the dim candlelight, ghostly figures and ethereal whispers fill the sacred space, weaving an eerie tapestry of fear and fascination. As Jeanne witnesses the ethereal procession, she is confronted with the haunting reality of mortality and the power of faith.

I 1700-talets Paris arbetar huvudpersonen Jacques som stekvändare i sin fars stekstuga Drottning Gåsfot. När stekstugan en dag får besök av abbé Coignard får Jacques ett erbjudande: mot fri mat ska abbén undervisa honom i latin, grekiska och kristendom. Det visar sig att den försupne abbén har minst sagt okonventionella föreställningar om vad ett kristet leverne innebär. Tillsammans stöter de på en mängd bisarra figurer, alla med sina egna säregna idéer om samhället, livet och historien. Drottning Gåsfot är nobelpristagaren Anatole Frances mest älskade och spridda verk.

In The Mass of Shadows, Anatole France weaves a solemn and haunting tale of love, memory, and the fragile boundary between life and death. Through the voice of a sacristan recalling his father’s stories, we enter a world where the dead return not in terror, but in reverence—souls bound by affection, regret, and unfinished devotion. Once a year, they are granted a single hour to reunite with those they loved, gathering silently in their parish church to attend a Mass said not for the living, but for memory itself.

Penguin Island is Anatole France’s most searching and satirical novel. A humorous critique of customs and laws, rituals and rites, its subject is human nature, but its characters are penguins in the mythical land of Penguinia. The story of the strutting penguins and their virtues and vices is not merely a burlesque allegory of French history, but a satire of the history of mankind.

I 1700-tallets Paris arbejder Jacques på sin fars restaurant, hvor han en dag møder en mærkelig abbed. Abbeden tilbyder Jacques kost og logi, hvis den unge dreng vil lade abbeden undervise ham i græsk, latin og kristendom. Det lyder mærkeligt, men alligevel tager Jacques imod tilbuddet. Det viser sig imidlertid, at abbeden har en lettere aparte tilgang til kristendommen og samfundet som helhed. Sammen kommer de ud for lidt af hvert og møder de mest mærkværdige eksistenser.

Die Schriften der französischen Prosa-Ikone Anatole France wurden zu Beginn des letzten Jahrhunderts vom Vatikan auf den Index verbotener Bücher gesetzt. Ob bei den offiziellen europäischen Gottes-Profis inzwischen ein Umdenken stattgefunden hat, ist zu bezweifeln. Jedenfalls zeugen die Erzählungen des Anatole France von einem großartigen Verständnis der praktischen Welt und einem sehr gutem Verständnis der menschlichen Natur – wahrscheinlich deswegen für den Vatikan unverständlich.

The problem with the dark is you don’t really know what’s lurking in there. Something hiding? Something menacing? Or just an inky dome for the stars to twinkle on? Writers rarely let us dwell on the latter. No, they would much rather they put our nerves on edge, that our skin would begin to crawl and that the cold sweat of fear propels our pulse and heartbeat to nightmare-inducing trauma. I think they’re ready.

Love has many forms, many needs. Some fall into the dark, into the shadows. Forbidden love has connotations of desire, of possession but also of matters far more unsavoury. It’s a delicate facet of love that our classic authors explain with careful words and superbly crafted narratives.

Die Schriften der französischen Prosa-Ikone Anatole France wurden zu Beginn des letzten Jahrhunderts vom Vatikan auf den Index verbotener Bücher gesetzt. Ob bei den offiziellen europäischen Gottes-Profis inzwischen ein Umdenken stattgefunden hat ist zu bezweifeln. Jedenfalls zeugen die Erzählungen des Anatole France von einem großartigen Verständnis der praktischen Welt und einem sehr gutem Verständnis der menschlichen Natur – wahrscheinlich deswegen für den Vatikan unverständlich.

Die Schriften der französischen Prosa-Ikone Anatole France wurden zu Beginn des letzten Jahrhunderts vom Vatikan auf den Index verbotener Bücher gesetzt. Ob bei den offiziellen europäischen Gottes-Profis inzwischen ein Umdenken stattgefunden hat ist zu bezweifeln. Jedenfalls zeugen die Erzählungen des Anatole France von einem großartigen Verständnis der praktischen Welt und einem sehr gutem Verständnis der menschlichen Natur – wahrscheinlich deswegen für den Vatikan unverständlich.

In The Gods Are Athirst, a captivating novel by Anatole France, we delve into the turbulent world of the French Revolution through the eyes of Évariste Gamelin, a young Parisian painter whose rise from obscurity to a prominent member of the Revolutionary Tribunal is both swift and chilling. Frances masterful prose paints a vivid picture of how idealism can spiral into fanaticism, leading Évariste to orchestrate a reign of terror that endangers not only his own life but also the lives of his loved ones. This gripping tale serves as a powerful exploration of ambition, morality, and the human ...

In his signature satirical and allegorical style, Anatole France crafts a captivating fantasy tale about a mischievous guardian angel who pilfers books from his charge, an archbishop overflowing with theological literature. After indulging in a voracious reading spree, he transforms into a fallen angel, embarking on a quest to find and rally other fallen angels. Together, they concoct a daring plan to challenge the very authority that has dictated their fates, realizing that a revolt is not just necessary but inevitable. As they gear up for battle to reclaim their destiny—and that of ...