Risultati letto da "Ghizela Rowe" in Tutte le categorie

John Griffith Chaney was born on January 12th, 1876, in San Francisco. In late 1876 his mother married John London and the young child was brought to live with them as they moved around the Bay area, eventually settling in Oakland where now, calling himself Jack, he completed grade school. In the Klondike Jack began to gather material for his writing. During the late 1890s Jack was regularly publishing short stories and by the turn of the century full-blown novels.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In literature the ambition is much narrower. In order to be known, to be popular, you had to be published. And for that people had to know you existed and your ideas worth reading. Obviously for most of humanity's time people couldn't read and texts couldn't be published in any great number.

Whilst Europe endured the Dark Ages in the 6th & 7th Centuries, devotees of Shiva and Vishnu in Southern India were creating the Bhakti Movement. Some of these exponents, as in our volume, were bestowed with the title of saint but some had the additional title of sant, swami or goswami. Broadly speaking, Bhakti poetry, as in Hinduism itself, is divided into ‘Nirguna’, the idea that the divine is formless as exampled by Kabir and ‘Saguna’, which interprets the divine as having physical form as captured by Mirabai.

Kabir, meaning "Great" and one of the 99 names of God in Arabic, was a mystic and poet, born around 1440 in Varanasi to poor Muslim parents. Another account claims he was the child of a Brahmin widow. He himself said he was "at once the child of Allah and Ram". Kabir grew up learning his father’s craft of weaving and overcame many obstacles to become a disciple of Saint, or Swami, Ramananda, the leading pioneer of the Bhakti movement, which promoted salvation for all.

Whilst the notion of the Mystic East and Oriental wisdom was greatly romanticised by the Victorians and others, the shadow of Colonialism has smudged the view. These great cultures are some of humanity’s earliest, their works, their art some of its most daring and most accomplished. In these 50 poems across 50 poets we hope, at least in part, to rebalance our view of this subject. We begin in the 6th century BC and travel with a poet’s words and eyes across India, China, Persia and many other places in between.

William Wordsworth was born on the 7th of April, 1770 and is rightly regarded as a major English poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature. His words have been proffered by many a tongue around the world. They stir, they inspire they create lyrical pictures and feelings as few others can. Wordsworth's was also Britain's Poet Laureate from his appointment by Queen Victoria in 1843 until his death in on the 23rd of April 1850.

Mirabai was a Rajput princess born to the Rathore clan in 1498 in Kudaki, Rajasthan, in northern India. Despite being one of the most significant saints in the Bhakti tradition and an immensely popular Hindu mystic and religious poet, very few facts are actually known about her life including her date of birth. It is clear that her mother died when she was very young and she was greatly influenced by her father, also a worshipper of Krishna. From a young age, Mirabai’s devotion to Krishna was absolute surrender and complete devotion.

Edgar Allan Poe (born Edgar Poe) was born in Boston, Massachusetts, on January 19th, 1809, and was orphaned at an early age. Taken in by the Allan family, his education was cut short by lack of money, and he went to the military academy West Point where he failed to become an officer. His early literary works were poetic, but he quickly turned to prose. He worked for several magazines and journals until in January 1845, The Raven was published and became an instant classic.

Art. The greatest standard bearer of what the human condition really is? Or emperor’s clothes, cheap gimmicks displayed as all-knowing? When it comes to writing we have our favourite authors. But what of the authors themselves? What are they keen to write of? For our classic authors, from Poe to Lovecraft, from Woolf to Fitzgerald, art in their words is something to be admired. From many angles, many views, their stories, their characters interact with art, and the consequences fall as they may.

All too often the talents of women have been scorned, mocked and laughed at. In reality that was more usually by those whose own talents were hardly fit to even grace their shadows. But society in general still connived and set women to one side in almost everything that men considered their rightful territory. And literature was one such territory. Remarkably resilient as well as talented these women strove to be published, to show themselves as equals. The results more often than not proved that they were.

Do you believe in ghosts? If you do you probably treat any rendezvous with them with more than a fair share of caution. If you don’t then you’re probably keen to disprove their existence and find a rational explanation for whatever is going on and immediately make plans to enter the haunted house. In this volume our authors are very keen to show why the latter is not the wisest of moves.

In this volume we bring together men of the cloth, those people of faith who spent most of their lives in devotional duties in the service of one so they could, in their spare time, serve another.

To be a woman is to be half the world’s population but, in many countries, unfortunately still now and for most of history, women were decidedly second class, normally no more than chattels and the bearers and nurturers of children. As society involved into a complex and overlapping system where education and equality begin to seek space things began to change. In this volume our authors describe and reveal how life actually felt for almost all women before the recent past.

For centuries England has always had a leading and admired reputation for its poets and poetry. In this volume we explore those born in the West Midlands who created such revered, enduring and respected verse.

For centuries England has always had a leading and admired reputation for its poets and poetry. In this volume we explore those born in the East Midlands who created such revered, enduring and respected verse.

For centuries England has always had a leading and admired reputation for its poets and poetry. In this volume we explore those born in the North-West who created such revered, enduring and respected verse.

In this volume we listen to the world through the eyes and words of the English Romantics. This very special poetical period is filled with the loving and tender verse of poets who still beguile us all with their beauty.

For centuries England has always had a leading and admired reputation for its poets and poetry. In this volume we explore those born in the East of England who created such revered, enduring and respected verse.

The dreaming spires of Oxford may be one of the great educational establishments of the Centuries. But it is also a place where the Nation’s young learn much more. Within its walls, courtyards and cloisters these 10 Poets mused and illuminated on the beauty of poetry with eager yet tender words.

Katherine O'Flaherty was born on the 8th February 1850 in St Louis, Missouri to parents of French and Irish descent. Kate married Oscar Chopin in 1870 and the couple moved to New Orleans, and later to the rural setting of Cloutierville, Louisiana to raise their 6 children. By the early 1890’s her short stories were published nationally. Despite the criticism, which unnerved her, she continued to write though in the main her works, around 100 short stories and two novels, were not attributed with any literary worth.