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Oscar Fingal O'Flahertie Wills Wilde was born on the 16th October 1854, in Dublin, Ireland. The son of Dublin intellectuals Oscar proved himself an outstanding classicist at Trinity College and then at Oxford. His only novel, ‘The Picture of Dorian Gray’, was published in 1890 and he then moved on to writing for the stage with ‘Salome’ in 1891. His society comedies were enormous hits and turned him into one of the most successful writers of late Victorian London. This collection of light-hearted and witty stories was written by Oscar Wilde in 1891.

Henri René Albert Guy de Maupassant was born on August 5th, 1850, near Dieppe in France. In 1880 he published what is considered his first great work, ‘Boule de Suif’, (translated as as ‘Dumpling’, ‘Butterball’, ‘Ball of Fat’, or ‘Ball of Lard’), which met with a success that was both instant and overwhelming. Flaubert at once acknowledged that it was ‘a masterpiece that will endure.’ Maupassant had used his talents and experiences in the war to create something unique.

Amy Levy was born in London, England, in 1861, the second of seven in a fairly wealthy Anglo-Jewish family. The children read and participated in secular literary activities and became firmly integrated into Victorian life. Amy’s writing career began early; her poem ‘Ida Grey’ appeared when she was only fourteen. Her acclaimed short stories ‘Cohen of Trinity’ and ‘Wise in Their Generation,’ were published by Oscar Wilde in his magazine ‘Women's World’.

Leo Tolstoy was born in 1828 in the Russian province of Tula to a wealthy noble family. As a child, he had private tutors but he showed little interest in any formal education. When he went to the University of Kazan in 1843 to study oriental languages and law, he left without completing his courses. Life now was relaxed and idle but with some writing also taking place. In 1852 ‘Childhood’ was published to immediate success and was followed by ‘Boyhood’ and ‘Youth’. His experience in the army and the horrors he witnessed resulted in ‘The Cossacks’ in 1862 and the trilogy ‘Sevastopol Tales’.

Leonid Nikolaievich Andreyev was born on 21st August in Oryol, Russia, to a middle-class family of Polish, Ukranian and Finnish ancestry. In 1898 his first short story ‘Bargamot and Garaska’, published in the ‘Kurier’ newspaper, caught the attention and friendship of Maxim Gorky. His first collection of short stories appeared in 1901 and sold over a quarter of a million copies. He was a sensation. His classic story ‘Silence’ is a haunting and a desperately sad account of a family broken by death and unable to reconcile their feelings.

Anton Pavlovich Chekhov was born on 29th January 1860, in Taganrog, on the south coast of Russia. Chekhov wrote over 500 short stories, which included many, many classics, including ‘The Kiss’ and ‘The Lady with a Dog’. His collection ‘At Dusk’ won him the coveted Pushkin Prize when was only 26. He was also a major playwright beginning with the huge success of ‘Ivanov’ in 1887.

The human race has been on the receiving end of many viral and bacterial diseases. And as medicine brings them to heel, eradicates their power, so Nature and Evolution brings others to the fore in a ceaseless march to weaken some, to strengthen others. And, as our race understands their mysteries, so we begin to weaponize them for our own malevolent use as biological weapons. Authors have always been drawn to this global scale and individual human response. In this collection virus and plague are given their head and the responses must see cure or capitulation within.

During the Victorian era the publishing of magazines and periodicals accelerated at a phenomenal rate. This really was mass market publishing to a hungry audience eager for literary sustenance. Many of our greatest authors contributed and expanded their reach whilst many fledging authors also found a ready source for their nascent works and careers. Amongst the very many was ‘The Yellow Book’.

Netta Syrett was born Janet Syrett on 17th March 1865 in Ramsgate, Kent, one of 13 children. Her debut novel, Nobody's Fault (1896) was the beginning of a long and prolific output. For the next several years her writing and teaching careers ran alongside each other.

In this volume we gather together verse from lesbian poets that is deeply personal and at times overwhelming. It is not just a search for physical love but a journey through the spiritual to completeness, to becoming whole. However we recognise that the label lesbian might be anachronistic and so also include those who stand by their sides or who have a view in verse that helps us to revel in their love. For in the end that is all our journey is about.

The office of Poet Laureate is a high honour amongst poets. The ancient Greeks had the first idea, and their heroes and poets wore wreaths of laurel in honour of the god Apollo. Many countries now have a laureate, as do many societies and organisations. But perhaps ranked first among them all is that of our own Poet Laureate. Unfortunately no single authentic definitive record exists of the office of Poet Laureate of England. In some form it can be traced back to 1189 and Richard Canonicus, who was employed by Richard I with the title 'versificator Regis'.

With classics such as ‘My Last Duchess’ and ‘The Pied Piper of Hamelin’ Robert Browning’s status as one of the great Victorian poets will always be secure in popular culture, while for the more literary he is considered a master of dramatic verse and dramatic monologues. It is interesting to note that his career bloomed late. Indeed, it was only after the death of his wife Elizabeth in 1861 and his return to England from their life in Italy that his work came into wider acceptance and critical acclaim.

These stories reveal the truth about vampires as told by a rather special vampire. Not the romantic or even the really nastily horrific stories that the non-vampires amongst us have dreamed up. Tracing a life lived over centuries, from ancient Rome right through to the more modern Texas, these stories are linked by the narrator, with interludes of explanation. Subtly dark, and with enough horror behind to send a shudder down the spine in places, but with gentle humour and a facility for twisting the historic truth just so much that the fictitious explanation makes sense in context.