Risultati di "A.D. Lawrence" in Tutte le categorie

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

The inevitable is understood by each and every one of us who faces the final calling. So too are the effects on those left behind. The memories are there but the empty space, the void can never be refilled. It remains a dark, unreliable pit of loneliness. The sadness and often depression, the lack of will to continue may swamp us all. Unquenchable, undeniable. But loss can, after mourning, give the opportunity to reappraise the lost and how we can each move forward. In the literary world an accessible balance can be given.

In this collection of short stories some of our most popular and well-known authors are grouped together with an unfortunate tag: dead at 44. These authors are not run-of-the-mill or ten a penny; they are literary leviathans who left enduring works of literature and sadly may have left us many more had they lived. We will never know.

David Herbert Lawrence was born on the 11th September 1885 in Eastwood, Nottinghamshire, a coal mining town where the reality of a harsh life was only useful as experiences for future literary works. Lawrence’s first efforts were poems, short stories and a draft of ‘The White Peacock’. Moving to London and a teaching position in Croydon his writing attracted the attention of Ford Madox Ford, editor of The English Review, and he commissioned him to write ‘Odour of Chrysanthemums’.

Here we journey with our classic poets from Christina Georgina Rossetti and Thomas Hardy to Frances W. Harper and Kipling, not only the ways, the wonders and the women who take on the responsibility to raise children no matter the problems or dangers to themselves, but also the difficulties and sometimes desperate tragedies that motherhood can involve. We hope these poems inspire every generation to reach out and better themselves and those around. This is our tribute to mothers everywhere.

Siegmund deserts his family in the London suburbs for a five day holiday on the Isle of Wight with his lover and violin pupil Helena. Despairing of both his marriage and his future with Helena, Siegmund returns home and takes his own life. Made of stronger stuff, Helena and Beatrice, his wife, move on.

Heiress Stella Burke is plagued by insincere suitors and nonstop headaches. Exhausting all other medical aides for her migraines, Stella reads Fasting for the Cure of Disease by Linda Hazzard and determines to go to the spa the author runs. Stella’s chauffer and long-time friend, Henry Clayton, is reluctant to leave her at the spa. Something doesn’t feel right to him, still Stella submits herself into Linda Hazzard’s care. Stella soon learns the spa has a dark side and Linda a mean streak. But when Stella has had enough, all ways to leave are suddenly blocked. 

Lawrence’s first novel tells the tale of a love triangle between Lettie Beardsall and her neighbors George Saxton, son of a farmer, and Leslie Tempest, the local mine owner's son. Lettie will marry Leslie but remain sexually attracted George. George also marries but falls victim to alcohol.

In this course, objectively delivered by Professor Lawrence H. Schiffman, listeners will engage in a discussion on how that collection came into being and how it was passed down and interpreted throughout the ages. You will sample approaches both traditional and modern, making use of the works of a broad sampling of scholars - ancient, medieval, and modern - to understand the message of the Hebrew Scriptures and the stories they told

Crowned ‘the greatest imaginative novelist of our generation’ by EM Forster, DH Lawrence has an undisputed place in England's canon of great authors. In this wide-ranging collection, dramatisations and readings of some of his major works are brought together, exploring themes such as romantic love and sexual desire, individual freedom, class division, war, the beauty of nature and the ugliness of industrialisation.

The human race prides itself on being the most organised of animals. We manage the fate of all other species. All other animals bow to our control or suffer. In diminishing numbers we allow some to live in the wild, but in increasing numbers we domesticate them, and whether they become part of the family, a best friend or wonderfully decorative accessory, we take their compliance for granted.

From the earliest oral traditions to ink on parchment and ultimately the printing press, this is the story behind the best-selling book of all time. Original texts were captured and passed down from generation to generation by elders and leaders, many inked by hand in extreme conditions. Christians and Jews canonized the Christian, Catholic, and Hebrew Bibles over a period of thousands of years. Devoted people dedicated their lives throughout time to put this unique book into the hands of people worldwide.

Lady Chatterley’s husband returns from the War paralysed from the waist down. Frustrated by his attitudes as much as his disability, she begins a love-affair with the gamekeeper, Mellors. She realises that to be fully alive she must live the life of the body as well as the mind, but in doing so she angers the conventions of her day. Banned for over 30 years for the explicit nature of its language and descriptions of sex, Lady Chatterley’s Lover also exposes the dehumanisation of the mechanical age, and underlines the profound power of tenderness.

A deep dive into the race to develop and perfect the driverless car—an innovation that promises to be the most disruptive change to our way of life since the smartphone—by a veteran insider of the automotive and tech worlds In Autonomy, former GM executive and current advisor to the Google...

Two short novellas brimming with Lawrence’s famous power and passion. In the first, an injured German prisoner-of-war awakens a grieving woman’s passion; in the second, Maurice and Geoffrey are brothers, farmers and virgins until a rainy night when Paula and Lydia chance along.

Le roman le plus connu de D.H. Lawrence. Son succès repose sur l'idée que c'est le chef-d'œuvre de la littérature érotique, l'histoire d'une épouse frustrée, au mari impuissant, et qui trouve l'épanouissement physique dans les bras vigoureux de son garde-chasse.

Over the far horizon the blanket of night begins to slowly dissolve. The sun is once more on its daily journey across the heavens. The light begins to sharpen and increase in intensity, revealing the landscape. Morning has begun, and dazed heads and sleepy faces come to terms with the new day. Our poets capture the mood, the emotions and all manner of other details in their descriptions of this time. But then with the calibre of wordsmiths such as Tennyson, Wordsworth, Milton, Southey, Donne and many more besides, we are almost spoilt.

NBC University Theater initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. In its later years, it also included short stories and plays and went on to win the distinguished Peabody award. University Theater relied on excellent distillations of the novels and first-class acting alongside high production values.

Daring, transgressive and controversial, D.H. Lawrence scandalized the literary world with his frank descriptions of sex and desire. He was censored by his own publisher for being too explicit, and several of his most famous works were banned under the Obscene Publications Act. But for Lawrence, a self-described 'priest of love', passion was the stuff of life - and these two dynamic reimaginings celebrate him at his most bold, pushing the boundaries of sexuality and the fulfilment of furious need. 

When the Great War broke out in August 1914, Thomas Mann, like so many people on both sides of the conflict, was exhilarated. Finally, the era of decadence that he had anatomized in Death in Venice had come to an end; finally, there was a cause worth fighting and even dying for, or, at least when it came to Mann himself, writing about. Mann immediately picked up his pen to compose a paean to the German cause. Soon after, his elder brother and lifelong rival, the novelist Heinrich Mann, responded with a no less determined denunciation.