Risultati di "Fyodor Dostoyevsky" in Tutte le categorie

In Parts 3-4 of The Idiot, Prince Myshkin returns to St. Petersburg. At a gathering, Ippolit’s confessional letter reveals existential despair. Aglaya Epanchin’s affection complicates Myshkin’s bond with tormented Nastasya Filippovna, pursued obsessively by Rogozhin. A confrontation between Aglaya and Nastasya leads Nastasya to flee with Rogozhin, ending in her murder. Rogozhin’s guilt shatters Myshkin, who descends into madness, reflecting destructive passions and societal decay. Dostoevsky examines the impossibility of pure goodness amidst corruption. Summary by John McCormick

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. The Russian short story is, in many respects, in a genre of its own. It is at its captivating best whether it’s an exploration of real-life experiences, through fantasy and fables and on to total absurdity.

Fyodor Mikhailovich Dostoyevsky was born in Moscow on 11th November, 1821 to distinguished multi-ethnic parents from a Lithuanian background. His childhood years were at the family home in hospital grounds which also contained an orphanage, an insane asylum and a cemetery for criminals. The young Fyodor often disobeyed his father by talking to the ill in the hospital gardens. In 1846 he published his first novel ‘Poor Cow’ to great literary acclaim. As he began his next work he was arrested and incarcerated for treason and participation in the political and literary Petrashevsky Circle.

Notes from Underground (also translated as Notes from the Underground or Letters from the Underworld) is a novella by Fyodor Dostoevsky, first published in the journal Epoch in 1864. It is a first-person narrative in the form of a "confession": the work was originally announced by Dostoevsky in Epoch under the title "A Confession". The novella presents itself as an excerpt from the memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man), who is a retired civil servant living in St. Petersburg.

Included. The Apparition Of Mrs. Veal by Daniel Defoe,. Alice Addertongue by Benjamin Franklin,. The Legend Of Sleepy Hollow by Washington Irving,. Prosper Mérimée by Mateo Falcone,. Napoleon And The Spectre by Charlotte Bronte,. The Mortal Immortal by Mary Shelley,. Young Goodman Brown by Nathaniel Hawthorne,. Dr. Heidegger's Experiment by Nathaniel Hawthorne,. Overcoat by Nikolai Gogol,. The Tell-Tale Heart by Edgar Allan Poe,. The Cask Of Amontillado by Edgar Allan Poe,. An Honest Thief by Fyodor Dostoyevsky,. Frog by Edgar Allan Poe,. The Knitted Collar by Mary Anne Hoare.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Crime and Punishment is a novel by the Russian author Fyodor Dostoevsky. It was first published in the literary journal The Russian Messenger in twelve monthly installments during 1866. It was later published in a single volume. It is the second of Dostoevsky's full-length novels following his return from ten years of exile in Siberia. Crime and Punishment is considered the first great novel of his mature period of writing. The novel is often cited as one of the supreme achievements in world literature.

Fyodor Dostoyevsky's final novel, considered to be the culmination of his life's work, "The Brothers Karamazov" is the story of the murder of Father Karamazov, whose four sons are all to some degree complicit in the crime. Within the context of this crime story evolves a brilliant philosophical debate of religion, reason, liberty, and the nature of guilt in society. Considered by Sigmund Freud as "The most magnificent novel ever written", the excellent translation of Constance Garnett is presented here in this edition of "The Brothers Karamazov".

In this volume our authors explore the terrors of the mind rather than the horrors of reality, although with their pens the difference makes little difference. We twist this way and that as their talents shape our path towards endings of the nerve-shredding kind.

Talent bursts from this decade with astonishing ease. From America across Europe to Russia each and every story is an indelible mark of story-telling flecked with genius that enthralls us all. Whatever their chosen genre their stories break new ground, cover new topics and carry a legacy that cannot be disputed.

The Brothers Karamazov by Fyodor Dostoevsky is a profound philosophical and psychological novel that explores deep questions of faith, doubt, free will, and the nature of evil through the lives of the Karamazov family in 19th century Russia. The narrative delves into the moral struggles and inner turmoil of the three brothers and their relationship with their father, leading to a dramatic and tragic conclusion. This masterpiece is celebrated for its exploration of the human condition, morality, and the search for truth.

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. The Russian Literary Tradition has justly earned a magnificent reputation. The Russian Empire of the Czars was a huge and disparate patchwork of peoples ruled by an overbearing elite that employed a middle-class bureaucracy to keep the working class firmly underfoot. Within its vaulted ranks are a role call of many of the greatest literary talents of the ages.

Fyodor Mikhailovich Dostoyevsky was born in Moscow on 11th November, 1821, to distinguished multi-ethnic parents from a Lithuanian background. In 1846 he published his first novel ‘Poor Cow’ to great literary acclaim. His next was unable to emulate that success but his short stories helped provide an income. ‘The Dream of a Ridiculous Man’ is one of his many classic short stories that turn a splinter of the ordinary into the spiralling descent of chaos.

Poor Folk, Fyodor Dostoyevsky’s first novel, is almost forgotten now, living as it does under the long shadow of Crime and Punishment, Anna Karenina, The Brothers Karamazov and much more. Yet when it was published in 1846, it brought him instant fame. It is an epistolary novel, presenting the...

A Christmas ball sets the plans in motion for the wealthy Julian Mastakovich, for an immensely wealthy business man has just announced that his daughter has a dowry of 300,000 rubles. First published in 1848, and adapted into a motion picture in 2000, Dostoyevsky shines a light on the business end of well-moneyed marriage. It begins when an 11-year-old girl gets an extravagant doll at a Christmas ball.

It's the most wonderful time of the year! The happiest season of them all. This volume offers selected sorties dedicated to Christmas and winder seasons from some of the best storytellers such as Fyodor Dostoyevsky, William Shakespeare, L. Frank Baum, Anton Chekhov. There'll be tales of the glories of Christmases long, long ago. And hearts will be glowing. The collection opens with 'The Heavenly Christmas Tree' by Fyodor Dostoyevsky, followed by 'At Christmas Time' from Anton Chekhov. In the second part we have 'A Kidnapped Santa Claus' by L. Frank Baum, followed by The Winter's Tale from William Shakespeare.

In the depths of a cellar in St. Petersburg, a civil servant spews forth a passionate and furious note on the ills of society. The underground man's manifesto reveals his erratic, self-contradictory and even sadistic nature. Yet in Dostoyevsky's most radical and disturbing character, there is...

One of the most tantalizing murder stories ever written, Crime and Punishment is a fascinating study of psychological tensions and spiritual struggle, as the student Rodion Raskolnikoff is overcome by remorse and guilt after he murders an old woman, a money-lender, to prove his theory that...

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.