Titoli in Epica

Canto le armi, canto l’uomo che primo da Troia / venne in Italia, profugo per volere del Fato / sui lidi di Lavinio...

The Iliad stands as the blazing cornerstone of all Western storytelling, an ancient epic that captures the violent splendor, tragic heroism, and unbearable human cost of the Trojan War. Attributed to Homer but shaped by generations of oral poets, it plunges listeners directly into the final, furious weeks of a ten-year siege, where gods interfere in mortal affairs, armies clash on the dusty plains beneath Troy’s towering walls, and the fate of empires turns on the choices of men driven by pride, rage, love, and grief.

"L'Orlando furioso" (1516) è un poema cavalleresco che racconta le avventure del paladino Orlando, innamorato di Angelica, che impazzisce quando scopre che la sua amata ha una relazione con un altro uomo. L'opera ha una trama molto stratificata che si sviluppa sostanzialmente su tre narrazioni principali: quella militare, costituita dalla guerra tra i paladini, difensori della religione cristiana, e i Saraceni infedeli; quella amorosa, incentrata sulla fuga di Angelica e sulla pazzia di Orlando, e infine quella encomiastica, con cui si lodava la grandezza dei duchi d'Este.

L'audiolibro contiene i canti da I a XII dell'"Inferno" di Dante Alighieri, nella lettura di Valerio Di Stefano.

In his perilous journey home after the Trojan War, Odysseus must pass through the land of the Cyclopes, encounter Circe the Enchantress, and face the terrible Charybdis and the six-headed serpent Scylla.

Dick Davis—“our pre-eminent translator from the Persian” (The Washington Post)—has revised and expanded his acclaimed translation of Ferdowsi’s masterpiece, adding more than 100 pages of newly translated text. Davis’s elegant combination of prose and verse allows the poetry of the Shahnameh to sing its own tales directly, interspersed sparingly with clearly marked explanations to ease along modern audiences.

The ancient story and legend of Odysseus's return home.

John Milton's Paradise Lost is one of the greatest epic poems in the English language. It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny.

The longest major poem by renowned English poet Samuel Taylor Coleridge tells of a wedding guest who is intercepted on his way to the ceremony by an old mariner. The mariner engages the guest with an incredible tale of a fateful sea journey, the story of which he is compelled to relate.

Brought to you by Penguin. This Penguin Classic is performed by George Blagden, star of Versailles and Vikings. This definitive recording is translated by E.V. Rieu, revised by D.C.H. Rieu, and contains an introduction by Peter Jones. The epic tale of Odysseus and his ten-year journey home after...

Une saison en enfer est un recueil poétique autobiographique et profondément introspectif du grand poète Arthur Rimbaud. L’ouvrage marque la rupture d'un jeune poète tourmenté avec son passé, ses idéaux et sa propre vision de la poésie. Rimbaud y exprime ses luttes intérieures et ses désillusions après une vie d’expériences intenses et un amour tumultueux avec le poète Paul Verlaine.

Elizabeth Barrett Browning’s ‘novel in verse’ is an epic poem that voices with enchanting beauty and literary courage the perspective of Victorian women. Aurora Leigh forges her own path to become a poet, successfully proving her worth, defying the ideals of her era, and rescuing her spirit from the suppression of a routine domestic life. Infusing the work with her own experience and passion, Browning produced a true masterpiece.

One of the finest German medieval epic poems, The Lay of the Nibelungs is perhaps best known now as one of the principal sources for Wagner’s four-part music drama The Ring of the Nibelung. It is easy to see how Wagner was enthralled by the story and the poetry for the power of the tale drives the narrative: intense love, loyalty, jealousy, murder, duty, honour and massacre are all interwoven into a classic.

4000 år efter at man i oldtidens Irak fortalte de første historier om kong Gilgamesh - helten, der jagede evigt liv - lever hans fortælling stadig videre. Det babylonske epos er et enestående eksempel på, at en fortælling kan brænde sig gennem tiden og forblive aktuel på tværs af årtusinder. "Gilgamesh" - hvis forfatter er ukendt - er et af verdenslitteraturens ældste hovedværker, og i dag bliver man stadig rørt af de oldgamle følelser, som eposset skildrer med poetisk præcision: kærlighed og sorg, rastløshed og dødsangst, venskab og vildskab.

The terrible and long-drawn out siege of Troy, the quarrel of Achilles and Agamemnon, the interactions between Olympian Gods and humans, remains among one of the classic campaigns and the heroism and treachery of the combatants have been unmatched in song and story. It is a literal translation, but prose, and therefore so much easier to understand! This is certainly the version for those who want to know what Homer is about.

The Iliad by Homer is an epic poem central to ancient Greek literature, narrating the siege of Troy. It explores themes of heroism, the wrath of Achilles, the nature of fate, and the quest for glory. Homer, a semi-legendary figure, is credited with composing both "The Iliad" and "The Odyssey," foundational works of Western literature.

The greatest of all the medieval romances about the Holy Grail, Parzival was written in the early 13th century. The narrative describes the quest of the Arthurian knight Parzival for the Holy Grail. His journey is filled with incident, from tournaments and sieges to chivalrous deeds and displays of true love.

Le Metamorfosi descrivono molte trasformazioni di persone in alberi, bestie, pietre o stelle (o viceversa), ma operano loro stesse una metamorfosi più attraente: quella dei miti greci in piccole novelle fantastiche, con personaggi vivi e svariati per temperamento, raziocinio ed emotività. Nemmeno il successivo appannarsi del prestigio di Ovidio ha mai esaurito la lista dei riverberi letterari delle Metamorfosi, fino a ieri – probabilmente fino a domani.

Chef-d’œuvre épique du XVIIe siècle, Le Paradis Perdu de John Milton déploie, en vers amples et solennels, une méditation vertigineuse sur la tentation, le péché et la rédemption. À l’échelle du cosmos comme au cœur de l’âme, la parole poétique scrute la grandeur et la fragilité humaines, entre épreuve, faute et espérance.

À l’arrière-saison, un chevalier quitte sa maison, seul, en proie aux pensées. La nature se défait—feuilles, fleurs, odeurs—tout tend à froideur et à neige. À l’écoute d’un propos de vérité, il mesure l’enfance passée, la jeunesse dépensée, l’honneur et la grâce divine. Composé à l’ombre d’un deuil—la mort du duc de Bourgogne, trépassé devant Nancy en Lorraine—ce poème méditatif interroge la gloire qui s’éteint, la vanité des choses et la constance des âmes. Une élégie chevaleresque, grave et sobre, où le temps et la mémoire conduisent vers une ferme résolution.