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A Gallery of Children is A. A. Milne's first published book of prose. It was released after his poetry collection, When We Were Very Young, and prior to Winnie the Pooh. With his characteristic blend of nonsense, wit and warmth, Milne offers 12 short stories of childish endeavour and mishap. They will delight and amuse listeners both young and not-so-young.

This translation, by an unknown hand, of D'Aurevilly's salacious miscellany, which consists of six novellas, was published in 1900 under the title Weird Women and is in the public domain. When the collection was first published in France in 1874, it caused up an uproar; it was declared a danger to public morality and the prosecutor issued orders for its seizure on the grounds of blasphemy and obscenity.

This collection contains a mixture of stories about ghosts and contacts from spirits, some by celebrated authors, together with essays on psychical research. As Joseph French notes in the preface, even for the skeptic, tales of ghostly activity retain a distinct fascination. The widespread interest in psychic phenomena in the early twentieth century proved to be a significant stimulus to literary production.

This collection presents eleven of Dreiser’s best tales, ranging from trenchant social analysis to penetrating character study.

The collection contains eight of Shakespeare’s best loved comedies. Each exhibits the vigour, humour, and optimism of the young master before he turned to the gloom and bitterness of the great tragedies.

“He was born with a gift of laughter and a sense that the world was mad … “So begins this historical tale of romantic adventure. Andre-Louis Moreau is an orphan and cousin of the beloved Aline. He is raised by his godfather, the Lord of Gavrillac, and matures into an educated lawyer—while Aline sets her mind on marrying the rich but dishonorable Marquis de la Tour d’Azyr. But when Moreau’s closest friend is killed by the Marquis in a duel, Moreau vows vengeance. After publicly denouncing the aristocracy and stirring up the crowds, Moreau is forced to go into hiding.

In As You Like It, a wicked Duke expels his virtuous brother, the lawful ruler, from his domains. The banished Duke takes refuge with his followers in the Forest of Arden, where they live as free a life as did Robin Hood and his merry men.

Mr. Hoopdriver is a frustrated draper’s assistant in Putney, London. He is badly paid, over-worked, and he needs a holiday. He also owns a bicycle—though he is an awkward rider. When his annual ten days’ holiday comes around, Mr. Hoopdriver sets out on a bicycling tour of the “Southern Coast.” Wells wrote this at the height of the bicycling craze and before the automobile. The bicycle gave freedom to the working class, weakened the English class structure and gave a boost to female emancipation. In his story he explores these changes.

Much Ado About Nothing appears to have been written about 1599, shortly before As You Like It and Twelfth Night. The action combines two narrative threads: the spirited comedy of the courtship of Benedick and Beatrice, and the somber tale of confused love between Hero and Claudio. The first is a creation by Shakespeare and the second appears to have been drawn from an Italian source, either by Bandello or Ariosto. The action takes place in Messina. Eponymous lovers Hero and Claudio seem to be ideally matched and nearly everyone is looking forward to their impending marriage.

As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to believe that her brother has perished. She disguises herself as a male under the name of Cesario and makes her way to the ducal court, where Orsino employs her as a messenger, to communicate his love to the reclusive lady, Olivia—who is not willing to return his affection.

This collection of 35 short poems was first published in 1927, and is a sequel to When We Were Very Young, which was the first anthology of verse dealing with the domestic adventures of Christopher Robin and Winnie the Pooh.

This play is a dramatization of Boccaccio’s story of Gillette of Narbonne. Only the comic parts were of Shakespeare’s invention; he added the characters of the pusillanimous Parolles, the lofty courtier Lafew, the Clown Lavatch, and the long suffering Countess. He gave new depth and vitality to the leading characters, who are mere outlines in Boccaccio’s tale.