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Few of Emily Dickinson’s poems were published in her lifetime. Her posthumous fame is largely due to the efforts of her editors and supporters Thomas W. Higginson and Mabel Loomis Todd.

It always happens when you least suspect it. Love. The chemistry. The pull. Even when you don’t want it to. Timing - it’s a bitch. And then you have to make a choice. Do you regret what is, or what isn’t? Because when love’s involved, there’s always regret. And my story is no exception.

Grace Dobbs, a champion at her local gun club, lives a quiet life in Western Australia with her mother. But when a violent killing spree in the neighborhood involves Grace coming to the rescue, she is catapulted into the limelight as a local heroine. However, her fame spreads much further than the local town, bringing her to the attention of someone in Britain who is very keen to meet her. But what does this person want? And can they be trusted?

Gertrude Stein's work flourished in a world which was finding bold new ways of expressing itself. Forms like Impressionism, cubism, expressionsism and other non-representational styles were developed that provoked and challenged the observer (as well as the established art world). What avant-garde artists did with paint and ink, Gertrude Stein did with words – dispensing with conventions of grammar and clarity, she gave free rein to word play and the musicality of sounds, without regard to their meaning or relationships.

This collection was published in 1901 and contains some of Lawson's best known stories. Most of the stories are set in the Australian bush, and feature many of Lawson's iconic characters, like squatters, swagmen, and struggling selector farmers. A persistent theme is the harshness of rural life and the inevitability of personal tragedy.

In his short life, Australian poet Barcoft Boake completed 30 poems, the most famous of which is the pastoral lament, "Where the Dead Men Lie", which was first published in the The Bulletin in December, 1891. This collection was prepared and edited by critic and anthologist, A. G. Stephens, who also appended a detailed memoir of the poet.

Bailey Sheppard had loved Nick Heart for as long as she could remember. They had been best friends in school and graduated to a friends-with-benefits arrangement after she left for university. His once-a-month visits, when she would have him all to herself for the weekend, were the highlight of her life. And then he told her he was getting married. Bailey needed Nick in her life. She wanted to be the one he married and lived happily ever after with. So she hatched a plan to stop the wedding and steal the groom. And then she met Hunter.

This collection contains a mixture of stories about ghosts and contacts from spirits, some by celebrated authors, together with essays on psychical research. As Joseph French notes in the preface, even for the skeptic, tales of ghostly activity retain a distinct fascination. The widespread interest in psychic phenomena in the early twentieth century proved to be a significant stimulus to literary production.

“He was born with a gift of laughter and a sense that the world was mad … “So begins this historical tale of romantic adventure. Andre-Louis Moreau is an orphan and cousin of the beloved Aline. He is raised by his godfather, the Lord of Gavrillac, and matures into an educated lawyer—while Aline sets her mind on marrying the rich but dishonorable Marquis de la Tour d’Azyr. But when Moreau’s closest friend is killed by the Marquis in a duel, Moreau vows vengeance. After publicly denouncing the aristocracy and stirring up the crowds, Moreau is forced to go into hiding.

Between 1922 and 1923, Katherine Mansfield wrote four volumes of short stories. This recording includes all sixty-three stories from the four collections, including a number of incomplete stories collated after Mansfield’s death.

In a German Pension (1911) was Katherine Mansfield’s first published collection of short stories. Many of these works had been previously published in the British weekly magazine, The New Age, which also featured work by figures including G. K. Chesterton, H. G. Wells, and George Bernard Shaw. The word “pension" in the title refers to a European guest-house.

This collection of short stories, by celebrated New Zealand writer Katherine Mansfield, was first published in 1920. Many of Mansfield’s short stories explore New Zealand landscapes and identity, and her work has been a shaping force in the short story genre.

The Dove’s Nest and Other Stories is a collection of both finished and unfinished short stories written by Katherine Mansfield. The collection was published posthumously, not long after Mansfield’s death in 1923, by her husband, John Middleton Murry.

The Garden Party and Other Stories was published in 1922. A collection of fifteen short stories, it explores themes including life and death, gender and family roles, relationships and duty.

This collection of 35 short poems was first published in 1927, and is a sequel to When We Were Very Young, which was the first anthology of verse dealing with the domestic adventures of Christopher Robin and Winnie the Pooh.