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With the possible exception of Mozart, Verdi is the most popular opera composer who ever lived. Quite early in his career his tunes were being cranked out by barrel organs throughout Europe and were well known to many who may never even have heard his name. But the complex man behind them remains elusive and puzzling. In this portrait-in-sound, Jeremy Siepmann and a group of distinguished actors take an in-depth look behind the popular image of a man who was, and perhaps remains, the most enduring national hero in Italian history and a colossus in the history of music itself.

The life of Franz Schubert has been a gift to romantically inclined biographers: the beautiful, brilliant, modest boy who sprang to fully fledged genius at the age of sixteen; the quintessential ‘artist in a garret’, entirely consumed by his art and living a hand-to-mouth existence in Vienna (home of Mozart, Haydn and Beethoven); the gentle, cheerful, convivial young man who prized friendship almost as highly as music itself; the unworldly poet from whom great music poured like water from a fountain; the unrecognized master who died almost penniless at the age of 31.

Full-cast radio adaptations of two classic mysteries by the writer of The Phantom of the Opera Gaston Leroux was one of the pioneers of the detective story, alongside Arthur Conan Doyle and Edgar Allen Poe. Best known for The Phantom of the Opera, he also wrote a series of crime novels featuring...

Marcus Flavius Aquila, a young centurion in Roman Britain, is forced into retirement after receiving a wound in his first major engagement against a rebel British tribe. It allows him the freedom to embark upon a dangerous mission to find out what happened to the Ninth Legion, which, years before, disappeared in the savage lands of the Picts. Will he find out what happened to the men, led by his father, who never returned? And will he recover the Eagle, the symbol of Roman dominance and power?

Four more delightful tales from one of the most entertaining storytellers of all time. Though writing in the thirteenth century, Chaucer’s wit and observation comes down undiminished through the ages, especially in this accessible modern verse translation. The stories vary considerably from the uproarious Wife of Bath’s Tale, promoting the power of women to the sober account of patient Griselda in the Clerk’s Tale.

This is a story from the Canterbury Tales II: Modern Verse Translation collection.

Herman Melville was an American novelist, short story writer, and poet of the American Renaissance period. He is best known for Moby-Dick, the opening line of which - ‘Call me Ishmael’ - is one of the most famous opening lines in literature. This BBC collection features lively full-cast dramatisations of three of Melville’s best-known works.

1839, and Bow Street Runner Pip Shepherd is out of a job. The Runners have been disbanded, merged with Sir Robert Peel's new Metropolitan Police - and there's no way Pip's signing up with them. But when he befriends 'Peeler' Thomas Tedman, and hears about an upcoming detective division, he has second thoughts, and soon the duo are investigating their first cases together.

A BBC Radio 4 full-cast production of one of the earliest plays by Alan Bennett. The 1970s are a time of change, but Labour MP George Oliver feels stuck in one place: distrusting the ‘mawkish mentality’ of the young and fearing the encroaching life of the middle-aged, with little to look forward to but the imminent end of a not-very-interesting road.

London, 1853, and the sedate religious publishing house of Spavin and Spavin is about to experience a radical shake-up. Vivacious actress Cordelia is on the hunt for a husband and has her eye on Gerald, one of the firm's partners, while her son, Primus, has ambitions to take over the firm. And when he does, it'll be out with the Bibles and in with the best sellers - starting with Charlotte Brontë's latest blockbuster.

Like a Jay Ward cartoon in audio, The Adventures of Tea Man, Volume Two is a hilarious, wacky collection of radio theater written and performed by Mitchell Pearson and the DQD Theater of Philadelphia and produced by Joe Bevilacqua. Get ready for two hours of comedy entertainment!