Risultati di "Katherine Mansfield" in Tutte le categorie

"Au matin, très tôt. Le soleil n'était pas encore levé et la baie toute entière était cachée par un brouillard blanc venu de la mer. Les grandes collines recouvertes de brousse, au fond, étaient submergées." "Sur la baie" est une nouvelle de Katherine Mansfield publiée pour la permière fois en 1922 dans le London Mercury. C'est l'une des œuvres les plus accomplies de l'auteure et un excellent exemple d'impressionnisme littéraire. On y retrouve Kezia et Lottie, deux caractères qui figurent aussi dans "Prélude".

"Mariage à la mode" est une nouvelle de Katherine Mansfield publiée pour la première fois en 1921 dans "The Sphere". Elle raconte l'histoire de William et de sa femme Isabel. Normalement, William achète des friandises pour ses enfants, sachant que sa femme ne veut pas qu'il les gâte avec d'autres cadeaux, mais cette fois-ci, il leur rapportera des fruits. La famille vient de quitter Londres pour la campagne, et quand le mari rejoint sa femme, il la trouve fort changée.

Parmi les plus belles lettres de la littérature mondiale, écrites par celle que Virginie Woolf nommait "le seul auteur que j'envie". Au fil des années, de 1913 à 1921, et de ses correspondants, Katherine Mansfield nous fait suivre son douloureux combat contre la tuberculose, en même temps que sa lutte contre la page blanche. Sa vie et son œuvre étaient étroitement liées. Elle écrivait avec sa vie, son sang, ses souffrances - et aussi avec cette gaieté qui s'emparait d'elle devant un ciel clair, un arbre en fleur, un enfant qui rit.

Katherine Mansfield was the pen name of Kathleen Mansfield Murry (1888-1923), a prominent New Zealand modernist writer of short fiction. She is widely considered one of the best short-story writers of her period. A number of her works, including "Miss Brill", "Prelude", "The Garden Party", "The Doll's House", and later works such as "The Fly", are frequently collected in short story anthologies.

In this series we look at short stories from many of our most accomplished writers. Miniature masterpieces with a lot to say. This volume is dedicated to one such recognised master of the short story, namely Katherine Mansfield, whose innovative stream of consciousness and symbolic narrative style profoundly influenced Virginia Woolf. She was born on 14th October 1888 into a prominent family in Wellington, New Zealand, the middle child of five. A gifted cellist who at one point considered taking it up professionally, her first attempts at writing were published in school magazines.

In this volume we gather together verse from lesbian poets that is deeply personal and at times overwhelming. It is not just a search for physical love but a journey through the spiritual to completeness, to becoming whole. However we recognise that the label lesbian might be anachronistic and so also include those who stand by their sides or who have a view in verse that helps us to revel in their love. For in the end that is all our journey is about.

"Il n'y avait pas un pouce de place pour Lottie et Kézia dans la voiture. Quand Pat les posa au sommet du tas de bagages, elles oscillèrent." La famille Burnell déménage, mais il n'y plus de place pour les deux jeunes filles. Elles devront attendre dans la vieille maison, maintenant vide. Prélude fut publié pour la première fois 1918 dans le Hogarth Press et s'inspire du déménagement de la famille de Mansfield à Karori dans la banlieu de Wellington en 1893.

Katherine Mansfield is remembered as one of the great modernist short-story writers, who managed to pack a huge amount of creative work into her 34 years before she died of TB in 1923. This impressive collection includes brand-new full-cast BBC dramatisations of 'Bliss', 'Something Childish but Very Natural', 'Marriage a la Mode', 'Daughters of the Late Colonel', 'The Garden Party', 'Life of Ma Parker and Her First Ball', plus many more readings brought to life by a wealth of narrators.

What if a single day could strip away every comforting illusion? In “Revelations” by Katherine Mansfield, a woman’s carefully constructed sense of self is quietly undone as she moves through a series of encounters that force her to confront truths she would rather avoid. Set against the routines of social obligation and polite interaction, the story follows an emotional shift that unfolds not through dramatic action, but through subtle perception and inward reckoning.

What does it mean to escape when love, obligation, and habit quietly close in? In “The Escape” by Katherine Mansfield, a quiet domestic moment becomes the stage for an unspoken emotional reckoning between a husband and wife. As they prepare for an evening out, small gestures, clipped remarks, and inner reflections reveal the tensions beneath their long-standing marriage. What appears outwardly calm is charged with resentment, fatigue, and the desire—felt by both—for freedom from roles that no longer bring comfort.

A young English woman travels alone for the first time, eager to begin a new position abroad and convinced of her independence. Armed with good intentions and polite trust, she navigates foreign streets, unfamiliar customs, and her own expectations of kindness and respect. As the journey unfolds, small encounters and seemingly harmless gestures begin to carry an undercurrent of unease. The governess’s idealism is quietly tested, and her innocence leaves her vulnerable to misunderstandings she is not yet equipped to recognize.

You step into the fragile inner life of Ada Moss, a woman clinging to dignity, memory, and fading hopes as her world quietly closes in around her. Once surrounded by admiration and applause, Ada now drifts through a city that feels increasingly cold and indifferent, where familiar faces blur and kindness becomes uncertain. As she moves from place to place, moments of pride, desperation, and self-deception flicker like scenes in a fading film.

Two former lovers meet again in a quiet drawing room, where politeness masks longing, hesitation, and unspoken desire. Every pause, every gesture, every carefully chosen word becomes charged with meaning as memory and emotion press against the fragile calm of the present moment. Beneath the surface of casual conversation, old feelings stir—regret, attraction, and the ache of what was never fully said.

Two young siblings—Sun and Moon—eagerly await a grand evening party held by the adults in their home, convinced it will be the most exciting event of their lives. As preparations unfold and the house fills with lights, music, and unfamiliar guests, the children drift between anticipation and confusion. Their innocent expectations slowly collide with the rules and indifference of the adult world, reshaping how they see the celebration—and each other.

You follow a respected, self-assured teacher whose orderly world begins to fracture beneath the surface. As Mr. Peacock moves through the routines of his day—his classroom, his colleagues, his home—small disturbances ripple outward, revealing tensions he would rather ignore. Beneath his cultivated manners and professional authority lies a growing sense of unease and emotional isolation.

In Feuille d’Album by Katherine Mansfield, a shy and socially awkward young man observes the woman who lives across from him, constructing an entire emotional world from brief glances and silent longing. His affection grows not through conversation or action, but through careful watching and inward reflection.

In A Dill Pickle by Katherine Mansfield, a chance meeting in a café brings together two former lovers whose lives have taken very different paths. As they sit across from one another, polite conversation gives way to memory, regret, and subtle emotional power shifts. What begins as nostalgia slowly reveals deeper truths about ego, control, and the quiet wounds left by emotional neglect. Through fragmented dialogue and unspoken tension, Mansfield exposes how love can be distorted by self-absorption, and how one voice can dominate while another fades into silence.

follow Robert Salesby, a man who has carefully set aside his own desires in order to care for his fragile, demanding wife. In a quiet European hotel meant for rest and recovery, daily routines unfold with delicate precision—meals, walks, silences—each masking an undercurrent of exhaustion and unspoken resentment. As Robert moves through his days with practiced patience, the strain of self-denial begins to surface, revealing the quiet cost of love built on sacrifice alone.

What if a moment of perfect happiness was only a heartbeat away from shattering? In Bliss by Katherine Mansfield, you follow Bertha Young, a vibrant woman overflowing with excitement she can hardly explain—a feeling so bright it seems to spill into every corner of her world. As she prepares for an evening dinner party, every detail feels alive and full of promise.

What if a single gust of wind could stir up every memory you’ve tried to outrun? In The Wind Blows by Katherine Mansfield, you follow Matilda, a young girl swept through her day by a restless force she can’t quite name.