Risultati di "Katherine Mansfield" in Tutte le categorie

The Garden Party is a 1922 short story by Katherine Mansfield. It was first published (as The Garden-Party) in three parts in the Saturday Westminster Gazette on 4 and 11 February 1922, and the Weekly Westminster Gazette on 18 February 1922. It later appeared in The Garden Party: and Other Stories. Its luxurious setting is based on Mansfield's childhood home at 133 Tinakori Road (originally numbered 75), the second of three houses in Thorndon, Wellington that her family lived in.

Feuille d'Album is a 1917 short story by Katherine Mansfield. It was first published in the New Age on 20 September 1917, under the title of An Album Leaf. A revised version later appeared in Bliss and Other Stories. Ian French is a young artist who lives alone in Paris. He is very reserved and rarely talks to anyone. He is particularly shy around women and rejects their advances. One day he sees a girl his own age on the balcony of the building opposite his and becomes infatuated with her.

Sun and Moon is a 1920 short story by Katherine Mansfield. It was first published in the Athenaeum on 1 October 1920, and later reprinted in Bliss and Other Stories. The children, Sun and Moon, are hanging around the house while a party is being prepared. They play games, then are sent off to bed.

Prelude is a short story by Katherine Mansfield. It was first published by the Hogarth Press in July 1918, after Virginia Woolf encouraged her to finish the story. Mansfield had begun writing Prelude in the midst of a love affair she had in Paris in 1915. It was reprinted in Bliss and Other Stories (1920). The story was a compressed and subtler version of a longer work The Aloe, which was later published posthumously in full. The story is based on the Beauchamps' move to Karori, a country suburb of Wellington, in 1893.

Pictures is a 1917 short story by Katherine Mansfield. It was first published under the title of The Common Round in the New Age on 31 May 1917 and later as The Pictures in Art and Letters in Autumn 1919. It was then reprinted as Pictures in Bliss and Other Stories. Miss Moss wakes up in the morning and she is hungry because she didn't have dinner the night before, nor is she going to have breakfast: she cannot afford it. Then her landlady turns up and gives her a letter hoping that it would be the rent, but it is note from an employment agency, saying they will get back to her.

Je ne parle pas français is a short story by Katherine Mansfield. She began it at the end of January 1918, and finished it by February 10. It was first published by the Heron Press in early 1920, and an excised version was published in Bliss and Other Stories later that year. A French writer describes his encounter with an English writer, and the consequences thereof.

The Man Without a Temperament is a 1920 short story by Katherine Mansfield. It was first published in Arts and Letters in Spring 1920, and later reprinted in Bliss and Other Stories. Mrs Jinnie Salesby has tea with her husband, Robert. She receives a letter from Lottie, who is suffering from neuritis. In her letter, she explains it is snowing in London. Then The Honeymoon Couple come back from fishing. The Salesbys go for a turn; she stops and sits while he goes on for a longer walk.

Bliss is a modernist short story by Katherine Mansfield first published in 1918. It was published in the English Review in August 1918 and later reprinted in Bliss and Other Stories. The story follows a dinner party given by Bertha Young and her husband Harry.

The Wind Blows is a short story by Katherine Mansfield. It was first published in the magazine Signature (4 October 1915) as Autumns: II under the pseudonym Matilda Berry. It was published in revised form in the Athenaeum on 27 August 1920, and subsequently reprinted in Bliss and Other Stories. Matilda is woken up by the wind; she looks out the window; her neighbour, Marie, is fetching flowers from the garden and then Matilda’s mother is called for the telephone by Bogey, Matilda’s brother.

Mr Reginald Peacock's Day is a 1920 short story by Katherine Mansfield. It was first published in the New Age on 14 June 1917, and later reprinted in Bliss and Other Stories. Reginald is woken up by his wife for breakfast. He is irritated by his wife who is very polite with him. He has a bath, sings for a bit and fathoms he could be an opera singer.

Diplomacy by other means may, at times, sound heroic. A fight for principles and ideals carried out by young men armed to the teeth and directed by older men in pursuit of their own version of glory for themselves and their Nations. Right will triumph over wrong. But war can be an illusion, stirred up by schemers and opportunists to take something from other nations that may or may not be right. As blood and limb are sacrificed the true cost is seen but often set to one side as the dispute becomes embedded in emotions and reason falls away.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

In this series we explore the many facets of love through literary talents that span both time and country. Love in its fiery form may last but a moment―or forever. The need and want are obvious to both. Its all-consuming, if feels like it will always endure and never end. But passion and desire can burn bright and then burn themselves out. Our very devoted authors have much to share.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Human beings are, in the main, social animals, they like to gather, to herd together, to share experiences. But some do not. Either through choice or exclusion their way forward is difficult. In this volume our authors and their characters share their stories.

In this volume our authors explore the terrors of the mind rather than the horrors of reality, although with their pens the difference makes little difference. We twist this way and that as their talents shape our path towards endings of the nerve-shredding kind.

Sadness can be about so many things from places to people, from thoughts to actions. Our classic authors including Arnold Bennett, James Joyce, Willa Cather, Joseph Conrad, Ivan Turgenev and many others use their pens and stories to demonstrate the many ways this feeling can take a hold of lives and its consequences.