Risultati Editore "Tantor Audio" in Storia e critica della letteratura

Tolkien's Lost Chaucer uncovers the story of an unpublished and previously unknown book by the author of The Lord of the Rings. Tolkien worked between 1922 and 1928 on his Clarendon edition Selections from Chaucer's Poetry and Prose, and though never completed, its 160 pages of commentary reveals much of his thinking about language and storytelling when he was still at the threshold of his career as an epoch-making writer of fantasy literature.  

John Tresch offers a bold new biography of a writer whose short, tortured life continues to fascinate. Shining a spotlight on an era when the lines separating entertainment, speculation, and scientific inquiry were blurred, Tresch reveals Poe's obsession with science and lifelong ambition to advance and question human knowledge. He remained an avid and often combative commentator on new discoveries, publishing and hustling in literary scenes that also hosted the era's most prominent scientists, semi-scientists, and pseudo-intellectual rogues. 

In Cross of Snow, the result of more than 12 years of research, including access to never-before-examined letters, diaries, journals, and notes, Nicholas Basbanes reveals the life, the times, the work - the soul - of the man who shaped the literature of a new nation with his countless poems, sonnets, stories, essays, and translations, and whose renown was so wide-reaching that his deep friendships included Charles Dickens, Nathaniel Hawthorne, Ralph Waldo Emerson, Julia Ward Howe, and Oscar Wilde. 

Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyonce exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers.

When the Great War broke out in August 1914, Thomas Mann, like so many people on both sides of the conflict, was exhilarated. Finally, the era of decadence that he had anatomized in Death in Venice had come to an end; finally, there was a cause worth fighting and even dying for, or, at least when it came to Mann himself, writing about. Mann immediately picked up his pen to compose a paean to the German cause. Soon after, his elder brother and lifelong rival, the novelist Heinrich Mann, responded with a no less determined denunciation. 

Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. The Dark Fantastic is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fan-fiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century.

The Landscapes of Anne of Green Gables explores L. M. Montgomery's deep connection to the landscapes of Prince Edward Island that inspired her to write the beloved Anne of Green Gables series. From the Lake of Shining Waters and the Haunted Wood to Lover's Lane, you'll be immersed in the real places immortalized in the novels. Using Montgomery's journals, archives, and scrapbooks, Catherine Reid also explores the many similarities between Montgomery and her unforgettable heroine, Anne Shirley.

Orphaned with a substantial inheritance at the age of 10, Pauline Quenu is taken from Paris to live with her relatives, Monsieur and Madame Chanteau and their son Lazare, in the village of Bonneville on the wild Normandy coast. Her presence enlivens the household and Pauline is the only one who can ease Chanteau's gout-ridden agony. Her love of life contrasts with the insularity and pessimism that infects the family, especially Lazare, for whom she develops a devoted passion. 

Despite multiple waves of feminist revolution, today's single woman is still mired in judgment or, worse, pity. But for one brief exclamatory period in the 1930s, she was all the rage. Marjorie Hillis was working at Vogue when she published the radical self-help book Live Alone and Like It: A Guide for the Extra Woman. With Dorothy Parker-esque wit, she urged spinsters, divorcees, and old maids to shed derogatory labels, and her philosophy became a phenomenon.

Rewriting the pernicious, enduring relationship between blackness and animality in the history of Western science and philosophy, Becoming Human breaks open the rancorous debate between Black critical theory and posthumanism. Through the cultural terrain of literature by Toni Morrison, Nalo Hopkinson, Audre Lorde, and Octavia Butler, the art of Wangechi Mutu and Ezrom Legae, and the oratory of Frederick Douglass, Zakiyyah Iman Jackson both critiques and displaces the racial logic that has dominated scientific thought since the Enlightenment.

A revelation for Moby-Dick devotees and neophytes alike, Ahab's Rolling Sea is a chronological journey through the natural history of Melville's novel. From white whales to whale intelligence, giant squids, barnacles, albatross, and sharks, Richard J. King examines what Melville knew from his own experiences and the sources available to a reader in the mid-1800s, exploring how and why Melville might have twisted what was known to serve his fiction.

Unique among books that examine the bible as literature, this brilliantly compact introduction offers an intriguing double-edged look at this universal text - a religiously informed literary analysis. The book first explores the major sections of the New Testament - the gospels, Paul's letters, and Revelation - as individual literary documents. Keefer shows how, in such familiar stories as the parable of the Good Samaritan, a literary analysis can uncover an unexpected complexity to what seems a simple, straightforward tale.

In the late 1950s and early 1960s, the writers of the Beat Generation revolutionized American literature with their iconoclastic approach to language and their angry assault on the conformity and conservatism of postwar society. They and their followers took aim at the hypocrisy and taboos of their time - particularly those involving sex, race, and class - in such provocative works as Jack Kerouac's On the Road (1957), Allen Ginsberg's "Howl" (1956), and William S. Burroughs's Naked Lunch (1959). 

Drawing from a vast array of creation myths - Babylonian, Greek, Aztec, Maya, Inca, Chinese, Hindu, Navajo, Polynesian, African, Norse, Inuit, and more - this concise book uncovers both the similarities and differences in our attempts to explain the universe. Anthony Aveni, an award-winning author and professor of astronomy and anthropology, examines the ways various cultures around the world have attempted to explain our origins, and what roles the natural environment plays in shaping these narratives. The book also celebrates the audacity of the human imagination.

Forty essays on history, art, and literature to lift your mind and spirit. Guy Davenport serves as the listener's guide through history and literature, providing links between music and sculpture, modernist poets and classic philosophers, the past and present-pointing out the values and avenues of thought that have shaped our ideas and our thinking.

John Clellon Holmes met Jack Kerouac on a hot New York City weekend in 1948, and until the end of Kerouac's life they were—in Holmes's words—"Brother Souls." Late one night as they sat talking, Kerouac spontaneously created the term "Beat Generation" to describe this new attitude they felt stirring around them. Brother-Souls: John Clellon Holmes, Jack Kerouac, and the Beat Generation is the remarkable chronicle of this cornerstone friendship and the life of John Clellon Holmes.

In an illuminating new preface, Strossen lays out the multiple current assaults on sexual expression, which continue to come from across the ideological spectrum. She shows that freedom for such expression remains an essential prerequisite for the equality, safety, and dignity of women and sexual/gender minorities.

In the late 1950s, Random House editor Jason Epstein would talk jazz with Ralph Ellison or chat with Andy Warhol while pouring drinks. By the 1970s, editors were poring over profit-and-loss statements. The electronics company RCA bought Random House in 1965, and then other large corporations purchased other formerly independent publishers. As multinational conglomerates consolidated the industry, the business of literature—and literature itself—transformed. Dan Sinykin explores how changes in the publishing industry have affected fiction, literary form, and what it means to be an author.

As any fan of Jo Walton's Among Others might guess, Walton is both an inveterate reader of SF and fantasy, and a chronic rereader of books. In 2008, then-new science fiction mega-site Tor.com asked Walton to blog regularly about her rereading—about all kinds of older fantasy and SF, ranging from acknowledged classics, to guilty pleasures, to forgotten oddities and gems. These posts have consistently been among the most popular features of Tor. Now this volume presents a selection of the best of them, ranging from short essays to long reassessments of some of the field's most ambitious series.

Epic poetry and tragic drama provide us with some of the richest ancient Greek depictions of women who are married to soldiers. In tales of the Trojan War, as told by Homer, Aeschylus, Sophocles, and Euripides, we encounter these mythical warriors' wives: Penelope, isolated but resourceful as she awaits the return of Odysseus after his lengthy absence; the war widow Andromache, enslaved and displaced from her homeland after the fall of Troy; the unfaithful and murderous Clytemnestra; and Tecmessa, a war captive who witnesses her partner's breakdown and suicide in the aftermath of battle.