Risultati per "William Hope Hodgson" in Classici

Un viaggio terrificante, dove il mare diventa il teatro di orrori senza nome. Naufragio nell'ignoto racconta la storia di un gruppo di sopravvissuti che si trova a dover lottare contro forze oscure, mostri marini e creature immonde. Un'esperienza audio mozzafiato, arricchita da musiche e sound design, che trascinerà l'ascoltatore nel cuore del racconto. William Hope Hodgson, scrittore inglese vissuto tra il 1877 e il 1918, è stato uno dei pionieri del genere weird e horror.

"The Thing in the Weeds" is a short story by William Hope Hodgson from his "Sargasso Sea Stories" in which he portrays a monster lurking in the darkest recesses of the unfathomable depths of the sea. An example of Lovecraft’s major principle of "fear of the unknown", the terror in this Hodgson story is a mysterious one, despite the fact that it haunts and kills the characters.

William Hope Hodgson was born in Essex, England, on November 15th, 1877. Over his short career he produced a large body of work which explored and covered many genres. From horror, to science fiction, to stories on the sea, where he had spent much of his early life. One of his most memorable creations was his Carnacki, Supernatural Detective creation. This fused together his passion for sleuthing and interest in the Occult. It was a memorable success.

First published in 1910, The Horse of the Invisible tells the tale of Carnacki, a ghost detective investigating the haunting of a country house that threatens the wedding of the Hisgins Family's daughter and her fiance. The source of the apparition must be found before the soon-to-be-wed woman is driven mad, or even to her death. Carnacki does not suspect supernatural forces are at work in this case, but even a ghostbuster can be wrong.

In this collection of short stories some of our most popular and well-known authors are grouped together with an unfortunate tag: dead at 40. These authors are not run-of-the-mill or ten a penny; many are literary leviathans who left enduring works of literature and sadly may have left us many more had they lived. We will never know.

Our ‘fight of flight’ response is something hardwired into the primitive part of our brain. Our need to survive, to outlive whatever danger poses, that immediate threat to our lives is little short of a marvel. Everything else is abandoned in order to survive. Whilst in modern times that ability has been somewhat modified and ‘reasoned’ away to an extent, in past years it’s what usually kept you alive. In this volume people struggle valiantly to survive and to exist no matter the extent of the threat they face.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The zenith of Empire is bookended by two catastrophic wars that slaughter vast swathes of humanity. And yet authors manage to record and create fragile libraries of humanity, its talents, its dreams and increasingly its nightmares.