Destination Freedom Black Radio Days copertina

Destination Freedom Black Radio Days

Di: No Credits Productions LLC
  • Riassunto

  • A live audio drama that picks up where the first nationwide African-American radio drama, produced in Chicago by Richard Durham more than sixty years ago, left off. The show walked a daring line between reform and revolution, and was shut down by its network in 1950, as McCarthyism and anti-communism tightened its grip on American broadcasting. As well as drawing on the archive of Destination Freedom (now branded Destination Freedom Black Radio Days, this program illuminates a largely unknown, but important chapter in the history of human rights and tells how radio played its part from the very beginning. That boundary-breaking program, Destination Freedom, dramatized the lives of great figures in African-American and other people of color past and present, continues in its spirit with all-new scripts. This series honors and expands on that theme. Part of the Broadway Podcast Network
    Broadway Podcast Network
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  • S3 Ep21 The Eclectic - Conversation with the Charles Wright
    Apr 24 2024
    Join us for our conversation with Charles Wright. Mr. Express Yourself himself. Charles Williams Wright (born April 6, 1940) is an American singer, instrumentalist and songwriter. He has been a member of various doo wop groups in the late 1950s and early 1960s as well as a solo artist in his own right. He is also the former leader and writer of hits for the group, Watts 103rd Street Rhythm Band. Wright was born on April 6, 1940, in Clarksdale, Mississippi, United States. The seventh of twelve children, he was raised on a cotton plantation. Years later, he would refer the sharecropping era as "The next shade after slavery". According to the book Up from Where We've Come, the sharecropper that owned that plantation was a cruel man by the name of Edward Miles. When Wright was 12, the family moved to Los Angeles. Contrary to his father's rule of not allowing his children to listen to secular music, he began listening to popular music and became mesmerized by it. Jesse Belvin was a singer that he heard on the radio was to have a significant influence on the young Wright and who became his mentor. After hearing Belvin on the radio, he looked up his number in the phone book and contacted him. He was told by Belvin to stop copying his sound and find his own. Later, Belvin took Wright under his wing and helped him get started. This association lasted until 1960, but stopped because Belvin died in a car crash at the age of 27. The following year, Wright had his first hit record. Wright is best known for his role as band leader of the group Watts 103rd Street Rhythm Band, which had the classic 1971 hit "Express Yourself". He has been associated with Johnny Guitar Watson, touring with him and playing on early recordings by him. He also added his vocals to an album by The Watsonian Institute. For a very brief period, Wright managed singer Bill Withers Learn more about your ad choices. Visit megaphone.fm/adchoices
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    31 min
  • S3 Ep20 The Eclectic - Conversation with Attorney General of Minnesota Keith Ellison
    Apr 10 2024
    Join me for my conversation with AG Keith Ellison. We hear his thoughts on what can be done the break the wheel of use of force by police against our communities. With this powerful and intimate trial diary, Minnesota Attorney General Keith Ellison asks the key question: How do we break the wheel of police violence and finally make it stop? The murder of George Floyd sparked global outrage. At the center of the conflict and the controversy, Keith Ellison grappled with the means of bringing justice for Floyd and his family. Now, in this riveting account of the Derek Chauvin trial, Ellison takes the reader down the path his prosecutors took, offering different breakthroughs and revelations for a defining, generational moment of racial reckoning and social justice understanding. Each chapter of BREAK THE WHEEL goes spoke to spoke along the wheel of the system as Ellison examines the roles of prosecutors, defendants, heads of police unions, judges, activists, legislators, politicians, and media figures, each in his attempt to end this chain of violence and replace it with empathy and shared insight. Ellison’s analysis of George Floyd’s life and the rich trial context he provides demonstrates that, while it may seem like an unattainable goal, lasting change and justice can be achieved. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    30 min
  • S3 Ep19 The Eclectic - Conversation with author Patti Hartigan of A Life August Wilson
    Jan 31 2024
    Our guest is author and award-winning journalist Patti Hartigan. Her recent book August Wilson A Life is receiving praise from literary circles, theatre circles, and academic circles alike. I am joined in conversation with Patti next on Destination Freedom Black Radio Days - The Eclectic. August Wilson (né Frederick August Kittel Jr.; April 27, 1945 – October 2, 2005) was an American playwright. He has been referred to as the "theater's poet of Black America". He is best known for a series of 10 plays, collectively called The Pittsburgh Cycle (or The Century Cycle), which chronicle the experiences and heritage of the African-American community in the 20th century. Plays in the series include Fences (1987) and The Piano Lesson (1990), both of which won the Pulitzer Prize for Drama, as well as Ma Rainey's Black Bottom (1984) and Joe Turner's Come and Gone (1988). In 2006, Wilson was inducted into the American Theater Hall of Fame. His works delve into the African-American experience as well as examine the human condition. Other themes range from the systemic and historical exploitation of African Americans, race relations, identity, migration, and racial discrimination. Viola Davis said that Wilson's writing "captures our humor, our vulnerabilities, our tragedies, our trauma. And he humanizes us. And he allows us to talk." Since Wilson's death, two of his plays have been adapted into films: Fences (2016) and Ma Rainey's Black Bottom (2020). Denzel Washington has shepherded the films and has vowed to continue Wilson's legacy by adapting the rest of his plays into films for a wider audience. Washington said, "The greatest part of what's left of my career is making sure that August is taken care of" Learn more about your ad choices. Visit megaphone.fm/adchoices
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    47 min

Sintesi dell'editore

A live audio drama that picks up where the first nationwide African-American radio drama, produced in Chicago by Richard Durham more than sixty years ago, left off. The show walked a daring line between reform and revolution, and was shut down by its network in 1950, as McCarthyism and anti-communism tightened its grip on American broadcasting. As well as drawing on the archive of Destination Freedom (now branded Destination Freedom Black Radio Days, this program illuminates a largely unknown, but important chapter in the history of human rights and tells how radio played its part from the very beginning. That boundary-breaking program, Destination Freedom, dramatized the lives of great figures in African-American and other people of color past and present, continues in its spirit with all-new scripts. This series honors and expands on that theme. Part of the Broadway Podcast Network
Broadway Podcast Network

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