Fantastic reading of a great work of literature

This was not my first reading of this great work of world literature, but in the present rendition it comes alive in a completely new way. The moving and exciting plot as lived out in the wonderful variety of characters of this story becomes almost like a play, as the Nicholas Boulton is able to enter into them, and adapt his tone and even dialect to the person speaking. I find him one of the best performers on Audible yet, and that is after many years of being a member.
I had hoped for a long time that Audible would make this book available, and with this recent publication my hopes were fulfilled, and my expectations greatly exceeded.

36 persone l'hanno trovata utile

Addio ai Monti 🇮🇹

Having this treasure in audio in English is a dream come true. I’m head over heels in love with Lombardy for sentimental reasons, so I cannot but cherish this story and its settings.

It’s possibly the most widely read novel in Italian, yet I find too few Americans have heard of it. If you find yourself among them, I recommend it to you!

So many extraordinary characters, good and evil, people the scenes. Who could forget Renzo the silk weaver, the Nun of Monza, or the diabolical L’Innomiato, Nibbio, and Griso, or the ingeniously named crooked lawyer, Dr Azzeccagarbugli? You must meet them all!

The impact of this book on Italian literature, language, and education is inestimable. Even colloquial speech uses phrases from this book as proverbs, and names of characters as shorthand for personality description, much as we do with Shakespeare.

Truly this is a novel not to be missed, in an enjoyable translation, beautifully performed.

15 persone l'hanno trovata utile

Amazing. And it’s even better if you’re Catholic

They say you need to be Russian to fully grasp Dostoyevsky, and I think they’re right. While you needn’t be Catholic to enjoy The Betrothed, sharing that mindset means you find not only enjoyment in the book, but a 25-hour reminder of the transcendent beauty and day-to-day utility of the Faith.

Here we have the wealth of vivid characters, the rambling, detouring plot, and the moral outlook of Dickens. But where Dickens appeals to a highly personal sense of religious rectitude, Manzoni’s characters—the good, the bad and the indifferent—all share the common background of Catholicism. Thus, appeals to right conduct aren’t made out of an abstract, sentimental sense of the right, but from an objective, almost tangible, shared understanding of what is right. That’s why, every time we indulge our all-too-human reactions to characters and events (hatred, envy, despair) we are recalled to the proper perspective (forgiveness, charity, hope)—as often as not by Lucia or her mother Agnese as by Father Cristoforo or Cardinal Borromeo.

Nicholas Boulton turns in his usual, superb performance. He doesn’t just read books; he has a way of putting them on, like clothes, and living out the story from within it.

10 persone l'hanno trovata utile

Reader makes this lively

I wish Nicholas Boulton performed more classics available at Audible. His jocular tone enlivened this tale of Milan under foreign rule in the early 1600s. Written by Manzoni as the first notable Italian novel, it's charm in this old-fashioned translation survives due to Boulton 's unflattering cheer. His timing delivers Manzoni's earnest swashbuckling tale full of parted lovers, scheming lords, and valiant clergy well. While the plot is suitably rather melodramatic, the moral lessons get a lighter than expected emphasis, thanks to the author's deft air and the reader's fluid narration of this meandering saga.

7 persone l'hanno trovata utile

Incredibly current

Even though I finished this book last week, I had to wait until I had time to sit down to write a review that would do “The Betrothed” some justice. I came across the title quite by accident, and saw that it was touted as one of Italy’s most revered classics. It occurred to me that I have not read a singe Italian book, and that this situation needed to be remedied. This suggestion ended up being incredibly fortunate for me! Written two hundred years ago, but set four hundred years ago, it is amazingly current.

The quote that made me literally bolt up straight was a reflection by the author, Alessandro Manzoni, that equated victim-blaming with cowardice. The young couple face a series of tragedies: sexual harassment, abuse of power, social unrest, famine, and the plague. Manzoni’s characterization of Lucia, the young bride-to-be, and her mother, stands out in that he paints them as realistic, independent characters. The mother’s wisdom is emphasized in her role of counseling her daughter and future son-in-law. A handful of side female characters also enjoy an individualized depth of portrayal.

Especially striking is the initial conflict when the local Don Rodrigo notices Lucia as he walks by her with his wealthy friends and tries to catch her interest. When she attempts to ignore him, and then dissuade him, he is humiliated that his friends witnessed a “peasant girl” decline his attraction. From there on out, he makes a vulgar bet with them that he will “remind her of her place.” In British literature of the early 1800’s, this sort of pursuit would have almost certainly been presented as a man driven mad by his love, and hardly responsible for his actions given the woman’s beauty and wiles. In Manzoni’s narrative, he creates no ambiguity about this being a matter of pride and abuse of power.

As Renzo and Lucia plot to circumvent Don Rodrigo’s meddling harassment, their journey takes us through Manzoni’s reflections on politics. A famine highlights the pre-existing social unrest, and rulers try to address this with varied rules and edicts. Much like today, they do this without much research or knowledge about the real-life consequences. Renzo ends up getting caught up in a riot about the bread shortage. The description of law enforcement and ruling parties trying to quell the disquiet is startlingly familiar. Quite a few observations fly around about “This it not the right way to do this!” and “If you’ll just wait a little, this will work out! Patience!” Among the crowd, there are varied groups who try to bring about change in their own ways. Some of course, are just there to cause havoc and snatch a few spoils. Renzo, being a stranger in town, gets mischaracterized as a leader in the riot. “It’s not our own folk who started this unrest! It’s those from out of town stirring up trouble!” Sound familiar?

By the skin of his teeth, Renzo flees as the country churns from famine to war to the plague. When the first signs of the plague pop up, deniers work overtime to say that it’s not the plague, it’s just bad air, or weakness from the famine, etc. The politicians solidly obstruct any plans to prepare for the spreading disease. Towns near the areas with growing contagion act as if they are immune. The king is more interested in a public celebration that will make him look good to Spain than in discouraging large gatherings. Conspiracy theories spread that “poisoners” are responsible for people getting sick, not the disease; that doctors are behind the poisoners to create wealth for themselves; that politicians just want to control the masses. The author mocks the backwards people who reject that social distancing is key to eliminating the outbreak. He creates a few especially foolish characters who don’t even understand that they should avoid touching the belongings of the infected, but who spread fear and conspiracy theories instead. He describes the great fortune of the few who do get the disease but recover, as they are unlikely to get the disease twice.

A classic with such relevance and wit is a true gem. “The Betrothed” adds a great deal of wisdom as well, with reflections about human nature that are fresh and thought-provoking. I would humbly beg of any serious reader to add this to their list of must-reads.

4 persone l'hanno trovata utile

Brilliant story, poor execution

Manzoni’s story is rightfully considered a masterpiece. However, this production for whatever reason refuses to credit the translator, who deserves to have his labors acknowledged. Sadly, this is also a sub-par translation, which uses quite a few ill-fitting phrases where newer (I’m guessing) translations favor clearer ones. Throughout the recording, place-names are left unsaid, with awkward gaps left instead.

Also worth noting is the advertised PDF accompanying the recording, which offers next to no pertinent information that wasn’t in the blurb under the thumbnail. Not even translator credit, which again is a shameful omission.

All considered, the greatness of the story still shines through, but this production comes off as a disrespectfully mediocre attempt at such a widely beloved book.

3 persone l'hanno trovata utile

A masterpiece

Italy’s great epic novel, The Betrothed has the warmth of a Dickens novel and the wisdom of a Shakespearean play. The narration is fantastic. Can’t recommend this audiobook highly enough.

1 persona l'ha trovata utile

Fascinating read during the Corona Virus

I purchased this book in the paper version more than a year ago but I could not get past page 130. Then, I gave Audible a try and the reading by Nicholas Boulton brought it to life. I actually took it with me on my daily walks as it was so fascinating. The story follows a couple betrothed who encounter numerous obstacles, not the least of which is the plague in Milan. There is even a moral to the story but that is not divulged until the last page.

1 persona l'ha trovata utile

Loved it!

Yes. It is long. Some may say…lots of words and digressions. It’s reputation succeeded itself; both good and bad. That being said, this ADHD Brain that often loses track too often to list to most books these days, WAS RAPT! I loved every minute of it and although I was afraid I would not be able to follow all the digressions, that was not the case at all.

Fascinating

Loved the history and vivid description from of life during the 17 century from the poorest to the richest. Fascinating description of the impact of the plague