Risultati letto da "Liam Price" in Tutte le categorie

I know I'm lucky to have a mate at all. Most would rejoice. Most would run to them. Not me. I want to stay with my family. I was trapped in the veil for the majority of my life, fighting to survive. And I'm supposed to leave them for a man I don't know? I'm tired of Fate making the decisions for me. Yet . . . The ache in my chest becomes too much. The thirst in my throat becomes unbearable. The need to mate is a call I can no longer ignore. Even if I've never touched or kissed another. How will I satisfy him?

As the King and Queen of the Seelie Court of Delight, Lir and Louisa travel to the prison of Griem Dorcha to hear the cases of the Unseelie Fae that Drosselmeyer freed from his mansion. But when their journey takes an unexpected turn, they are trapped in an icy stronghold and forced to play a twisted game. As the stakes rise higher, Louisa must confront her deepest doubts about her marriage and her worst fears about life in Faerie—as well as some harsh truths about herself.

A curse trapped me inside my werewolf, and I became the perfect killing puppet for the warlock controlling me. Screams of my victims haunt me. The phantom warmth of blood heats my hands. And guilt eats away at my psyche.

Future War and the Defence of Europe offers a major new analysis of how peace and security can be maintained in Europe: a continent that has suffered two cataclysmic conflicts since 1914. Taking as its starting point the COVID-19 pandemic and way it will inevitably accelerate some key global dynamics already in play, the book goes on to weave history, strategy, policy, and technology into a compelling analytical narrative. It lays out in forensic detail the scale of the challenge Europeans and their allies face if Europe's peace is to be upheld in a transformative century.

Following her departure from Faerie, Alice tries to adjust to the rhythm of her old life. But confusing emotions draw her into a new venture with Dorothy, a girl from a neighboring farm. When the pair are transported to a whole new part of Faerie, Alice encounters former acquaintances who, like her, haven't moved past what transpired in the Unseelie kingdom.

Orphaned at a young age, Samara has been left under the care of her three horrible brothers for many long years. But just when she thinks she cannot take another day of their abuse, a handsome prince offers for her hand in marriage. Samara's brothers agree to the wedding in exchange for a large dowry, but on her way to salvation in her new kingdom, her carriage is ambushed and she is rescued by Lore, the wicked Prince of Nightshade, who demands a favor in return.

I walked away from the only things that comforted me, that calmed my demons—the things that helped dull the pains from my past and allowed me to continue waking up each day and push forward. Now I'm sets out to win back the girl who has held my heart for five years, the girl who is too good for me, who deserves better than me. But none of that matters any longer. Because I'm hell-bent. When I found her, a life-changing secret was revealed.

After I saved his life and kingdom, Kalyll let me go, choosing duty over the passion that burned between us. Though his death was written in the stars, I found a dark, impossible way to pull him back, to anchor his soul to the world of the living. Still, that wasn't enough to win his heart. Now, the force that lives within him gives way to his darker nature, and for a second time, I'm kidnapped and made prisoner—this time in a high tower in the Seelie capital of Elyndell. With good and evil fighting within him, both his kingdom and heart stand at risk.

An intricate collage-novel fusing and confusing fact and imagination, Always Crashing in the Same Car is a prismatic exploration of David Bowie through multiple voices and perspectives—the protean musician himself, an academic trying to compose a critical monograph about him, friends, lovers, musicologists, and others in Bowie's orbit. At its core beat questions about how we read others, how we are read by them, how (if at all) we can tell the past with something even close to accuracy, what it feels like being the opposite of young and still committed to bracing, volatile innovation.

Rain clings to life by her fingertips. She's lost too much blood. The assassin circles her, waiting for her to succumb, but Rain made a vow to her mate, the Duke of Night. She promised him the head of his enemies, and she longs to seat him on the empty throne. Night only offered her a marriage of convenience. Now she's determined to win his heart and keep hers beating. Succumbing just isn't in the cards.

Lady Maria has always done as she is told—until the former Diamond of the First Water faces a husband of unspeakable cruelty, and she escapes out a window and into the night, saved by the physician who affects her as no other man has. When Lady Maria shows up on his doorstep, injured, frightened, and alone, Dr. Hudson Lewis cannot help but look after her—even if it means sacrificing his heart to resist temptation. For he, a duke's bastard, will never be good enough for a woman like Lady Maria—especially after he has been accused of murdering his father.

Ask any new parent; no one is ever actually ready to become one, are they? Even with nine months to prepare, it's still a shock. Still mind-blowing that this tiny, little thing is now your sole responsibility. Except try coming home to find a baby on your doorstep, wearing a pink striped hat and attached to a note saying she belongs to you. Then you can say parenthood is a shock. Overnight my bachelor life ceased to exist; my heart now owned by one woman. My daughter.

In a city of the dead, long since ruined and far from human civilization, lives a single human child. His name is Will, and he's being raised by three undead: the hearty skeletal warrior, Blood; the graceful mummified priestess, Mary; and the crotchety spectral sorcerer, Gus. The three pour love into the boy, and teach him all they know. But one day, Will starts to wonder: "Who am I?"

The third son returns to Montbryce after an absence of eight years. He's been in England, masquerading as a de Quincey and trying to infiltrate King John's inner circle. Sent by John as an emissary to a council of war in Flanders, he is unmasked as a spy. As if that isn't bad enough, he finds himself trapped into marriage and forced to flee with his unwanted bride.

Nina Anderson ruined me for all other women, launching into my world and anchoring herself to my core. She ran—she always ran. Now she's back, holding the tattered pieces of my soul in her fingertips and wanting more than I'm willing to give. I don't want her. I don't trust her. But I need her. Our love is toxic, our words lethal, our bond—unbreakable. But while we toe the line blindly, we both miss the demons we unveil with our light.

Having escaped the besieged castle in the guise of a nun, Marguerite d'Aigremont must find a way to get back to her native England—without anyone discovering she is King John's cousin. She despises the Normans who sided with their age-old enemy to bring about king John's ouster as Duke of Normandy. But she is dependent on Becket if she's to have any hope of returning to England. Despite their differences, Becket and Marguerite are drawn to each other. Will the Montbryce Dynasty survive intact when King Philip of France discovers the family has aided King John's cousin?

Mananan has to fix the oceans between Faerie and the human world to stop them both from dying. With a god killing sword and a willingness to use it, he's more than up to the task of defeating any monsters their enemies throw at him. The problem is, he needs to find the altars that are sucking the magic from the sea, and he has no idea where to start looking. Ella's magical talent for seeing visions whenever she touches something has ensured she lives in seclusion and privacy. That is, right up until a kraken attacks her light house, and she is saved by Mananan.