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Broadway Is My Beat was a dark, gritty radio crime drama that ran on CBS from 1949 until 1954. The series was originally broadcast from New York, with Anthony Ross portraying Times Square Police Detective Danny Clover. Produced by Lester Gottlieb, it was directed by John Dietz. But by the 13th episode, the series moved to Hollywood (still set in NYC) with producer Elliott Lewis directing a new cast, with scripts by Morton Fine and David Friedkin (the duo that would later write and develop TV's popular secret-agent series I Spy).

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

Larry Thor, a staff announcer turned actor with an expressive and powerful voice, played the role of Detective Danny Clover. His beat was Broadway, and each week he narrated a new tale of nighttime drama along the Great White Way. Writers Morton Fine and David Friedkin delivered scripts of elegant intricacy that turned routine description into near poetry. Three soundmen worked in unison to create one of the densest soundscapes on radio - capturing the chaotic buzz of the New York night as a counterpoint to the music and dialogue. It was the most lyrical crime show on the air.

This anthology of post-World War II crime radio drama presents fictionalized crime, dramatizations of actual crimes, and programs that presented on-the-spot recordings of real police investigations. Radio Spirits is proud to present 20 adventures from 15 of the best (and most unusual) programs broadcast in the last dozen or so years of commercial network dramatic radio. Series include Gang Busters, The Line Up, Broadway's My Beat, Man from Homicide, Night Watch, and more!

For Detective Danny Clover, Broadway is more than just a street - it’s a living, breathing creature with a mood and a style all its own. Radio’s most lyrical crime drama comes to life in this collection, Broadway’s My Beat, featuring 16 unique tales of murder along the main stem. The series’ purple prose is counterbalanced by the gritty realism that was a specialty of the 16th Precinct and its endearingly eccentric characters. Larry Thor stars as Clover, with Charles Calvert as Sgt. Tartaglia and Jack Kruschen as Detective Muggavan.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

NYPD detective Danny Clover, poignantly portrayed by Larry Thor, patrols The Great White Way. With each block he bears witness to regret and redemption, to desperation and debauchery, to wealth and want. Each leaves its mark on this poetic policeman. At Clover’s side, and covering his back, are Sgt. Tartaglia (Charles Calvert) and Sgt. Muggavan (Jack Kruschen). The unhappy endings of hard luck stories drive Danny to search for justice - pounding the pavement to track down an eye witness, find that one scrap of evidence, or just to walk until it all makes sense.