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First heard on network radio in 1948, Yours Truly, Johnny Dollar chronicled the adventures of freelance insurance investigator Johnny Dollar, "the man with the action-packed expense account". For 15 years, it was one of the most popular detective shows on the air, lasting until the final days of network radio drama in 1962. Each story started with a phone call from an insurance executive calling on Johnny Dollar to investigate an unusual claim.

The Falcon radio series aired from 1943 until 1954. "The Falcon" was an alternate identity for detective Michael Waring. Like the Falcon movies, the radio plots mixed danger, romance, and comedy in equal parts. Each show began with a telephone ringing and Michael Waring, the Falcon, answering the phone. Speaking with a woman whose voice was never heard, Waring would explain that he had an urgent situation he had to deal with.

This collection spotlights the iconic Orson Welles in nine of his works from the golden age of radio. These radio dramas, airing from 1938 through 1951, are among his very best and can be enjoyed for years to come. Armed with the nickname the "Boy Genius", Orson Welles graduated from the New York stage to expand his creative talents in the radio industry, hoping to use the audio medium to promote his stage ventures.

Broadway Is My Beat was a dark, gritty radio crime drama that ran on CBS from 1949 until 1954. The series was originally broadcast from New York, with Anthony Ross portraying Times Square Police Detective Danny Clover. Produced by Lester Gottlieb, it was directed by John Dietz. But by the 13th episode, the series moved to Hollywood (still set in NYC) with producer Elliott Lewis directing a new cast, with scripts by Morton Fine and David Friedkin (the duo that would later write and develop TV's popular secret-agent series I Spy).

Raymond Chandler's celebrated hard-boiled private eye, Philip Marlowe, made his radio debut in 1945 on the Lux Radio Theatre with Murder, My Sweet, starring Dick Powell. Two years later NBC brought the character to the air in his own weekly series starring Van Heflin, The New Adventures of Philip Marlowe. A summer replacement for The Bob Hope Show, the series was short lived, ending on September 9, 1947.

It's 1875, and Paladin lives at the swanky Carlton Hotel in San Francisco, where he dresses in formal wear, eats gourmet food, attends the opera, has a Chinese valet named Hey Boy, and enjoys the company of beautiful women. When working as a gun for hire, he dresses entirely in black, uses calling cards, and wears a holster decorated with a chess knight emblem—a symbol that refers both to his name and to his occupation as a champion for hire.

The Whistler was one of radio's top mystery programs, airing from May 16, 1942 until September 22, 1955. The Whistler was an ominous narrator who opened each episode with, "I am the Whistler, and I know many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men and women who have stepped into the shadows. I know the nameless terrors of which they dare not speak."

First heard on network radio in 1948, Yours Truly, Johnny Dollar chronicled the adventures of freelance insurance investigator Johnny Dollar, "the man with the action-packed expense account". For 14 years, it was one of the most popular detective shows on the air, lasting until the final days of network radio drama in 1962. Each story started with a phone call from an insurance executive calling on Johnny Dollar to investigate an unusual claim.

Like Mike Hammer and Philip Marlowe, Shayne is a loner. Once happily married, Mike is devastated when his wife is suddenly and tragically murdered. Grief stricken, Shayne loses himself in his work as a private eye, prowling the dark streets of New Orleans, seeking out his style of revenge on injustice.

Conceived as a potential radio vehicle for Alfred Hitchcock to direct, Suspense was a radio series of epic proportion. It aired on CBS from 1942 to 1962 and is considered by many to be the best mystery drama series of the golden age. Often referred to as "Radio's Outstanding Theater of Thrills", it focused on suspenseful thrillers starring the biggest names in Hollywood.

The Lineup was a hard-boiled drama. Like Dragnet, it realistically showed police doing their jobs. The show always began with a police sergeant ordering suspects to stand at attention so that the victim, behind one-way glass, could try to identify the criminal. While the lineup was rarely the key to solving the case, it did give the show a rhythm and also allowed for humor in the interrogation of the suspects by the sergeant. The series began as a summer replacement for The FBI in Peace and War in 1950, but soon got its own time slot.

Here are 12 radio episodes featuring Jack Benny in different series from the golden age of radio. This collection includes episodes from The Jack Benny Program, Suspense, The Burns & Allen Show, The Bing Crosby Show, The Ford Theatre, and many more.

Jack Webb (1920 - 1982) was a popular American actor, television producer, director, and screenwriter. He started out in the entertainment industry in comedy, but achieved his first success playing the title character in the radio show Pat Novak, for Hire. His greater success came from his role as Los Angeles Police Department sergeant Joe Friday in the show Dragnet, which he created based on actual LAPD criminal case files and which ran for many years on both radio and television.

Here are 12 adventure-packed episodes of the radio drama Rocky Fortune. This 1953 radio adventure series stars Frank Sinatra as Rocco Fortunato, aka Rocky Fortune, a footloose and fancy-free young man of several talents. In constant need of employment, Rocky accepts odd jobs from the Gridley Employment Agency - jobs that typically lead him into situations where he tracks down criminals and ends up rescuing people in trouble - especially women. The job done, Rocky ultimately needs to find more work.

This Is Your FBI, as the title suggests, was a crime drama that featured true cases from the FBI and was told from an agent's viewpoint. The show's producer and director, Jerry Devine, had once worked for the FBI, so having him for the show would allow each story to be told in the best way possible. J. Edgar Hoover, who was the chief of the FBI at the time, gave it his endorsement, calling it "the finest dramatic program on the air", and gave Devine access to the FBI files for the stories used in the show.

Damon Runyon was a newspaperman and writer. He was best known for his short stories celebrating the world of New York City's Broadway that grew out of the Prohibition era. He created a little world of characters that live on even today in such classic movies as Little Miss Marker and Guys and Dolls, both based on Runyon's stories. Actor Alan Ladd's Mayfair Productions brought Runyon's short stories to radio in the early 1950s.

Philo Vance is a fictional character featured in numerous crime novels written by S. S. Van Dine, published in the 1920s and 1930s, who was later revived in film and on radio and television. During that time Vance was immensely popular. He was portrayed as a stylish, even foppish dandy, a New York bon vivant with a highly intellectual bent - America's Sherlock Holmes. He worked closely with his secretary and right-hand woman, Ellen Deering, and his pal, John Markham, New York County district attorney.

Every week, Inner Sanctum Mysteries told a story of ghosts, murderers, and lunatics. Taking its name from a popular series of mystery novels, Inner Sanctum Mysteries debuted over NBC radio's Blue Network in January 1941 and featured one of the most memorable and atmospheric openings in radio history, as an organist hit a dissonant chord, a doorknob turned, and a creaking door slowly began to open.

Here are 12 episodes of the horror and mystery series written and produced by radio announcers beginning in 1946. There were several series under the Hall of Fantasy banner, all produced by Richard Thorne. The first originated from radio station KALL in Salt Lake City. Richard Thorne and Carl Greyson were announcers for the station and coproduced the bare-bones horror series beginning in 1946. Written or adapted by Robert Olson and directed by Thorne, the stories were mostly murder mysteries with traditional endings.

The Black Museum was a weekly radio crime drama produced for the BBC in 1951 and based on real-life cases from the files of Scotland Yard. Orson Welles, who was living in London at the time, was both host and narrator for these dramatized stories based on Scotland Yard's Black Museum, which housed its collection of murder weapons and various ordinary objects once associated with historical crime cases.