Risultati letto da "Barbara Castano" in Tutte le categorie

When Pestilence comes for Sara Burn’s town, one thing is certain: everyone she knows and loves is marked for death. Unless, of course, the angelic-looking horseman is stopped, which is exactly what Sara has in mind when she shoots the unholy beast off his steed. Too bad no one told her Pestilence can’t be killed. Now the horseman, very much alive and very pissed off, has taken her prisoner, and he’s eager to make her suffer. Only, the longer she’s with him, the more uncertain she is about his true feelings towards her, and hers towards him.

The stranger could be insane. Or he just might be our salvation. Archaeologist Annja Creed is more than curious when a decrepit, ancient-looking man visits her, claiming the end of the world is near. The stranger spins wild tales and speaks as if he actually knew King Arthur. But, strangest of all, he insists that Annja is the only one who can stop the horrible event that is about to happen. 

Poet and playwright Federico García Lorca is one of the most famous figures in 20th-century Spanish literature. A member of the 'Generation of '27' avant-garde movement that included Dalí and Buñuel, he became well known for his lyrical, symbolic works mixing modernism and the folkloric traditions of his native Andalusia. He was executed by Nationalist forces at the start of the Spanish Civil War, aged only 38. More than 80 years later, his poetry is revered worldwide and the plays in his 'Rural Trilogy' are widely regarded as masterpieces.

It's 1892, and Amelia and her now-husband Radcliffe Emerson have settled down in Victorian England after their escapade in Egypt. They're raising their young son Ramses and everything seems normal–until they are approached by a damsel in distress. Lady Baskerville's husband, Sir Henry, has died after uncovering what might be a royal tomb in Luxor. Despite rumors of a curse haunting all those involved with the dig, Amelia and Radcliffe proceed to Egypt and realize that Sir Henry did not die a natural death.

AD 2107: A generation ago, Earth and the cislunar colonies banned genetic and cybernetic modifications. But out in the Asteroid Belt, anything goes. Dozens of flourishing space habitats are spawning exotic new societies and strange new varieties of humans. It’s a volatile situation that threatens the peace and stability of the entire solar system.

Kidnapped from the Earth People as a child, White Ash learns the way of the Sun People as she grows into a beautiful woman. But the disturbing dreams that made her an outcast in her old tribe are becoming stronger and they foretell a frightening future of bitter cold, war and famine. When a hostile tribe massacres her adopted family, White Ash is raped and left near death, but is miraculously saved by a brave shaman...and falls in love with him. Together they set out on a dangerous journey to steal a magical object - but they soon face a ruthless enemy who wants White Ash for his own.

Near what was once the Pacific northwest, Ryan Cawdor and his roving band of post-holocaust survivors discover a beautiful valley untouched by the nuclear blast that changed the earth forever. Resisting the temptation to settle in that idyllic land, the group is captured and forced deep beneath an extinct volcano to an isolated community of in-bred scientists. These psychopathic descendants of a 20th century government research team are blindly laboring to find better ways of genocide, unaware that the world they are striving to slaughter has already died.

Donley Bannister shot and killed Cletus Slocum for stealing and crippling one of his best horses. He ran, leaving his wife Geneva behind. She sets off to find him, with Ranger Andy Pickard on her trail, hoping she’ll lead him to Donley. Cletus’ brothers are on the road, too, seeking revenge. Along the way, Andy discovers that the innocent and devoted Geneva may have made the mistake of marrying the wrong man, and that her husband may be a moral man in some ways, but he has no difficulty with taking other men’s horses.

In 1864, the frontier cavalry had been withdrawn to fight in the War Between the States, and the able-bodied men had enlisted to join the cause, leaving the families in the Brazos River valley very much on their own...and nearly defenseless. The Comanches and the Kiowas decided this was the perfect time to rid their land forever of the invaders who had threatened their very existence. 

It’s the 48th year of the Kurian Order. The alien, vampiric Kur and their avatars, the Reapers, control most of the Earth - their new feeding ground. Humanity is scattered and survives only at their new master’s whims. But the Resistance is attempting to reclaim Earth. David Valentine, member of the elite Cat spy force, is in enemy uniform aboard the aging gunboat Thunderbolt. Whispers have reached him of the discovery of a long-lost weapon in the Caribbean - the first glimmer of hope for humanity to finally defeat the Reapers. 

David Valentine resigns as a Wolf militia, and accepts an offer to become a Cat, one of the stealthy warriors trained to spy on, and go toe-to-toe with the Reapers. Under the command of his mentor, Smoke, Val's first mission is to enter the Kurian zone and investigate "The Twisted Cross", a strike force of alien-human hybrids, possessing the skills of combat veterans and the hunger of the Reapers....Along the way he befriends a powerful alien, a Grog named Anh-Ka, who declares David his blood brother after Valentine nurses him back from death.

On the birth of Princess Aurora, an evil fairy places a curse on her and declares that before the sun sets on her 16th birthday, she will die by pricking her finger on the spindle of a spinning wheel. To protect her from the evil spell, the king agrees to place Aurora in the care of three spirited good fairies who live in a cottage in the woods. One of the fairies conjures a spell so Aurora will fall into a deep sleep instead, to be awakened only by a kiss from her true love. 

Vintage comedy drama starring Dame Thora Hird as straight-talking Hilda Springett, one very determined widow… Treat yourself to this vintage sitcom from the 80’s, full of charm and humour starring the inimitable Dame Thora Hird as the strong-willed yet lovable Hilda Springett. This is a...

Matthew and Marilla Cuthbert have sent to the orphanage for a boy. So when a skinny, red-haired girl turns up, she is not quite what they had in mind. Anne Shirley soon sets the quiet island community of Avonlea talking of little else. With her incessant chatter and intense imagination, things...

A full-cast dramatisation of Edith Wharton’s 1913 satire of marriage and money in early-20th century American society SOON TO BE A STUDIOCANAL MOVIE STARRING SYDNEY SWEENEY, LEO WOODALL, AND MORE When the beautiful and ambitious Undine Spragg convinces her nouveau riche parents to move to New...

Bill Masen wakes in his hospital bed, eyes bandaged. Something is wrong: it’s unusually quiet and no one has come to his room. When he removes his bandages he finds a world that has changed utterly. Most of the population are completely blind – only those who didn’t watch the night sky can...

Two novels by the award-winning Canadian writer Carol Shields, dramatised for BBC Radio Carol Shields was one of Canada’s most renowned contemporary authors. Often compared to Jane Austen, her deft, witty and compassionate works depicting the everyday lives of ordinary people won her numerous...

Bloomsbury presents If We Never End by Laura Taylor Namey read by Barbara Castano You’ve Reached Sam meets If I Stay in this epic romance spanning life and death, from New York Times bestselling author Laura Taylor Namey. Sylvie Castellano is used to goodbyes. Every summer, her friends leave...

Barbara Jefford is the hilariously outrageous Lucia in this BBC Radio 4 dramatisation of the novel by E.F. Benson. Lucia is the uncrowned queen of 1920s provincial society, the Everest of social climbers and the most delicious of snobs. In the pastoral serenity of the village of Riseholme, Lucia and her unforgettable cronies face up to an Indian guru, spiritualism, and a cultural usurper.

Film noir: the name comes from the French for “black” or “dark film.” It points to the central feature of the genre: mood. There is a darkness about film noir, a somberness accompanied by a thrill of dread and ever-present danger. This aura envelops wealthy heiresses, English aristocrats, tough-guy drifters, jazz musicians, drug dealers, and respected schoolteachers—all of whom have secrets to hide and much to lose if those secrets are unveiled.