Risultati letto da "Anna Di Maggio" in Tutte le categorie

"Lui scese, le andò incontro e le aprì la portiera. Naturalmente lei non sapeva ancora che quello fosse un giorno speciale, né avrebbe mai immaginato che le sarebbe rimasto impresso per sempre." Attraverso gli occhi della figlia Costanza, rivive la figura forte ma schiva di Giulia Florio, l'ultima discendente della leggendaria famiglia che ha dominato la scena siciliana e quella nazionale tra il XIX e il XX secolo.

Raunchy, risqué and rebellious, early Restoration comedies were a breath of fresh air for 17th century theatregoers. With Charles II restored to the throne in 1660, Oliver Cromwell's ban on stage performances was rescinded, and for the first time, women were invited to tread the boards as actresses. Playwrights developed a new style of social comedy, packed with amorous escapades, bawdy humour, wicked wit and sexual innuendo. This scintillating anthology showcases six leading lights of early Restoration drama.

“Sophisticated and erudite. . . . Hughes-Hallett is a natural heir to A.S. Byatt, delivering a densely patterned novel that shimmers with human interest as it probes our cultural story.”—Wall Street Journal The Costa Award-winning author of The Pike makes her literary fiction debut with...

“A comprehensive road map for parents who want to raise securely attached, emotionally healthy children. A parenting must-read.” —Alyssa Blask Campbell, M.Ed., author of Tiny Humans, Big Emotions ______ Learn how to create a lifetime of connection, trust, and open communication with your...

Elizabeth Bowen was one of the 20th century's most distinctive writers. An associate of the Bloomsbury Set, she was a keen observer of upper-middle-class life and relationships. Best known for her novels of the Anglo-Irish gentry and wartime London, her fiction displays recurring themes of loss, rootlessness and displacement. This collection contains five of Bowen's best-loved works, and hears from the author herself in three radio talks on the art of novel-writing.