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Henry Fielding è considerato uno dei padri fondatori del romanzo realista inglese. Tale scopo sarà pienamente raggiunto da Fielding nel suo capolavoro, Tom Jones (1749), uno dei più grandi romanzi della letteratura inglese. La storia narra le divertenti disavventure e peregrinazioni del giovane Tom Jones e della sua amata Sophia Western unendo a una trama sapiente e a pagine di garbata satira personaggi di grande efficacia e presenza, per fornire uno spaccato della società inglese dell'epoca. Cornice musicale di Georg Friedrich Haendel.

Tom Jones, a foundling, is brought up by the kindly Mr. Allworthy as if he were his own son. Forced to leave the house as a young man after tales of his disgraceful behavior reach his benefactor's ears, he sets out in utter despair, not only because of his banishment but because he has now lost all hope of gaining the hand of the beautiful Sophia. But she too is forced to flee her parental home to escape an undesirable marriage and their stories and adventures intertwine.

A foundling of mysterious parentage, Tom Jones is brought up by the benevolent and wealthy Squire Allworthy as his own son. Tom falls in love with the beautiful and unattainable Sophia Western, a neighbor’s daughter, whose marriage has already been arranged. When Tom’s sexual misadventures around the countryside get him banished, he sets out to make his fortune and find his true identity.

A BBC Radio 4 full-cast dramatisation of Henry Fielding's rollicking comic masterpiece. Found one evening in the bed of the rich and benevolent Mr Allworthy, baby Tom grows up in the guardianship of the kindly squire. He develops into a good-hearted fellow who is nonetheless resented by...

Penguin Classics presents Henry Fielding's Joseph Andrews, adapted for audio and available as a digital download as part of the Penguin English Library series. Read by the actor Sean Barrett. 'Kissing, Joseph, is but a prologue to a Play. Can I believe a young fellow of your Age and Complexion...

Penguin Classics presents Henry Fielding's Tom Jones, adapted for audio and available as a digital download as part of the Penguin English Library series. Read by the actor Robert Lindsay. '"Sir, I am concerned at the Trouble I give you; nay indeed my Nakedness may well make me ashamed to look...

This is Stephen Wyatt's adaptation of Henry Fielding's classic comic adventure. Episode 1: The wealthy Squire Allworthy steps into bed and finds an infant wrapped between his sheets. Episode 2: Tom is banished from the home in which he has spent his entire life. Episode 3: Tom follows his true...

In a tangled web of manipulation and desire, young Laroon is set to marry Isabel, but Father Martin has other plans. He cunningly influences Isabels father, Jourdain, to pursue his own lustful ambitions. As the plot thickens, both Laroon men resort to disguises and guilt tactics to sway Jourdain to their favor. Meanwhile, Isabel, wise to the unfolding schemes, crafts her own clever trap for Father Martin. When she finally exposes his true intentions, the stakes rise, leading to a dramatic confrontation and consequences for the devious priest. (Summary by Wikipedia)

In this timeless classic, first published in 1749, we delve into the captivating story of Tom Jones, a foundling raised by a kind-hearted squire. Amidst the backdrop of Somersetshire, two neighboring squires—one affable and generous, the other a fiery lover of the hunt and drink—embark on a comedic scheme to marry the formers nephew to the latters daughter, much to her dismay. For her heart belongs to Tom, whose charming yet reckless nature has led him into a series of misadventures, both real and perceived. With a cast of characters who fervently believe in their own righteousness, the ...

In this delightful adaptation, we find Don Quixote and his loyal squire Sancho transported to the English countryside. At a quaint inn, the Knight of the Woeful Countenance encounters a host of eccentric characters, each as mad as he is. Join us for a whimsical journey filled with humor and adventure, as these beloved characters navigate the quirks of their new surroundings.

In a twist of fate, Henry Fielding found himself unable to publish his plays, leading him to craft a farcical masterpiece about his very struggle. This play culminates in an entertaining third act that features a mock Puppet Show, delightfully performed by actors, titled The Pleasures of the Town. Join us for a humorous and insightful exploration of the trials of authorship, brought to life by a talented cast, including Luckless, the beleaguered author, and a colorful ensemble of characters. - Summary by ToddHW

In this captivating tale, the narrator meets his end right from the first sentence. As he recounts his adventures in the afterlife, Henry Fielding‚renowned author of Tom Jones and Joseph Andrews‚offers a witty and insightful satire on life in our earthly realm. (Summary by Denny Sayers) This project was proof listened by Linda Andrus and Betty M.

The real Jonathan Wild, born about 1682 and executed at Tyburn in 1725, was one of the most notorious criminals of his age. His resemblance to the hero in Fielding's satire of the same name is general rather than particular. The real Jonathan (whose legitimate business was that of a buckle-maker) like Fielding, won his fame, not as a robber himself, but as an informer, and a receiver of stolen goods.

In one of the first novels in the English language, we follow the picaresque adventures of Joseph Andrews, a virtuous young man who is keen to maintain his innocence despite being coerced by nearly every woman he encounters.

Shamela is a bawdy, spirited, and hilarious response to Samuel Richardson's hugely popular 1740 novel, Pamela. In this pointed satire, Shamela (which transpires to be the real name of Richardson's Pamela) reveals the ulterior motives behind the events that took place in Pamela. Shamela is unlike the virtuous young lady portrayed in Richardson's novel and she takes command of her master, Squire Booby. Our heroine has planned it all out from the start and she is determined to entrap her master into marriage.

Tom Jones is a splendid Hogarthian panorama of 18th century English life and morals, encompassing both city and country, and comprising some of the greatest comic characters in British literature. First published in 1749, it was an instant success and has gone on to become a classic of its genre. Quite simply, there has never been anything like it.

The ‘Voice of the Year’ competition introduced and sponsored by Naxos AudioBooks and The Times books pages, edited by Erica Wagner, took place in Spring 2004. Readers without any formal drama training or professional acting experience were invited to send in recordings of a short extract of either Dickens, Austen or from The Wind in the Willows by Kenneth Grahame and an own choice. The judging panel - Martin Jarvis, Juliet Stevenson, and Anton Lesser, with John Tydeman, David Timson, and Christina Hardyment....

Embark on a memorable sailing voyage from England to Portugal in the mid-eighteenth century, as narrated by one of the eras leading humorists, satirists, novelists, and playwrights. This poignant work, recorded during the final chapter of his life, interweaves the authors declining health with the captivating details of his journey.

Tom Jones by Henry Fielding is a comedic novel that follows the life and adventures of its foundling protagonist, Tom Jones, as he navigates through love, betrayal, and society's expectations. The novel is celebrated for its vivid characters, intricate plot, and exploration of human nature and morality, making it a significant work in the development of the novel as a literary form. Fielding's satirical lens critiques the hypocrisy of 18th-century British society while ultimately advocating for virtue and goodness.

As several gentlemen in these times, by the wonderful force of genius only, without the least assistance of learning, perhaps, without being well able to read, have made a considerable figure in the republic of letters; the modern critics, I am told, have lately begun to assert, that all kind of learning is entirely useless to a writer; and, indeed, no other than a kind of fetters on the natural sprightliness and activity of the imagination, which is thus weighed down, and prevented from soaring to those high flights which otherwise it would be able to reach.