Risultati di "O Henry" in Tutte le categorie

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Human beings are, in the main, social animals, they like to gather, to herd together, to share experiences. But some do not. Either through choice or exclusion their way forward is difficult. In this volume our authors and their characters share their stories.

Americans have vivid, colourful and mesmerising imaginations. On the flip side they are equally adept at Realism. In this volume their famed authors explore short stories that bring us up close and personal to reality.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Some you may disagree with but they will get you thinking; about our choices and about those you would have made. If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something.

Sadness can be about so many things from places to people, from thoughts to actions. Our classic authors including Arnold Bennett, James Joyce, Willa Cather, Joseph Conrad, Ivan Turgenev and many others use their pens and stories to demonstrate the many ways this feeling can take a hold of lives and its consequences.

Murder comes in two familiar forms. Whether as a crime of passion with high emotions or a cold dispassionate plot to take life in order to gain in some way, the act strikes us all as somehow inhuman. Beneath us as civilised beings. But however we cloak our animal instincts the need to remove a human being and gain relief from abuse or gain from money, the term is just the same – MURDER. Robert Louis Stevenson, Arthur Conan Doyle, J M Barrie, W W Jacobs and many others bring their literary heft to bear in as calculating a way as any killer could.

When two friends reunite after a twenty-year absence, the limits of friendship become evident. Painting two distinct portraits of people who have grown apart, O. Henry explores themes of friendship, loyalty and trust. In Mammon and the Archer, the pursuit of love, and the love of money go head-to-head for dominance in a timely engagement. Famous for his unexpected plot twists, O. Henry was not only a master at the craft of writing the short story, but explored deep themes that still resonate today.

Cherokee has struck it rich, and he decides to make Christmas extra special for the children of a nearby town. Unfortunately, there ARE no children in the nearby town. When the appreciative townspeople try to round up some kids from the surrounding towns, they inadvertently set the stage for a Christmas miracle for Cherokee.

Art and life. Each the mirror of the other. This then is the classic definition of what ‘Realism’ as a writing form really is. Some might call it a fancy term for the mundane day to day pursuits but in the hands of an author it comes alive. We are drawn into characters and landscapes that we can empathize with, we can, metaphorically speaking, help shoulder their burden, be on the long trail with them whatever the landscapes, the hurdles, incidents and other people may place in their literary way.

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

William Sydney Porter was born on 11th September 1862 in Greensboro, North Carolina. At age 3 his mother died from tuberculosis. From an early age it was clear Porter had a large appetite for reading as he absorbed the world around him. In December 1899, in McClure’s Magazine, he published a short story as O. Henry.

Christmas may come but once a year but human emotions, the driving force of our characters, are with us every day. Yet, somehow these same emotions when they happen at Christmas seem amplified; we seem more tender to their touch, their words. Whether it’s a long-lost returning soldier wondering how best to return to the arms of his family without too great a risk of shock... Or a prodigal son whose taken path has driven pain into his own and others hearts… These stories reveal much about the human condition.

O Henry is perhaps the master of the American short story across his 600 works. Slices of life, vignettes of narrative are told with verve and poise and words that simply flow as he wanders through society revealing characters and stories of instant appeal.

Showcasing three of O. Henry’s sharpest short stories, Crisis of Conscience highlights the choices available for folks whose options are limited and difficult. In the first, "An Unfinished Story", O. Henry uses a technique of only half telling two stories, delivering a clear and powerful message. The other two tales, "A Retrieved Redemption" and "A Blackjack Bargainer", are more traditional narratives, each examining folks who are trying to get back up on the straight and narrow, and their terrible wrangle with the most evil adversary of all – hope.

Azt hiszem, a kutya az egyike az ember legsikeresebb háziasítási kísérleteinek. Amióta szolgálatunkba léptek, a legsokoldalúbb barátaink. Társaságot nyújtanak, mikor erre van szükségünk vigasztalnak. Rendőrkutyaként kiszimatolják a bűnt, és szemévé lesznek azoknak, akik nem látnak. Őrzik tulajdonunkat, százféle módon vigyáznak ránk. Ezek a történetek ékesen bizonyítják, milyen hihetetlenül sokoldalú és elbűvölő állatok.

C'est la fin de l'automne et l'hiver se fait sentir. Soapy, un sans-abri parmi tant d'autres arrivés à New York au début du vingtième siècle, sait qu'il est temps pour lui de se trouver un abri pour les prochains mois. Après tant d'années dans la rue, il en est venu à considérer la prison locale comme étant un refuge. Il met donc en place une série de tactiques dans le but de se faire arrêter et incarcérer. L'écrivain américain O. Henry (1862-1910), de son vrai nom William Sydney Porter, est l'un des maîtres de la nouvelle.

Dans cette nouvelle, O. Henry s'attaque au prototype du triangle amoureux et à l'adage: "Sois proche de tes amis, et encore plus proche de tes ennemis". Notre narrateur, Jim, est amoureux d'une jeune fille de dix-huit ans. Le problème? Il en va de même de son ami Goodloe. Quand le père ce celle-ci se rend compte que ces deux hommes s'intéressent à sa fille, il l'emporte avec lui et disparaît.

Jimmy Valentine est libéré après quatre mois de prison. Cambrioleur, il est pressé de retourner au travail, mais voilà qu'il s'énamoure de la fille d'un banquier. Pour elle, il change de vie, mais on n'échappe pas à son passé aussi facilement. L'écrivain américain O. Henry (1862-1910), de son vrai nom William Sydney Porter, est l'un des maîtres de la nouvelle. Il travailla comme journaliste au Houston Post et fit partie des écrivains les mieux payés aux États-Unis. Parmi ses recueils les plus connus on peut nommer "New York Tic Tac" et "Les Quatre Millions".

Un jeune homme recherche désespérément la femme qu'il a aimé à travers divers logements dans un quartier newyorkais. C'est peut-être la nouvelle la plus lugubre de O. Henry, et la plus froidement ironique. C'est un récit sur le caractère éphémère de la vie et sur l'indifférence du monde, où l'on ne laisse derrière soi que la plus légère des marques. C'est celle-ci que notre personnage poursuit en vidant les tiroirs et en inspectant chaque recoin, chaque crevasse, qui pourrait le mettre sur la trace de la femme qu'il cherche.

Cette histoire sentimentale est un des plus parfaits exemples d'ironie comique. Un jeune homme, Jim, et sa femme, Della, cherchent tous deux un cadeau de Noël pour leur autre moitié, mais ils n'ont presque pas un sou en poche. Que sont-ils prêt à sacrifier pour un amour qui n'a pas de prix ? L'écrivain américain O. Henry (1862-1910), de son vrai nom William Sydney Porter, est l'un des maîtres de la nouvelle.