Risultati letto da "David Shaw-Parker" in Tutte le categorie

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. The Russian short story is, in many respects, in a genre of its own. It is at its captivating best whether it’s an exploration of real-life experiences, through fantasy and fables and on to total absurdity.

In this series we explore the many facets of love through literary talents that span both time and country. Love is good. It’s positive, a source of joy, nourishment and all over goodness. But sometimes other more malevolent forces come to play. They infect that love, they see their form as better. Instinctively we would shy away but sometimes its pull is too powerful, almost attractive. We are drawn closer into the shadows.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In the vast Empire of the Russians literature was a way to exchange ideas, values and cultures. Yet each author, each story, each character is an individual example of a journey that, story by story, has transformed the glimmering arc of its literature.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this decade the equality of the sexes is now law. In real life it’s patchy. Power refuses to ebb or cede. In literary terms though women are again second to none with writing that strides confidently forward addressing the issues, the characters and the stories in unique and individual ways.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. This decade is resplendent with literature and its many prodigiously talented authors who write on as varied a range of subjects as might be thought possible. Yet each is studded with careful literary precision and narrative verve. It is a remarkable decade.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The plains of the American Mid-West are home to some very fine exponents of the literary craft. Throughout this vast landscape stories seem to be everywhere offering their experiences as works just awaiting the final touches and flourishes of these famed authors. They deliver in very talented ways.

The name H H Munro is obscured beneath the literary mantle of his nom de plume; Saki. A writer of his times, the stories perfectly portray society’s whims and tastes in a delicate yet at times, barbed humour. A divine wit who conjured words into quite extraordinary works. Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere.

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. Whilst Tolstoy, Gogol, Dostoevsky, Pushkin and Chekhov are a given in any Russian collection we also explore and include Andreyev, Korolenko, Turgenev, Blavatsky and many others to create a world rich and dense across a sprawling landscape of diverse people, riddled with the class and unfairness in perhaps some of the most turbulent times that Russia has ever experienced.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The zenith of Empire is bookended by two catastrophic wars that slaughter vast swathes of humanity. And yet authors manage to record and create fragile libraries of humanity, its talents, its dreams and increasingly its nightmares.

Arnold Bennett was born in 1867 in Hanley one of the six towns that formed the Potteries that later joined together to become Stoke on Trent; the area in which most of his works are located. For a short time he worked for his solicitor father before realising that to advance his life he would need to become his own man. At the turn of the century he turned full time to writing and shortly thereafter in 1903 he moved to Paris and in 1908 published to great acclaim The Old Wives Tale. With this his reputation was set. Clayhanger and The Old Wives Tale are perhaps his most lauded novels.

At the end of our days we will most likely lie for eternity in the cemetery or graveyard. Many of these, now wreathed in time, have a romance and overgrown beauty as nature keeps and shelters the dead. For our varied and talented authors, a major theme, or indeed character of the stories in this volume is that very location, and how they weave it into their narratives is both fascinating, enlightening and a wonderfully distinct way of telling classic short stories.

Alfred Lichtenstein was born on the 23rd August 1889, in Berlin-Wilmersdorf, the son of a Jewish manufacturer. He grew up in Berlin before studying law at Erlangen in Bavaria. A writer in the Expressionist style his poems and stories are short but beautifully honed works. His tragically curtailed life allowed only a small part of his talents to rest with us. Undoubtedly a full life would have given the world a very gifted literary force.

Edward Alexander Crowley was born on 12th October 1875 to wealthy parents in Royal Leamington Spa in Warwickshire. Life for Crowley was to abandon his parents’ Christian faith and instead to inject himself into Western esotericism. In 1898, he joined the esoteric Hermetic Order of the Golden Dawn and was trained in ceremonial magic before studying both Hindu and Buddhist practices in India. His literary works were both prolific and covered many topics. In the early part of his career he published many poetry books, even plays, before his darker and more forceful works.

Mayer André Marcel Schwob was born in Chaville, Hauts-de-Seine, France on 23rd August 1867 into a cultivated Jewish family. As a child he devoured the works of Poe and Stevenson in French and then again in English. His attachment to the bizarre and dark was already forming. After completing a Bachelor of Arts in 1888 he became a professional journalist and worked for the Phare de la Loire, the Événement and L'Écho de Paris. The 1890’s marked his establishment as a brilliant writer with the publication of six short story collections.

Vicente Blasco Ibáñez was born in Valencia, Spain on 29th January 1867. At university, he studied law and graduated in 1888 but never felt the urgency to practice—he was more interested in politics, journalism, literature and women. Ironically his fame in the English-speaking world has come not as a novelist but as the stories behind some of Hollywood’s greatest silent movies.

Robert Barr was born in Glasgow, Scotland on the 16th September 1849. Five years later the family emigrated to a farm near Muirkirk in Upper Canada. Although a number of his crime novels and short stories are parodies on Sherlock Holmes and other best-selling detectives of the time, he also wrote short stories across a whole range of subjects and genres usually with intriguing ideas and many laced with wit and humour.

James Hain Friswell was born in 1825. He was an English essayist and novelist. He was a frequent contributor to many of the leading periodicals of the day. Whilst his essays and short stories were highly praised his novels and poetry were treated with disdain. He died at Bexley Heath, Kent in 1878, aged 52.

Love. Perhaps the one word solution for everything. An emotion, a state of mind that we strive for, search for. A wondrous force that binds, inspires, and a force that can spin out of control; unbalanced and fragile. Love reflects, changes and embraces us all. In this series we explore the many facets of love through literary talents that span both time and country.

In this volume your flesh may creep and crawl a little bit as our classic authors delve into the world of vampires. Some stories you may be familiar with but for most these will be new and unsettling experiences.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.