Risultati di "Stephen Crane" in Tutte le categorie

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Stephen Crane was born 1st November, 1871 in Newark, New Jersey. Crane only began a full-time education when he was nine but quickly mastered the grades needed to catch up and move forward. Although educated at Lafayette and Syracuse he had little interest in completing university and was keener to move on to a career, declaring college to be ‘a waste of time’. By twenty he was a reporter and two years later had published his debut novel ‘Maggie: A Girl of the Streets’. In literary circles this was hailed as the first work of American literary Naturalism.

Stephen Crane was born 1st November, 1871 in Newark, New Jersey and was the eighth surviving child out of fourteen. Incredibly he began writing at the age of four and was published several times by the age of sixteen. By twenty he was a reporter and two years later had published his debut novel ‘Maggie: A Girl of the Streets’. In literary circles this was hailed as the first work of American literary Naturalism. Two years later, in 1895, he was the subject of worldwide acclaim for his Civil War novel, written without the benefit of any actual war experiences, ‘The Red Badge of Courage’.

In this series we explore the many facets of love through literary talents that span both time and country. ‘With this ring, I thee Wed’. And with these words lives enter a new chapter. Hopefully till the end of their lives but time together, with its up and downs, hurdles and obstacles, also cuts short a great many, sometimes in unusual ways.

Americans have vivid, colourful and mesmerising imaginations. On the flip side they are equally adept at Realism. In this volume their famed authors explore short stories that bring us up close and personal to reality.

Sadness can be about so many things from places to people, from thoughts to actions. Our classic authors including Arnold Bennett, James Joyce, Willa Cather, Joseph Conrad, Ivan Turgenev and many others use their pens and stories to demonstrate the many ways this feeling can take a hold of lives and its consequences.

Stephen Crane was born 1st November, 1871 in Newark, New Jersey and was the eighth surviving child out of fourteen. Incredibly he began writing at the age of four and was published several times by the age of sixteen. His poems, predominantly short and abstract, display another facet of his talent which questions, advises and presents his audience with much to contemplate. Some are difficult to engage with but with the effort comes the reward.

In the American Civil War that began in 1861 the War was seemingly fought to end Slavery. A War for Good. The result a win for the good guys but a society that still bears fractures from this seminal period. The stories in this volume show the true scars that are endured as a riven Nations authors try to explain and reconcile.

When we read or listen, words can have a transforming effect. Our mood can alter in the space of a few sentences from joy to sadness. And not just our mood. These words can affect us physically, they can engage our emotions and even in their sadness bring a lump to our throat and tears to our eyes. Sometimes the relief can be palpable. Our authors, from Anton Chekhov, Stephen Crane, Willa Cather, Katherine Mansfield and a wealth of others, are well aware of what their talents will evoke. Genius has many names.

Art and life. Each the mirror of the other. This then is the classic definition of what ‘Realism’ as a writing form really is. Some might call it a fancy term for the mundane day to day pursuits but in the hands of an author it comes alive. We are drawn into characters and landscapes that we can empathize with, we can, metaphorically speaking, help shoulder their burden, be on the long trail with them whatever the landscapes, the hurdles, incidents and other people may place in their literary way.

Our ‘fight of flight’ response is something hardwired into the primitive part of our brain. Our need to survive, to outlive whatever danger poses, that immediate threat to our lives is little short of a marvel. Everything else is abandoned in order to survive. Whilst in modern times that ability has been somewhat modified and ‘reasoned’ away to an extent, in past years it’s what usually kept you alive. In this volume people struggle valiantly to survive and to exist no matter the extent of the threat they face.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

After battling the tempestuous sea, four men in a boat finally spy land. But will the process of getting to the land be their undoing? Based upon Crane’s experience of surviving a shipwreck when traveling to Cuba, The Open Boat is an excellent example of literary Naturalism. H.G. Wells considered it “the crown of all [Crane’s] work”.

Stephen Crane was born 1st November, 1871 in Newark, New Jersey and was the eighth surviving child out of fourteen. Incredibly he began writing at the age of four and was published several times by the age of sixteen.

Scratchy Wilson will have his day. When word gets around that Sheriff Jack Potter is arriving on the afternoon train with his bride, Scratchy intends to raise all kinds of hell. Published in 1898, Crane’s story was indicative of the growing sentiment for the American West. B.J. Harrison’s authentic and textured narration brings a greater depth to this American classic.

En esta novela vertiginosa que Stephen Crane completó con solo veinticuatro años de edad, un joven se alista como voluntario en la Guerra de Secesión movido por sus ideales de heroísmo. Sin embargo, la batalla pronto deja de ser un escenario romántico para convertirse en un infierno de miedo, fango y desesperación, cuya descripción impresionista Crane conjuga magistralmente con las dudas individuales.

Stephen Crane was born 1st November 1871 in Newark, New Jersey, and was the eighth surviving child out of 14. Incredibly, he began writing at the age of four and was published several times by the age of 16. Crane only began a full-time education when he was nine but quickly mastered the grades needed to catch up and move forward. Although educated at Lafayette and Syracuse, he had little interest in completing university and was keener to move on to a career, declaring college to be ‘a waste of time’.

A searing tale of fear and courage, set during the Civil War, but more powerful today than ever. A young man enlists in the Union Army but nervously wonders how he will react to the blood, violence, and death of a real battle. When that terrible day arrives, he flees the fighting in terror. But his cowardly behavior gnaws at his conscience, and he searches for redemption for what he has done.

Johnnie, un antiguo plantador de azúcar convertido en espía americano, se infiltra en La Habana, una ciudad llena de tensión y falsas victorias. Mientras los ciudadanos celebran noticias infladas y ficticias, Johnnie juega su papel entre las sombras, arriesgándolo todo por una información que podría cambiar el rumbo del conflicto.

Margarita, una joven cuya belleza solo es superada por su fría determinación, se ve atrapada entre el amor del misterioso señor Smith y el eco de un pasado que parece perseguirla. Mientras tanto, al otro lado del mundo, soldados y insurgentes se enfrentan en un violento conflicto que podría cambiar sus destinos para siempre. Crane construye una historia donde los lazos de amor, lealtad y venganza se entrelazan como una red imposible de desenredar.