Titoli in Italia

Siamo a Firenze nel 1921, le squadracce fasciste imperversano in città e si organizzano i gruppi di autodifesa socialisti e comunisti. Gli scontri sono all’ordine del giorno e il giovane fascista Giovanni Berta viene prima malmenato e poi gettato da un ponte nell’Arno. Immediatamente i fascisti trasformarono questo fatto in un martirio, enfatizzando la brutalità e la ferocia delle masse operaie. A queste dovevano porre un argine l’indomita fede e il senso di sacrificio dei sostenitori del fascismo.

بينيتو أندريا موسوليني حاكم إيطاليا ما بين 1922 و1943 شغل منصب رئيس الدولة الإيطالية ورئيس وزرائها وفي بعض المراحل وزير الخارجية والداخلية. وهو من مؤسسي الحركة...

En el siglo XVI, habitualmente conocido como "cinquecento", se prolonga este genio artístico italiano que alcanza cotas poco conocidas en Europa y, a nuestro juicio, en el mundo entero. Apoyándose sobre los descubrimientos del siglo anterior, aparecen ahora los grandes genios del arte italiano...

A partir del siglo XVII el grandioso arte del Renacimiento va tomando matices nacionalistas y de cierta exageración que se expresan en cada nación de una manera muy distinta. Es el estilo que se denomina habitualmente barroco y que presenta más diferencias que las que aparecían en el...

For listeners eager to experience Gibbon’s brilliant primary historicism, to understand the long decline of Rome—and the reasons for the Empire’s demise—there exists no better or more accessible condensation of Decline and Fall.

Between 1950 and 1970, the Vatican and the American Catholic Church sent nearly four thousand Italian children to the United States for adoption into “good” Catholic homes. With the religious stigma of unwed motherhood turning families against daughters and a Church and State wanting “illegitimate” children sent abroad, mothers were lied to, given forms to sign that they didn’t understand, or even told their baby had died, all to further supply this international adoption pipeline.

The world is enamored with Italy: its culture, art, food, and fashion, its beautiful landscapes, and famous cities-and, of course, its wine. If history can sometimes be throat-achingly dry, writer and wine expert Marc Millon serves up a delightfully fresh take on Italy's past, present, and future, best enjoyed with a glass in hand.

For over thirty years, modern Italy was plagued by ransom kidnappings perpetrated by bandits and organized crime syndicates. Nearly 700 men, women, and children were abducted from across the country between the late 1960s and the late 1990s, held hostage by members of the Sardinian banditry, Cosa Nostra, and the ’Ndrangheta. Subjected to harsh captivities and psychological abuse, the victims spent months and even years in isolation while law enforcement and the state struggled to find them.

Vesuvius is best known for its disastrous eruption of 79CE. But only after 1738, in the age of Enlightenment, did the excavations of Herculaneum and Pompeii reveal its full extent. In an era of groundbreaking scientific endeavor and violent revolution, Vesuvius became a focal point of strong emotions and political aspirations, an object of geological enquiry, and a powerful symbol of the Romantic obsession with nature. John Brewer charts the changing seismic and social dynamics of the mountain, and the meanings attached by travelers to their sublime confrontation with nature.

On November 11, 1943, the Nazis invaded Cansano, forcing its two thousand inhabitants to make a tough decision—fight and be killed or sent to a POW camp, stay behind as servants to the Nazis, or move into the unforgiving mountains of Abruzzo while the Nazis used their village as a home base. Giovanni Ruscitti's family chose the latter and spent the next few months living in horrendous winter conditions in the rugged mountains. When the war ended, they returned to a village so ravaged by the Nazis that, today, the town has less than 200 citizens and remains in a dilapidated state.

In the early morning of 6 May, 1527, the 20,000 starving, unpaid troops of Emperor Charles V began their assault on the great walls of Rome. After only a few hours they had overcome the barricades; the city into which they streamed was now in their grip. This uncontrollable force of German landsknechts, Spanish soldiers, and Italian mercenaries showed no mercy as they plundered, raped, and slayed their way through the holy city.

When Hitler’s armies occupied Italy in 1943, they also seized control of mankind’s greatest cultural treasures. As they had done throughout Europe, the Nazis could now plunder the masterpieces of the Renaissance, the treasures of the Vatican, and the antiquities of the Roman Empire. On the eve of the Allied invasion, General Dwight Eisenhower empowered a new kind of soldier to protect these historic riches. In May 1944 two unlikely American heroes—artist Deane Keller and scholar Fred Hartt—embarked from Naples on the treasure hunt of a lifetime, tracking billions of dollars of missing art, including works by Michelangelo, Donatello, Titian, Caravaggio, and Botticelli.

From Palermo to Castiglione di Sicilia to Alimena, Sicily holds great secrets from the past and unspoken promises. Now, slowly shaking itself free of the Mafia, Sicily is opening itself up to visitors in ways it never has before. Sicilian Splendors explores the history, politics, food, Mafia, and people which John Keahey encounters throughout his travels during his return to Sicily. Through conversing with natives and immersing himself in culture, Keahey illustrates a brand new Sicily no one has ever talked about before.

From 1934 until 1944, Mussolini met Hitler numerous times, and the two developed a relationship that deeply affected both countries. While Germany is generally regarded as the senior power, Christian Goeschel demonstrates just how much history has underrepresented Mussolini's influence on his German ally. Goeschel, a scholar of 20th-century Germany and Italy, revisits all of Mussolini and Hitler's key meetings and asks how these meetings constructed a powerful image of a strong Fascist-Nazi relationship that still resonates with the general public.

The Borgia family have become a byword for evil. Corruption, incest, ruthless megalomania, avarice, and vicious cruelty - all have been associated with their name. And yet, paradoxically, this family lived when the Renaissance was coming into its full flowering in Italy. Examples of infamy flourished alongside some of the finest art produced in western history.

When Pliny the Elder perished at Stabiae during the eruption of Vesuvius in AD 79, he left behind an enormous compendium of knowledge, his 37-volume Natural History, and a teenaged nephew who revered him as a father. Grieving his loss, Pliny the Younger inherited the Elder's notebooks - filled with pearls of wisdom - and his legacy. At its heart, The Shadow of Vesuvius is a literary biography of the younger man, who would grow up to become a lawyer, senator, poet, collector of villas, and chronicler of the Roman Empire.

The 18th century’s Age of Enlightenment in pre-Revolutionary France continues to fascinate us today. Steegmuller brings his scholarly talents to this collection of the letters of Mme. Louise d’Épinay, best-known for the treatment she received in Rousseau’s Confessions. Eavesdropping on the writings of this intelligent woman, the listener gains not only insights into her friendship with Italian priest-diplomat, Ferdinando Galiani, but also a glance into the life of France’s elite.

Surprisingly neglected in accounts of Allied wartime triumphs, in 1941 British and Commonwealth forces completed a stunning and important victory in East Africa against an overwhelmingly superior Italian opponent. A hastily formed British-led force, never larger than 70,000 strong, advanced along two fronts to defeat nearly 300,000 Italian and colonial troops.

A history of the Renaissance told through the lives of its most influential patrons. From the late Middle Ages, the independent Italian city states were taken over by powerful families who installed themselves as dynastic rulers. Inspired by the humanists, the princes of 15th- and 16th-century Italy immersed themselves in the culture of antiquity, commissioning palaces, villas and churches inspired by the architecture of ancient Rome, and offering patronage to artists and writers.