Titoli in Stati Uniti

This collection includes ten plays by Arthur Miller. In The Crucible, Stacy Keach and Richard Dreyfuss lead an all-star cast in Miller’s searing play about witchcraft that famously mirrors the anti-Communist hysteria that held the United States in its grip. Death of a Salesman follows Willy Loman, the iconic traveling salesman whose family is torn apart by his desperate obsession with greatness. In Incident at Vichy, in Nazi-occupied France, nine men are detained under a shadowy pretext and face a terrifying fate.

Acclaimed humorist David Sedaris's beloved holiday collection is a perennial favorite. This updated edition includes six additional pieces, including a never-before-published story. David Sedaris's beloved holiday collection is new again with six more pieces, including a never before published...

Mateo Martinez is many things. The starting pitcher of the New York Monarchs, a devoted single father, and most recently, my new boss. When the opportunity to finally move out of my parent's cramped apartment and into his swanky home to nanny for his daughter arose, I simply couldn't pass it up. Until I made the silly suggestion for him to keep me on a three-strikes system, and I'm racking them up at lightning speed.

On her 12th birthday, Sierva Maria - the only child of a decaying noble family in an 18th-century South American seaport - is bitten by a rabid dog. Believed to be possessed, she is brought to a convent for observation. And into her cell stumbles Father Cayetano Delaura, who has already dreamed about a girl with hair trailing after her like a bridal train. As he tends to her with holy water and sacramental oils, Delaura feels something shocking begin to occur.

Después de derrotar al ejército cristiano, las tropas almohades se abren paso a sangre y fuego arrasando todo lo que encuentran en su camino. Diego de Malagón, el humilde hijo de un posadero, es testigo horrorizado del asesinato de su padre y del secuestro de sus hermanas. A duras penas consigue huir a lomos de su inseparable yegua Sabba y alcanzar la ciudad de Toledo donde conoce a Galib, un veterinario mudéjar.

In 1855, Walt Whitman published, at his own expense, the first edition of Leaves of Grass, a visionary volume of 12 poems. Showing the influence of a uniquely American form of mysticism known as Transcendentalism, the writing is distinguished by an explosively innovative free-verse style and previously unmentionable subject matter. Exalting nature, celebrating the human body, and praising the senses and sexual love, this monumental work, now a classic of American poetry, was condemned as immoral upon publication.

Ayn Rand discusses how a writer combines abstract ideas with concrete action and description to achieve a unity of theme, plot, characterization, and style, the four essential elements of fiction. Here, too, are Rand's illuminating analyses of passages from famous writers, rewrites of scenes from her own works, and fascinating rules for building dramatic plots and characters with depth.

In the aftermath of World War II, Goh Junja is a girl just coming into her own. She is the latest successful deep-sea diver in her family. She urges her mother to allow her to make their annual trip to Mt. Halla, where they trade sea delicacies for pork. A sea-village girl, Junja has never been to the mountains, where it smells like mushrooms and earth, and it is there she falls in love with mountain-boy Yang Suwol. But when Junja returns one day later, it is just in time to see her mother take her last breath, beaten by the waves during a dive she was taking in Junja's place.

Você está lendo uma frase, um parágrafo. De repente, surge um sorriso em seus lábios. Todos nós já vivemos algo assim. Trata-se do poder da palavra. Para além ou para aquém do que o autor queria dizer, aquela ideia lhe trouxe à lembrança uma experiência prazerosa, ou talvez o tenha levado a devaneios divertidos ou interessantes. Seja como for, é evidente o poder da palavra. Ele se manifesta, por exemplo, quando um texto nos descola do aqui e agora, do pressuposto ou já conhecido, transportando-nos para outras paragens, outros modos de ver e sentir. Esse é um jeito de desatar nós.

On a brisk February morning while walking to work, Ruth Foster is stopped by the local sheriff. He insists she accompany him to a health clinic, threatening to arrest her if she doesn't undergo testing in order to preserve decency and prevent the spread of sexual disease. Though Ruth has never shared more than a kiss with a man, by day's end she is one of dozens of women held at the State Industrial Farm Colony for Women. Some are there because they were reported for promiscuity by neighbors, husbands, strangers. Some were accused of prostitution.

Nix Zaldanna was never meant to fall in love. As the infamous Nightshade of Rojas, she was trained to kill, to obey, to serve. But when she is captured and left to rot in the dungeons of the enemy king, she waits for the Empress to come for her.

An experiment. A declaration. A spiritual awakening. Noted transcendentalist Henry David Thoreau spent two years, two months, and two days chronicling his near-isolation in a small cabin he built in the woods near Walden Pond, on land owned by his mentor and the father of Transcendentalism, Ralph Waldo Emerson. Immersing himself in nature and solitude, Thoreau sought to develop a greater understanding of society amidst a life of self-reliance and simplicity. Originally published in 1854, Walden remains one of the most celebrated works in American literature.

A crumbling convent school is on the verge of insolvency, when a young postulant begins to display strange heavenly powers. And when a dashing film executive arrives to buy the rights to her story, the Reverend Mother refuses to put profits over prayer. An L.A. Theatre Works full-cast performance.

Having grown up in the nurturing household of Casa Capuleta, Mariana will do anything for familia. To solve her adoptive parents’ financial problems amid their rapidly changing San Antonio comunidad, Mariana and her younger sisters are determined to win the Battle of the Mariachi Bands. That means competing against Hugo Montero, their father’s archnemesis, and his band and escalating a decades-old feud. It also raises the stakes of Mariana’s forbidden attraction for a certain dark-eyed mariachi who sets her heart racing.

Kurt Vonnegut presents in Fates Worse than Death a veritable cornucopia of his thoughts on what could perhaps best be summed up as "anti-theology", a manifesto for atheism that details Vonnegut's drift from conventional religion, even a tract evidencing belief in the divine held within each individual self--the deity within each individual person present in a universe that otherwise lacks any real order.

After twenty years of anguish, after twenty years of pain, defense attorney Joe Hennessy has the chance to confront the man who ordered the murder of his ten-year-old son. In Charleston, South Carolina, Hennessy uncovers evidence that Senator Richard Longhouse has links to his son's unsolved murder. Desperate to know the truth, Hennessy digs deep into the past, following the evidence trail into the criminal underworld. Clashing with corrupt cops, dishonest politicians, and ruthless felons, Hennessy uncovers information that has been buried for twenty years.

An arresting collection of short stories, reminiscent of Shirley Jackson and Julio Cortazar, by an exciting new international talent.

Tradotti per la prima volta in italiano da Raul Ciannella, questi nove racconti rappresentano una selezione della migliore fantascienza contemporanea spagnola e latino-americana. Il tema che unisce le storie di quest’antologia è il corpo: corpo biopolitico e artificiale, umano e animale, desiderato e rifiutato. María Angulo Ardoy descrive le vicende di due scienziati giapponesi in pensione, ridotti a esuberi in un paese che non si cura più degli anziani. César Mallorquí intreccia le storie parallele di un cane pastore e un sistema di sorveglianza satellitare costretto a infrangere i limiti della sua stessa programmazione.

Jess desperately wants to be a mother, so when she discovers a young boy lost in the woods near her home, her heart goes out to him. The boy, who Jess and her husband call “Buddy,” can’t tell them his name or anything about his family, but he’s clearly been through a lot. When her husband cautions her not to get too involved, Jess brushes him off. She would do anything for this child—and soon, she’ll have to prove it.

Nobody likes being on agricultural rotation, and with this heat wave, it’s almost more than Ester can take. She’s itching for something she can’t put words to—something she has no memory of wanting. But then, she can’t remember much beyond the past couple of years. She’s sent to the husband archive for a cure, but the man she checks out comes with baggage: stacks and stacks of paper he calls “books.” What they teach each other may prove hard to forget.