Risultati Editore "Inanna Publications" in Narrativa di genere

In Many Waters is the gripping story of three orphans whose lives intersect on the island of Malta during our current, urgent refugee crisis. Zoe, a budding historian, comes to Malta with her younger brother Cal to learn more about their Maltese mother, as well as the mysterious circumstances surrounding their parents’ untimely deaths. The siblings’ well-mapped plans are derailed when Cal, who is a daily swimmer in the Mediterranean, discovers a girl floating in the sea, barely alive. The small, battered fishing boat on which she has journeyed from Libya to Malta capsized in a storm: Aziza is the sole survivor.

In New York City, an airplane has plunged into a skyscraper, and in the short time before anyone understands the significance of this event, Valerie’s mind begins to spiral in and out of the present moment, circling around her intense memories of her father’s death, her youthful relationship with troubled Matthew, and her pregnancy with his child, the crisis that led to her marriage to Gerard, and her fears for the safety of her son, Andre, and his partner, James.

A woman park warden who works in a Rocky Mountain National Park spends her time on such tasks as bear patrol, locating tourists who are lost or in other physical danger, and policing park rules. She has a particular affinity for grizzly bears, largely stemming from an experience she had in a Neolithic cave in Spain.

The House of Izeiu is a novel inspired by the life and experiences of Sabine Zlatin, who, as a Jew using a fake identity, managed to find families to care for Jewish children who were in French refugee camps. She created a safe home for a number of other children called "The House of Izeiu" which is now a museum.

The Narrows of Fear (Wapawikoscikanik) navigates the unsettling, but necessary. When love of, and respect for, culture goes awry, it is our indigenous women who bring us back to what is important. This novel is an interweaving of stories centered on a range of characters, both male and female, though the women, for the most part, are the healers. Though several were abused both in their own community and in residential schools, these women are smart and loving and committed to helping one another.

Set in the mid-1930s, Filthy Sugar tells the story of Wanda Whittle, a 19-year-old dreamer who models fur coats in an uptown department store, but who lives in a crowded rooming house with her hard-working widowed mother and shrewd older sister, Evelyn, in the “slums” behind the city’s marketplace; a world where “death is always close but life is stubborn”. Bored with the daily grind and still in shock from the sudden death of her father, Wanda finds both escapism and inspiration in celluloid fantasies....

Upon the death of their art-loving parents, two young Jewish adolescents are kidnapped by a family friend and taken to a brothel. There they are held captive by their shared shame and by the younger sister’s forced addiction to morphine. Love and psychodrama gives them the courage to finally escape Vienna. Once in England, however, Hedy discovers her younger sister Susannah longs to be independent - and in Italy. But in 1938, despite the safety they each have found among the privileged, they return to Vienna just before Hitler arrives.

Kate, a somewhat clumsy widow of 32, flees her stifling hometown on Vancouver Island to live alone on an even smaller island in the Salish Sea. In so doing, she has vague expectations of solace and sanctuary, despite past experience. Instead she meets Ivy, a woman who through their conversations transports her to the intoxicating world of 1926 Cuba. Within the context of their friendship, Ivy’s past begins to unravel from a long-held silence, just as Kate finds herself confronting her relationship with the colorful community she’s known all her life.

It is 1970. The evergreens are thick with snow despite it being the month of April. In an Ottawa hospital, another daughter is born to the Azar family. The parents are from Kfarmichki, a village in Lebanon but their daughters were born in Canada. Four daughters, to be precise. No sons. Youssef is the domineering father. Samira is the quiescent mother. Rima, Katrina and Mona are the traditional daughters. Then there is Adele, the newest member. “You should’ve been born a boy,” Samira whispers to Adele shortly after her entrance into the world.

The Heart Begins Here is the story of the ever-optimistic, earnest Sara Requier and her disintegrating seven-year relationship with the cynical Wanda Wysoka. Along with her relationship struggles, Sara must contend with the drastic changes in the book industry that threaten her feminist bookstore and a mother who refuses to accept her daughter’s lesbianism. Then, just as Wanda decides to leave Sara, Wanda’s new young lover, Cindy, is murdered.

Amah and the Silk-Winged Pigeons draws on the lost histories of the women descended from African slaves who resisted English rule during the 1857 uprising in Lucknow, India. The book is about the event that triggered Queen Victoria’s reign in India for almost a century, and illuminates new and important female, Muslim perspectives on what has been called the first war of Indian independence. Lucknow in 1856 is the most opulent city in India. If the English take it over, the royal family and centuries of rich, cosmopolitan culture will disappear.

The Wondrous Woo tells the story of Miramar Woo who is the quintessential Chinese girl: nice, quiet, and reserved. The eldest of the three Woo children, Miramar is ever the obedient sister and daughter...on the outside. On the inside, she’s a kick-ass kung fu heroine with rock star flash, sassy attitude, and an insatiable appetite for adventure. Just as Miramar is about to venture forth on the real adventure of leaving home for university, her beloved father is killed in an accident. Miramar watches helplessly as her family unravels in the aftermath of her father’s death.

From the incomparable crafter of nine cross-genre works of fiction, Lisa de Nikolits expands her horizons to pen a grab-you-by-the-throat, feminist speculative-fiction thriller in the style of Groundhog Day meets The Matrix. The perfect father kills his family on Christmas Eve, and tries to undo his actions by jumping back in time. The result is murder and mayhem in dystopia.

The state war raging outside the home of the Al-Fakhoury extended family, who live in a border town buffeted by the turmoil of the Arab Spring, entwines with the familial conflict raging within. The patriarch of the family, Mohammed, is an aggressive, dominant man who bullies his wife and four children and wages paranoiac diatribes against his sister and her family. It is only when Mohammed leaves for work every morning that the house relaxes into the rich interconnectivity of familial relationships....

Over Our Heads is a novel that weaves together the histories of two very different half sisters who return home to deal with the aftermath of their grandmother's death. Emma, a punk band singer and poet turned pet psychic, and Rachel, an actuary with an interest in astronomy, both carry the remnants of childhoods overshadowed by issues of bullying, abandonment, alienation, and fear.

Like a modern-day Joan of Arc, Amelia Fisher attempts to carve out a ‘normal life’, showing us how mythic the idea of ‘normal’ really is. With a poetic genius for a father, an obsessed bodybuilder for a mother, and an enchantingly eccentric group seeking the help of an unorthodox therapist, what could possibly go wrong?

These twelve short stories dive deep into imaginary worlds where everyday life is marked and marred by war. They speak of wounded love, captured women, confinement, talismans, borders, wolves. They give expression to the voices of Afghan women who would like to change the fate of people like Nâzboo, Khorshid, Hamid and so many others. Originally published by Éditions Le Soupirail in 2019, this collection was the first volume of short stories by Afghan women to appear in France.