"You don't have to be a tortured artist to write a song, but it's important to write about what you're feeling and not run away from it," Azniv Korkejian (aka Bedouine) says about her songwriting process. As proof, she tells a story about how she sobbed the first time she played one of her new songs for her husband.

As you'll hear, there's no better place to write those songs than the local public library, and Bedouine provides some pretty powerful reasons why.

Bedouine's latest album is Neon Summer Skin

It's not often (ever?) that I get to talk Hegel, Jung, and Goethe with songwriters. But Dragos Chiriac of Men I Trust and I go deep into philosophy in this episode. I am a huge fan of the band and enjoyed our discussion immensely as we talk about the impact these writers have on Chiriac and why he returns to them over and over.

Lest you think this episode was all about existential angst, we also discussed the relatively simple reason why the band wrote my favorite Men I Trust song "Billie Toppy."

"The failure is not in writing a bad song. The failure is in writing no song."

Keenan O'Meara has always honored the value of work. Maybe it's because he's also a carpenter by trade, but discipline is his asset even though it's not something that comes naturally. "You have to teach yourself how to work. We've been tricked by the idea of divine inspiration for far too long," he told me. Carpentry has been a boon to his process. "It's great for songwriting. If you ever find yourself out of songwriting ideas, get a carpentry gig." I have to agree: O'Meara is one of several songwriters I've interviewed who are also woodworkers.

Keenan O'Meara's new album is Bathe in the Everlasting Light.