Episodi

  • 318: Oliver Murray's Time Machine
    Jan 18 2026
    If you don't know the name then you certainly know his work: writer/director Oliver Murray was responsible for giving us that twelve-minute making of "Now and Then" video in 2023 that got everyone up to speed (and teary) about the "last" Beatles song. In 2025, he wrote and directed the 9th episode of the re-launched Beatles Anthology documentary series, quickly followed by the short film, "Free As A Bird" - A Song Reborn. But Oliver has also directed a number of other music videos and documentaries you may have seen, among them The Quiet One (2019), Ronnie's (2020), They All Came Out To Montreux (2023), and The Story of Band Aid (2024). I was privileged to have a talk with an insider to discuss the presenting of The Beatles' story and the delicate balancing act between educating new fans while satisfying the old ones. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 ora e 14 min
  • 317: Help! Deconstructions
    Jan 6 2026
    Returning to the show today is the RPM School trio: Walter Everett (The Beatles As Musicians book series) - Cameron Greider - Jack Petruzzelli. They run the Beatles-centric online school which will be launching the winter 2026 semester with a deep dive into The Beatles' fifth long player, released in the summer of 1965. In this conversation, we focus on some of the innovations, influences and production techniques representing the group's evolving artistry as a studio band and as songwriters. Visit rpm-school.com for details on the upcoming class and magicalmysterycamp.com for information on this year's event in the Catskills. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 ora e 8 min
  • SATB SPECIAL: Badfinger/Iveys Reissue Series with Mark Strothmann
    Jan 1 2026
    Beatles proteges Badfinger released six studio albums between 1970 and 1974. Two of their hits were produced by Beatles ("Come and Get It" by Paul, "Day After Day" by George) and another by The Beatles' road manager ("No Matter What" was produced by Mal Evans). But their catalog is filled with rich, tuneful pop/rock for anyone who hasn't already explored it. ALL FOUR members (Pete Ham - Tom Evans - Mike Gibbins - Joey Molland) were accomplished songwriters and since their demise, an astonishing array of releases has been pouring out, including several demo collections from Pete. Additionally, their earlier pre-Joey iteration as The Iveys has seen the commencement of five Anthology collections of demos and live material surface, including the newest, Miniskirts and Rainbows. 2024 saw the long-awaited issue of the final Badfinger album from 1974, Head First, featuring Pete, Tom and Mike with Bob Jackson. For this conversation, I spoke with Mark Strothmann, who's part of team that's been working on getting these treasures to the public, as well as curating several YouTube channels featuring music and videos of The Iveys and Badfinger. It's an overview of the ongoing labor of love keeping the group alive in the wake of Joey's passing last year. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    58 min
  • 316: Anthology 2025
    Dec 17 2025
    316: Anthology 2025Presented here is an analysis of the current streaming version of the Beatles documentary first produced 30 years ago. This is less a discussion comparing a cut by cut A/B comparison so much as an overview of some changes that HAVE been made, and much discussion into what the intent behind the new presentation may be, who it is made for, what the strategy is (if any) behind some of the changes and where there is room to go forward in presenting the group's history. SATB welcomes two new additions to the Beatles podcasting pool: Mike Vaccaro and Jesse Pollack, who host All You Need Is Pod. You can find it on Apple podcasts and follow them on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 ora e 43 min
  • 315: Beatles Bass - An Appreciation with Arion Salazar and Rob Collier
    Dec 1 2025
    Sir Paul McCartney, 1t 63, has just completed his Got Back tour of North America. But at the 60th anniversary of Rubber Soul, it's good to look back at how that album marked a turning point in his approach to his primary instrument: the bass. Paul was an innovator, taking its use where no one in pop/rock had ever gone before. With bass historian/musicologist Rob Collier (www.beatlesbasslines.com), we thoroughly examine HOW and WHY Paul was so exceptional, and what influenced him. Providing color commentary: veteran musician/bassist Arion Salazar (ex Fungo Mungo and Third Eye Blind). Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 ora e 27 min
  • 314: Anthology 4 and The Beatles' SDEs - A Critique
    Nov 20 2025
    Thirty years after the first Anthology collection was released, several years after the Special Deluxe Edition (SDEs) series commemorating individual albums became a thing, and on the eve of an unexpected 4th Anthology series installment, we take stock. Are The Beatles (or Apple or otherwise those overseeing these re-packages) doing as good a job as they can be? There are plenty voices in the world of Beatle "authorities" that insist that we should be grateful for anything we are given - they don't owe us anything. But at SATB, we take a different position: no one is above criticism and that once upon a time, The Beatles were simultaneously the cutting edge and the gold standard in what they produced. Those days are long gone and we now find ourselves in a world where many an artist with a fraction of their following is showing how it's done. So in the name of hashing this out, I invited a couple of returning guests who are the world authorities on what exists in the vaults, on tape: Beatles scholars Doug Sulpy and Chip Madinger. Between the two of them, they have been going deep for years on the contents of the proverbial Beatle (and solo) vaults and are therefore in position to not only suggest where things could be done better but what kind of material is sitting around, awaiting the day the official curators deem it time to go public with these treasures. Hopefully, some of us are still around. You can find Doug's writings (books like Drugs, Divorce and a Slipping Image and informational newsletters) at dougsulpy.com Chip Madinger's works (which include Eight Arms To Hold You and Lennonology: Strange Days Indeed - A Scrapbook of Madness) can be found at lennonology.com Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 ora e 51 min
  • 313: The Iveys with Ron Griffiths
    Nov 1 2025
    The story of Badfinger is bookended with The Iveys as prequel and the Head First album on the other end, months before the tragic suicide of Pete Ham. We explored the latter with Bob Jackson earlier this year (https://podcasts.apple.com/us/podcast/304-badfingers-head-first-with-bob-jackson/id1483392342?i=1000706620569 ) but this time it's the pre-history we examine, with Ron Griffiths, bassist and vocalist. He was recruited by Pete Ham and in turn was responsible for the addition of drummer Mike Gibbins. Tom Evans joined in 1967 and within a year, they were signed to Apple. Ron was there as a witness to the band's development, and interactions with Ray Davies of The Kinks, Jimi Hendrix, and The Beatles' Mal Evans, who led them to the start-up label. It was directly because of Ron that Paul offered them "Come and Get It" as what became the first Badfinger single and a worldwide smash, but Griffiths did not make the transition to Badfinger. He remains a lucid witness to their history even after being sidelined, and his connections remain to the present day and performances with Bob Jackson and the current Iveys reissue program. Tune in and hear his unique perspective on the triumphs and tragedies of this mightily talented band. Episode playlist: https://youtube.com/playlist?list=PLWJwXBl8_fsfzV0dB-9cLPbUZC9_Js0rD&si=Oh_KxNaVUZJn5qK9 Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 ora e 57 min
  • 312: Contentious Credits 2 - This Time It's Personal
    Oct 18 2025
    Back in May 2025, two hardcore Beatle historians haling from down under came on the show for an analysis of the conventional wisdom regarding Beatles instrumental credits and how, in certain instances, it was found to be lacking. They're back again, and this time we examine: "Long Tall Sally" "I Don't Want To Spoil The Party" "Michelle" "We Can Work It Out""Paperback Writer"/"Rain" "Sgt. Pepper (reprise)" "Piggies" "Don't Pass Me By" "Not Guilty" Marcus Phelan and Andrew Shakespeare have been studying the recordings for decades, as fans and as musicians themselves. The sources critiqued included: Ian McDonald's Revolution in the Head Mark Lewisohn's The Beatles Recording Sessions Kevin Howlett's liner notes to The Beatles special deluxe editions The public pronouncements of Giles Martin Learn more about your ad choices. Visit megaphone.fm/adchoices
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    2 ore e 19 min