Episodi

  • Elijah Wald, "Rock ‘N’ Roll: A Very Short Introduction" (Oxford UP, 2026)

    Elijah Wald, "Rock ‘N’ Roll: A Very Short Introduction" (Oxford UP, 2026)
    Jul 30 2026
    Rock 'n' roll appeared in the 1950s as the high-energy, electrically amplified music of young dancers and listeners, first in the United States and then around the globe, and from the beginning it symbolized more than music. First popularized as a marketing rubric to sell African-American rhythm and blues to white teenagers, it stood for racial integration, sexual freedom, youthful rebellion, and for change and modernity. It was never a single kind of music, and historians disagree about when it began and which artists or records should be included in its canon--but it was always a flashpoint, whether condemned as an assault on cultural standards or hailed as the most exciting movement of the twentieth century. Rock ‘N’ Roll: A Very Short Introduction (Oxford University Press, 2026) explores the complex musical styles and evolutions of the genre and also examines it as product, symbol, and vehicle of societal change. The introduction seamlessly integrates the genre with elements of 1955-1965's mass influence including the rise of television and niche radio formats, the civil rights movement, a new concept of "teenagers" as a unique age group, and a sexual revolution. Rock 'n' Roll traces the rise and trajectories of the styles and musicians grouped as rock 'n' roll and their journey to becoming emblems of much more Elijah Wald is a Grammy winning writer, musician, and historian. His books include Escaping the Delta: Robert Johnson and the Invention of the Blues; How the Beatles Destroyed Rock 'n' Roll: An Alternative History of American Popular Music; Jelly Roll Blues: Censored Songs and Hidden Histories; The Mayor of MacDougal Street (source for the movie Inside Llewyn Davis); and Dylan Goes Electric! (source for the movie A Complete Unknown). He has taught at various universities and holds a PhD in ethnomusicology and sociolinguistics. Elijah Wald’s website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    Meno di 1 minuto
  • Stacey Copeland, "Lavender Sounds: From Lesbian Radio to Queer Feminist Soundwork" (U Michigan Press, 2026)

    Stacey Copeland, "Lavender Sounds: From Lesbian Radio to Queer Feminist Soundwork" (U Michigan Press, 2026)
    Jul 17 2026
    Stacey Copeland, Assistant Professor of Cultural Heritage and Identity at the Centre for Media and Journalism Studies at the University of Groningen, joins Jana Byars to talk about⁠ Lavender Sounds: From Lesbian Radio to Queer Feminist Soundwork⁠ (University of Michigan Press, 2026) delves into lesbian radio history and its evolution into queer feminist podcasting today, exploring the politics, aesthetics, and cultural activism embedded in queer feminist soundwork. Through deeply personal and archival explorations, Stacey Copeland traces the emergence of queer feminist soundwork—a unique blend of community-led storytelling, political resistance, and creative expression rooted in feminist and LGBTQ+ activism. At the heart of the book lies a powerful idea: sound is not just heard but felt, connecting generations through shared voices and struggles. In conversation with award-winning and cutting-edge queer and feminist podcast producers from across Canada and the U.S., Lavender Sounds invites us to turn a feminist embodied ear to the past to uncover the ways gender, race, and sexual orientations are embedded in our everyday media listening practices. From pioneering Canadian radio shows like Vancouver's The Lesbian Show and Montreal's Dykes on Mykes to today's queer chumcasts and audio documentary, Lavender Sounds is a journey through auditory landscapes where joy, protest, intimacy, and identity intersect. This book opens a vibrant conversation about how radio and podcasting are vital tools for marginalized communities to connect, create, and claim space in the media world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    53 min
  • Gayle F. Wald, "This Is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement" (U Chicago Press, 2025)

    Gayle F. Wald, "This Is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement" (U Chicago Press, 2025)
    Jul 15 2026
    Ella Jenkins (1924–2024) was one of the most influential musicians of the twentieth century, although many people have never heard of her. A pioneer in children’s music and an innovative educator, Jenkins recorded forty albums and influenced countless children and adults over a sixty-year career. Gayle Wald places Jenkins’s life and work within the larger contexts of the civil rights movement, the folk revival, and the changing worlds of children’s education and entertainment in This is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement (University of Chicago Press, 2025). Committed to civil rights, Jenkins infused her beliefs in social justice and our shared humanity into her work with children and her compositions. She viewed music as a way for children to come together and establish connections with each other rather than as a gateway to musical achievement or literacy. Based on dozens of interviews including with Jenkins and her life partner Bernadelle Richter, Wald traces Jenkins’s life from her childhood in segregated Chicago, her involvement with the integrated folk music scene, and her successful career as a music educator. This is Rhythm was given special recognition by the 2026 Pattis Family Foundation Chicago Book Award. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    1 ora e 1 min
  • Yiddish Tangos and Klezmer Mambos

    Yiddish Tangos and Klezmer Mambos
    Jul 10 2026
    This panel discussion will explore the remarkable influence of Latin American music and dance on the culture of Yiddish speaking communities in the United States. Ronald Robboy will discuss Latin American musical influences upon Yiddish theater composers, including Sholom Secunda, Abraham Ellstein, and Alexander Olshanetsky; Sonia Gollance will discuss the popularity of dances like the Tango and Mambo in the Borscht Belt, as exemplified by movies like Dirty Dancing and Mamboniks; and Josh Kun will discuss the influence of Latin American music on post-war Jewish music and the influence of Jewish music on U.S. Latino/a artists. This event forms part of Carnegie Hall’s Nuestros sonidos festival. This panel discussion originally took place on March 10, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    Meno di 1 minuto
  • Brad Tolinski and Chris Gill, "Blow by Blow: The Jeff Beck Story" (Da Capo, 2026)

    Brad Tolinski and Chris Gill, "Blow by Blow: The Jeff Beck Story" (Da Capo, 2026)
    Jul 9 2026
    With his shag haircut and white Stratocaster guitar, Jeff Beck was an icon known and loved by millions. Yet somehow, he maintained the ineffable low profile cool of a cult hero as he glided through six decades of musical trends with nary a lapse in taste. Not to say he ever played it safe. What other guitarist can lay claim to performing with opera star Luciano Pavarotti, mainstream television personality Kelly Clarkson, and professional degenerates like Guns N’ Roses with equal grace and wit? Or as Beck himself once quipped, “I’m an awkward son of a bitch when it comes to doing the expected.” In Blow by Blow: The Jeff Beck Story (Da Capo, 2026)​, Brad Tolinski and Chris Gill return to chart the unexplored life of rock’s greatest and perhaps most enigmatic instrumentalist. Culled from approximately 30 hours of interviews with the late guitarist himself, numerous conversations with those closest to him, and extensive research, the book sheds new light on the genius that Jimmy Page once said, “shifted the whole sound and face of electric guitar music.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    53 min
  • George Grella, "Minimalist Music" (Bloomsbury, 2026)

    George Grella, "Minimalist Music" (Bloomsbury, 2026)
    Jul 7 2026
    Minimalist Music (Bloomsbury, 2026) looks critically into the music's past, shows how the genre thrives across styles, and points the way toward minimalism's ongoing future. Minimalism as a genre is best defined not by any style or flavor but by its means. Certain rhythms and chords in other music may identify things like jazz or bossa nova or reggae; take those same elements and put them through the processes of minimalism and you have minimalism with the hues of other musics. A still young genre with ancient roots, minimalism is much less any kind of style than a practice, a manner of making music. Reviving those means and applying them to contemporary sounds and experiences, the pioneers of minimalism created a new and avant-garde music that immediately communicated its power to listeners of all kinds. The global appeal of minimalism and the way the methods adapt to myriad styles open up a view into how music actually works as an art and an experience, how through time it connects in a fundamental way to how we as humans listen. George Grella, Jr. has written about music and culture for over thirty years for print and online publications, and has contributed to the Grove Dictionary of Music and the Library of Congress' National Recording Registry. He is Music Editor at The Brooklyn Rail, publishes the Kill Yr Idols newsletter, and is the author of Miles Davis' Bitches Brew (Bloomsbury, 2015). He has played jazz, classical, and improvised music from CBGB to Carnegie Hall. George Grella on Bluesky and Kill Yr Idols newsletter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    58 min
  • Alexandre Frenette, "Blame the Intern: On (Not) Breaking Into the Creative Economy" (Princeton UP, 2026)

    Alexandre Frenette, "Blame the Intern: On (Not) Breaking Into the Creative Economy" (Princeton UP, 2026)
    Jul 6 2026
    Who gets to be a creative worker? In Blame the Intern: On (Not) Breaking Into the Creative Economy, (Princeton University Press, 2026) Alexandre Frenette, an Assistant Professor of Sociology at Vanderbilt University, examines the relationship between work and education in the difficult moment of the early career transition from university to industry. Drawing on a detailed case study of the music industry, the book explains and critiques the way internships have come to dominate routes into many careers in contemporary society. An accessible yet theoretically rich read, the book will be of interest to creative workers at any point in their career, as well as sociologists and humanities scholars, along with any reader interested in how and why our workplaces are so unequal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    44 min
  • A.D. Carson, "Owning My Masters (Mastered): The Rhetorics of Rhymes & Revolutions" (U Michigan Press, 2026)

    A.D. Carson, "Owning My Masters (Mastered): The Rhetorics of Rhymes & Revolutions" (U Michigan Press, 2026)
    Jul 2 2026
    Owning My Masters (Mastered) is a digital archive of original rap music and spoken word poetry containing two volumes of music, an annotated timeline, videos, and a digital book. In this project, A.D. Carson exposes the artificial boundaries imposed on understood ideas about knowledge production in academia by employing hip-hop creative and compositional practices to interrogate ideas of citizenship, history, historical imagination, race, home, and humanness. Using sampled and live instrumentation and repurposed music, film, and news clips, an introductory video, and original rap lyrics, heoffers a new examination of how to create theory through hip-hop. The unmastered album was originally submitted to Clemson University in South Carolina as the author’s dissertation, composed against the backdrop of the growing unrest across the U.S. and the world in response to the public attention to the deaths of Black people, many at the hands of police and vigilantes. As such, the songs highlight outlooks on Black life in America—on campuses and in communities across the country—and how they fit with geographic and temporal place and space. For this publication, the tracks have been mastered, and Carson has written a new introduction to contextualize and reflect on the moment in which the songs were written. It is a 2026 ACLS Open Access Multimodal Book Prize Finalist. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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    55 min