Brass bands have played a unique role in the cultural history of Britain. Amidst the industrial revolution, an increasingly urban population turned to music for mass entertainment. Brass bands became intimately associated with working men and spread across the country at breathtaking speed. At their height in the late Victorian era, there were thousands of them.

In The Brass Band Story (Yale University Press, 2026), Professor Trevor Herbert reveals the story of these bands, from their working-class origins and the enormous popularity of Victorian contests to their sophistication in modern times. It is a tale of the survival of tradition and the embrace of change. Victorian brass bands solidified communities and promoted shared local identities. As new modes of popular culture posed existential threats in the twentieth century, they reinvented themselves. The model British bands created is now replicated throughout the world.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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The English Christmas carol has been sung in court and cloister, tavern and field since medieval times. But with the first Festival of Nine Lessons and Carols in 1880—and with a view to encouraging revellers into church—the humble carol became integral to the Christmas tradition. Carol concerts are attended all over the world, and the service at King’s College, Cambridge, has been broadcast since 1928 to millions of listeners.

In Christmas Carols: An English Enchantment (Yale University Press, 2026), singer and author John Potter guides us through the development of this unique tradition. Carols, originating as secular delights of the medieval and Tudor court and chapel, were brought by the Victorians to a new urban audience. Priests, poets, and composers have rearranged ancient songs and created new ones ever since, incorporating European carols into the evolving English tradition.

Taking us from their earliest origin to their flourishing during the early music revival, this is an enlightening account of a beloved phenomenon.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Our Common Life: Folk Song from the Front Porch to the Concert Hall (U Illinois Press, 2026) by Stephen Wade is part memoir, part meditation on American culture, and part historical narrative of folk music. Wade centers this book around individual musicians and songs that provide a specificity to his discussion that is different from a typical historical survey. These individuals and their stories demonstrate how folklore offers a way of understanding the world. Filled with original research and abundantly illustrated with both color and black and white photography, Our Common Life illuminates the truth that creative freedom within informal tradition, fundamental to the artists and their processes, speaks to a resourcefulness inscribed in the nation's founding charter and expressed in its common life. Weaving experiences from his career in music as a student, producer, performer, and folklorist, Wade explores the meaning and history of American folk music in this book.

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