Episodi

  • John Scofield
    Oct 1 2026

    Guitarist John Scofield (born December 26, 1951) first rose to prominence as a member of Miles Davis’ band, but he had a number of good credits prior to the three and a half years he spent with Davis, including stints with Chet Baker, Hal Galper, Charles Mingus, Billy Cobham, and George Duke. His own groups have featured luminaries such as Steve Swallow, Adam Nussbaum, Bill Stewart, Joe Lovano, and Charlie Haden. He has been nominated for nine Grammy awards and won three.

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    31 min
  • Joe Henderson (Round 2)
    Oct 28 2026

    Saxophonist/composer Joe Henderson (born April 24th, 1937) was one of the most distinctive voices on his instrument. His light, airy tone with a core of iron was immediately recognizable as his alone, and many of his original compositions have stood the test of time to become beloved jazz standards. His solos are often characterized by shifting in and out of time, lagging a bit here and there, and immediately snapping back into time, a kind of toying with the listener.

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    31 min
  • Andrew Hill
    Oct 21 2026
    Pianist and composer Andrew Hill (born June 30, 1931) never really received the widespread recognition and acceptance his talents warranted. Jazz critic John Fordham described Hill as a "uniquely gifted composer, pianist and educator" although "his status remained largely inside knowledge in the jazz world for most of his career." His dozen albums as a leader for Blue Note records featured some of the outstanding musicians of the time, and his original compositions are fiercely original and cutting edge. His work as a sideman on numerous Joe Henderson outings is vital to the success of those dates.
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    21 min
  • Billy Strayhorn (Round 3)
    Oct 14 2026

    Pianist, Composer/Arranger Billy Strayhorn (born Nov 29, 1915) is often more or less dismissed as Duke Ellington’s alter ego, but he was so much no more than that. He was a true musical genius in his own right. Jazz pianist Fred Hersch wrote of Strayhorn, "He was a quadruple threat: a great composer of jazz tunes, a first-rate jazz pianist, a remarkable songwriter (music and lyrics), and one of the all-time great arrangers for jazz orchestra." His compositions are uniquely Strayhorn, harmonically, melodically, and lyrically.

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    22 min
  • Ron Carter & Oscar Pettiford
    Oct 7 2026
    This week we feature the music of two of the most important bassists in jazz: Ron Carter (born May 4, 1937) and Oscar Pettiford (born Sept 30, 1922). Both musicians advanced the technical possibilities of their instrument in jazz and contributed to its acceptance as a solo voice in the music. While Ron Carter is often remembered as the bassist in the second great Miles Davis quintet, he is one of the most recorded bassists of all time, and continues to play, compose, and record prolifically in his eighties. While Pettiford had a much briefer life, his contributions to the music far outweigh his comparatively brief lifespan. Jazz bassist Christian McBride called Pettiford "probably the most important bass player of that bebop generation in terms of creating new language for the bass." A number of his tunes have become jazz standards as well.

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    29 min
  • Jim Hall
    Sep 23 2026

    Guitarist/composer Jim Hall (born December 4, 1940) is one of the most influential exponents of his instrument. His recordings with Bill Evans, Sonny Rollins, Paul Desmond, and many others, in addition to his recordings as a leader, have influenced whole generations of guitarists. His tasteful, spare style has been emulated but never duplicated. He recorded 39 studio albums and 10 live albums as a leader.

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    28 min
  • Writing Original Tunes
    Jun 24 2026

    Everyone in the group writes original music, some of which has been played publicly in the past and some which will be premiered this week. In this episode, the guys discuss what it's like to write their own original tunes.

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    32 min
  • Kenny Werner
    Jul 16 2026

    Pianist/composer Kenny Werner (born Nov 19, 1951) has been leading his own trios since 1981. He played with the Mel Lewis Orchestra in the early 1980s and was encouraged by Lewis and Bob Brookmeyer to compose for the band, which led to him composing for many European radio bands. He played duo with Toots Thielmans for 14 years and was awarded a Guggenheim fellowship in composition. His book Effortless Mastery, about the psychological aspects of music performance is widely read and he teaches a course based on it at the Berklee School in Boston.

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    27 min