This episode of The Hip Hop African Podcast features Dokta, a pioneering Senegalese graffiti artist, cultural organizer, and hip-hop activist whose work has been central to the development of African graffiti and street art since the late 1980s. Coming to hip-hop through graffiti, breakdancing, and MCing, Dokta represents an early generation of African hip-hop practitioners who understood the culture as a tool for education, community engagement, and social critique.

“I don’t make art just to make it beautiful. I make art to talk to the people.”

As a founding member of the Doxandem Squad and the creator of FESTIGRAFF, one of Africa’s most significant international graffiti festivals, Dokta has helped position African graffiti within global hip-hop networks while maintaining its grounding in local realities. In this conversation, he explains how graffiti in African contexts functions differently than in Europe or the United States—serving not only as visual culture, but as a form of public pedagogy that speaks directly to everyday social and political conditions.

“Graffiti is respect—respect for the community, and respect given back.”

Dokta discusses mentoring youth, resisting artistic imitation, and the responsibility of hip-hop artists to remain accountable to the communities they represent. His reflections offer valuable insight into African hip-hop as a lived practice, an archive of urban experience, and a form of knowledge production.

In this episode of The Hip Hop African Podcast, Dr. Msia Kibona Clark sits down with South African hip hop pioneer DJ Ready D — legendary turntablist, founding member of Prophets of Da City (POC), cultural educator, community builder, and one of the most important figures in shaping Cape Town’s hip hop identity.

“We were the first generation, so nobody understood this music — they watched their kids transform in front of their eyes.”

Ready D reflects on discovering hip hop during the final years of District Six, just before families were forcibly removed under apartheid. He discusses how hearing Rapper’s Delight for the first time created an unexpected bridge between U.S. hip hop and his own lived experiences, and how the trauma of displacement and the political climate of the 1980s deepened his connection to the culture.

From the rise of Cape Town’s early B-boy crews, to the formation of an African-centered hip hop movement, to his powerful contributions as a DJ, radio host, mentor, and intergenerational collaborator, Ready D offers a rare and deeply personal account of hip hop’s development in South Africa. He also looks forward — reflecting on the evolution of DJing, the challenges of the contemporary scene, and the community-based projects he’s building today.

“If you want to be good, you must be prepared to be a student for life.”

This is a rich conversation about culture, politics, craft, and legacy — from one of hip hop’s most respected global pioneers.

In this episode, we talk with Simon, rapper and co-founder of Y’en a Marre, the Senegalese movement that turned hip hop into a force for political change. Simon reflects on the group’s impact during the 2011 elections, their call for a “New Type of Senegalese,” and his new project Rapping History, which uses hip hop to decolonize education and reclaim African narratives.

“We realized the fight was not only political — it was also about changing mentality.”

Simon discusses his early introduction to hip hop and political awareness through Public Enemy and The Roots, the creation of Y’en a Marre and their role in mobilizing youth during Senegal’s 2011 elections, the idea of the “New Type of Senegalese (NTS)” — reshaping national consciousness. He also discusses government backlash, arrests, and personal risk in political hip hop activism

“Patriotism is not just voting; it’s wearing, eating, and building African.”

In this episode, we’re bringing you a special mixtape featuring 24 tracks released in 2024 and 2025 by MCs from across the continent, including Ghana, Nigeria, Rwanda, South Africa, Tanzania, and Zimbabwe.

The mix highlights:

• Languages: English, Swahili, Ga, Yoruba, and more.
• Artists: Established names like Modenine, M.anifest, Nadia Nakai, alongside rising voices you may be hearing for the first time.
• Sounds: From classic boom bap and Afrobeats-inspired beats, to high-energy club tracks, to conscious and introspective flows.

Inspired by U.S. hip hop podcasts that spotlight new music, this episode aims to showcase the incredible range of hip hop being produced internationally.

The mix begins with South Africa’s Zulu Mecca—who will also be speaking at this year’s conference—and closes with Yugen Blakrok, from her powerful new album The Illusion of Being. Check out the full playlist and links to the featured artists:

• ZuluMecca "Iller Than"
• Modenine "Adidas"
• Wakazi "Crooked Crown"
• Eno Barony "No Manual"
• K. Keed "Dilemma"
• Fid Q & Mex Cortez "Simba"
• Sarkodie "Hustlers Dream"
• Gemini Orleans "Gasoline"
• Stamina "Bado Nipo"
• AYORKOR RONZY "Darkovibes"
• Falz the Bahd Guy & Shaybo "Popping Tonught"
• Angel Mutoni "Ousaah"
• Cassper Nyovest "Kusho Bani"
• Gigi Lamayne "COME OUTSIDE"
• Nadia Nakai & Moozlie "Sipthipithi"
• Eva Alordiah "I Look Good"
• Awa Khiwe "Rap Gandaganda"
• Ugly Dray "Not Love"
• Kweku Smoke "Agyekum"
• Yanga Chief "What If"
• Erigga "Just Breathe"
• MOJO AF "Samson"
• M.anifest "Gye Nyame"
• Yugen Blakrok "The Grand Geode"

We’re also excited to announce that Howard University will host the 3rd Annual Hip Hop Studies Conference from November 14–16, 2025. This year’s theme is Respect the Technique: Hip Hop & Technology. The call for submissions is open until September 20, 2025. For details, visit hiphop.howard.edu.

In this episode of Let Her Cook called Unapologetic, two of our students dive into the world of African women in hip-hop. They discuss artists from West, East, and Southern Africa: Eno Barony (Ghana), Keko (Uganda), Gigi Lamayne (South Africa), and Reespect (Nigeria), women who aren’t waiting for permission to speak; they’re taking the mic and making space for themselves. From Keko’s fearless visibility as a queer rapper in Uganda to Gigi’s protest-driven lyrics in South Africa, these women use their voices as both art and activism. They also talk about braggadocio, that classic hip-hop confidence, and how African and African American women flip it to challenge what society says they should be. This episode is all about power, presence, and being unapologetically loud.

Check out our 2019 interview with Keko on Episode 38: Keko on Hip-Hop V. The Politics of Sexuality in Uganda.

Or our 2021 interview with Gigi Lamayne on Episode 63: Gigi Lamayne on Representation & Dismantling Respectability Politics.

This episode is from a 2024 interview with Malal Talla—better known as Fou Malade—a legendary figure in Senegalese hip hop and co-founder of the activist collective Y’en a Marre. A key voice in Senegal's social and political landscape, Fou Malade shares his journey from early musical influences and socially conscious lyricism to organizing protests and grassroots mobilization through music.

In the interview, we explore:

• His early days as an MC influenced by Pan-Africanism, figures like Kwame Nkrumah and Thomas Sankara, and groups like Positive Black Soul
• The evolution of Senegalese hip hop from political consciousness to mainstream commercialization
• The rise and impact of Y’en a Marre and its influence across Africa, including his arrest in the DRC
• How governments have tried to co-opt or silence politically engaged hip hop movements
• The role of hip hop festivals in fostering Pan-African artistic and political collaboration
• His vision for a “new type of African”—one rooted in ethics, activism, and social responsibility

Whether you’re into hip hop, social movements, or Pan-African politics, this episode offers a powerful look into how culture can be used to inspire change across the continent.

We are back after a 1-year hiatus. It was difficult to maintain the production schedule as it was, so we will be scaling down a lot. We will continue to release conversations about Hip Hop in Africa and the African diaspora.

Our first episode back will be an interview with Senegalese hip hop artist and co-founder of the activist collective Y’en a Marre, Malal, aka Fou Malade. He is a major voice in Senegal's social and political landscape. Fou Malade shares his journey from musical influences and lyricism to organizing protests and grassroots mobilization through music. This includes his role in the Y’en a Marre movement and his arrest in the Congo in 2015.

Over the next couple of weeks, we will also be posting two bonus episodes, a podcast, and a mixtape created by students in the Hip Hop & Social Change in Africa class. Additional student mixtapes & podcasts can be found on hiphopafrican.com. This year, gender and the African diaspora were major themes in the projects.

The mixtape The Sound of the Diaspora: Identity and Resistance in African Hip Hop, features the following songs

• “Becky” by Amine (Eritrea and Ethiopia)
• “Hello Africa” by Blitz The Ambassador (Ghana)
• “Never Fight an African” by Styles P (South Africa and Jamaica)
• “Sue Me” by Wale (Nigeria)

In the podcast Unapologetic: African Women in Hip-Hop, two student hosts discuss the power behind the works of several artists, including Ghana’s Eno Barony, South Africa’s Gigi Lamayne, Uganda’s Keko, and Nigeria’s Reespect. The hosts like how these women aren’t waiting for permission to speak, but are taking the mic and making space for themselves.

Again, the podcast will continue to post interviews and conversations around hip hop in Africa and the African world. The goal is to return to the monthly format, with shorter episodes, less than 20 minutes. This is more sustainable. On our website, we will continue to feature additional content and press releases, including information on hip hop events, releases, and news.