Emily and Cam break down “The Persians”—the oldest surviving Greek tragedy, which offers a surprisingly sympathetic take on the enemies of Athens.

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Cover photo adapted from an image by Ziegler175:

1. https://commons.wikimedia.org/wiki/File:SalamisPaloukiaSchlacht2.jpg

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00:10 - Introduction

01:43 - Aeschylus and his historical context

1. 01:56 - The subject of the play (and its peculiarity)
2. 03:06 - The Battle of Salamis and the Persian Wars
3. 05:10 - Aeschylus’ Career

06:22 - The Persians in performance

1. 06:30 - The Dionysia of 472 BCE and Aeschylus’ tetralogy
2. 08:35 - Pericles as producer (choregos)
3. 09:09 - A synopsis of the play
4. 11:12 - The structure of Greek Tragedies (or, how do we know that the Persians only needs two actors apart from the chorus?)

14:03 - Interpreting the play: sympathy for the Persians?

1. 15:06 - The survival of the play: evidence of its popularity?
2. 16:04 - Triumphalism vs. a recognition of common experience
3. 17:06 - Differences between Greek and Persians in the play: archers vs. spearmen, autocracy vs. autonomy, proskynesis and lamentation
4. 20:36 - Aeschylus argues for common experiences: the Persians as Homeric heroes, the horrors and the costs of battle, and Aeschylus’ rejection of the “effeminate Persians” trope

26:37 - The play’s main theme: empire and hubris

1. 27:00 - Xerxes and his bad decisions
2. 27:56 - The gods’ desire to punish Xerxes
3. 28:53 - The hubris of Xerxes, or the hubris of the Empire? (Featuring Emily’s rant about hubris in ancient and modern thought)
4. 34:27 - Aeschylus, the gods, and Athenian imperialism
5. 36:55 - The social function of tragedy: thinking through big problems
6. 37:28 - What staging the Persians can tell us about the play

39:12 - Wrap-up

At Play in the Theater of Dionysus

The Theater of Dionysus as Aeschylus, Sophocles, and Euripides knew it was very different than the theater whose remains you see today in Athens. Listen to Emily and Cam walk you through the development of the space, and through the creation of the genre associated most strongly with it: Greek tragedy.

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1. https://havetogawilltravel.com

For images of the Theater and Sanctuary of Dionysus, visit our blog:

1. https://havetogawilltravel.com/blog/the-sanctuary-and-theater-of-dionysus

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00:10 - Introduction

01:37 - Visiting the Theater and Sanctuary

1. 01:42 - Where to find the Theater and Sanctuary
2. 02:16 - Don’t confuse it with the Odeion of Herodes Atticus!
3. 03:26 - An overview of the physical remains

04:01 - The Origins of the Sanctuary, the Theater, and the Festival

1. 04:02 - The Sanctuary, the Festival, and the Temples of Dionysus
2. 04:58 - The Theater through Time: The Fifth Century, the Lycurgan Theater, the Hellenistic Theater, and the Roman Theater
3. 07:59 - The Festivals of Dionysus: The Origins of the City Dionysia and celebrations for Dionysus in Ikaria and other demes

11:44 - The Origins of Scripted Drama in Athens

1. 11:50 - The Dithyramb
2. 12:41 - The legend of Thespis, the first actor
3. 13:15 - The importance of the chorus in Greek drama
4. 14:10 - Masking and actors playing multiple characters
5. 14:30 - The Development of the Three-Actor Model in the Age of Aeschylus, Sophocles, and Euripides

19:09 - The City Dionysia

1. 19:42 - The Schedule: The Procession and its Ithyphallic Floats; the Dithyrambic Competitions; the Dramatic Competitions
2. 22:50 - Dionysus, the most important spectator
3. 23:48 - The Organization of the Dramatic Competitions: Tragedies, Satyr Plays, Choruses, and Choregoi!

30:09 - The Performance Space and its Evolution

1. 30:20 - The Fifth-Century Theater: the Orchestra, the Skēnē, and the Paradoi
2. 33:30 - Technical Innovations: the ekkyklēma and the mechanē
3. 36:36 - The Deus Ex Machina in ancient Drama

Emily and Cam talk about their recent trip to Athens and Rome in an episode that features some talk about marathons, tsipouro, and cats.

Visit our homepage to subscribe, to find us on social media, and to contact us by email:

• https://havetogawilltravel.com

For images of the Museum of the Forma Urbis, visit our blog post:

• https://havetogawilltravel.com/blog/the-museum-of-the-forma-urbis

Links to some of the places we mention in this episode:

• Athena’s Cook
• Paradosiako Serron
• Noctua Brewing
• Esthio
• Βαυβώ (Vafvo)
• Hotel Santa Maria
• San Clemente Archaeological Zone
• Museum of the Forma Urbis

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00:10 - Introduction

01:25 - Our second walk through the Athens Marathon

• 01:38 - Faliro: tourist sites, getting there, and the Marathon Expo
• 05:06 - Carb loading before the Marathon
• 06:32 - The trip to Marathon and the wait in the Stadium
• 09:27 - The race itself (drinking tsipouro in the footsteps of Spiridon Louis!)

15:19 - Our stay in Athens

• 15:41 - How we travel
• 17:11 - Old neighborhoods (Plaka and Monastiraki) and ancient sites (the Acropolis and the Theatre of Dionysus)
• 19:01 - A field trip to Ilion (the Athens suburb, not Troy!) to eat at Paradosiako Serron
• 21:06 - Modern Athens: Pangrati
• 23:23 - Modern Athens: Koukaki and its restaurants (including Esthio) and our view of the Acropolis
• 29:36 - Modern Athens: Neos Kosmos and Βαυβώ

33:41 - Our Stay in Rome

• 33:53 - Rome’s “feel” compared to Athens: geography and tourism
• 35:39 - Trastevere and the Hotel Santa Maria
• 37:12 - Culture shock: coffee and language issues
• 40:01 - The Archaeological Zone at San Clemente
• 43:45 - Castel Sant’Angelo
• 44:42 - The Museum of the Forma Urbis
• 46:34 - Wandering the city (and the Temple of Vibia Sabina and Hadrian)
• 49:30 - Hangin’ on the Janiculum

50:26 - Wrap-up