Episode 516 of Concert Pipeline featuring Gary Marks, in which we talk about the major impact his mother played on him becoming a musician, how he started writing music in the 60s and never looked back, the differences in his approach to writing books, poetry, and music, similarities in how his music is as relevant in the current climate as when he wrote it in the 70s, the impact of AI on the music industry, his favorite concerts, and his album “Crossroads” which spans his music career from 1976 to present.

Episode 515 of Concert Pipeline featuring The Jaws of Brooklyn and coverage of VacaCon with Christopher Mintz-Plasse, DJ Qualls, and Tia Carrere. We talk to Gretchen Lemon and Bryan Cohen of The Jaws of Brooklyn about Gretchen joining the band after the original singer left, music they listened to as kids, early concerts that influenced them, how they met, and working with Ben Tanner of Alabama Shakes on their new album “Unstoppable” out May 15.

Episode 514 of Concert Pipeline featuring Cody Jasper, in which we discuss getting his first Fender guitar at age 14 and never looking back, his history playing the Christmas Jam in North Carolina, advice he got from Warren Haynes, performing multiple times with Stone Temple Pilots, what he learned from being in Moon Fever, working with Aleks Von Korff, his excitement when Billy Corgan of Smashing Pumpkins saying his song is a banger, and his new album “Rock is Dead” out April 10.

Episode 513 of Concert Pipeline featuring Fishbone, in which we chat with keyboardist/trombonist/songwriter Chris Dowd about politics being very present in his life and music, early musical influences, the dynamic of the band over the years, their documentary “Everyday Sunshine: The Story of Fishbone,” their most recent album “Stockholm Syndrome, their upcoming double LB “In Your Face/Cover Your Face” which is their remastered original album and a bunch of amazing artists covering their songs from that album out April 10, playing SNL, William Zapka from Karate Kid being in their band in junior high, and the new album they are working on. Fishbone is playing August Hall in San Francisco on April 9!

Episode 512 of Concert Pipeline, featuring Ambrosia as well as a review of The Man in Black - A Tribute to Johnny Cash, in which we first review The Man in Black show at Uptown Theatre in Napa. Then we chat with Burleigh Drummond, drummer of Ambrosia about forming in 1970 in Los Angeles, working with Alan Parsons, both on their albums and on Alan Parsons Project, touring with Fleetwood Mac and Doobie Brothers, his role beyond the drummer, the label of Yacht Rock, the band dynamics and longevity, and what he’s most proud of of from his time with the band.

Episode 511 of Concert Pipeline featuring Pablo Cruise, in which we talk to guitarist/vocalist Dave Jenkins about growing up, his first concert being The Beach Boys, wrestling with Mickey Hart of Grateful Dead, joining the band Stoneground and forming Pablo Cruise with Cory Lerios and Steve Price, some of his favorite shows he performed, their single “Breathe” that they wrote in 2020, whether they will make new music and their upcoming show at Orinda Theatre on February 28.

Episode 510 of Concert Pipeline featuring Shawn Barker of The Man in Black and a review of The Format’s show at Easy Street Records in Seattle. We talk to Shawn about starting by singing in church with his family as a kid, serving in the army, early touring gigs portraying Elvis, the Million Dollar Quartet that started his portraying Johnny Cash, structuring his live show as a chronological journey, kinship with his bandmates, stories about Johnny Cash, and the band’s upcoming show at Uptown Theatre in Napa on February 20.

Episode 509 of Concert Pipeline featuring a review of Guster's show at Great American Music Hall and an interview with Daniel Donato of Daniel Donato’s Cosmic Country, in which we talk about the impact of his move to Nashville at age 7 and his dad putting a guitar in his hand immediately after, how his dad impacted his music taste, busking on the streets of Nashville at age 14, making every show unique and different, the impact of Dylan’s music, his band’s Camp Cosmic festival, playing the legendary Red Rocks Amphitheatre, creating his first EP in 2019, his new album “Horizons” and working with Vance Powell on it, and the value of playing new songs live in front of an audience up to 50 times before recording them for an album.