Episodi

  • Across the Horizon Ep. 59: Clarice Jensen
    Feb 18 2026

    On today’s episode of Across the Horizon, Bob Holmes of SUSS is joined by his co-host, the cellist and composer Clarice Jensen, to discuss the music of her friends and mentors: Max Richter, Jóhann Jóhannsson, Ryuichi Sakamoto, Stars of the Lid, and more. She also discusses her latest releases, including her submissions to the new Across the Horizon Vol. 2 series.



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  • Across the Horizon Ep. 58: David Moore (Pt. 2)
    Feb 4 2026
    On today’s episode of Across the Horizon, host Bob Holmes of SUSS is joined once again by David Moore in the second part of his two-part conversation. David’s known for his work with Bing & Ruth and Cowboy Sadness, as well as his collaborations with Steve Gunn and Stephanie Coleman. In part two, he brings along a beautiful set of solo piano pieces from artists including Debussy, Philip Glass, Dr. John, Brother Theotis, and more. He also discusses Graze the Bell, a collection of solo piano pieces he released last week on RVNG Intl.Flow State also posed a few questions to Moore over email about his musical journey generally and his work on Graze the Bell in particular – that conversation follows the streaming links. While playing Graze the Bell, listen for the influences he discussed with Bob on the two Across the Horizon episodes. We’re pairing the new record with one of those influences, Glenn Gould’s Goldberg Variations, specifically the 1981 version, recorded a year before he passed away.Graze the Bell - David Moore (48m, no vocals)Spotify / Apple Music / YouTube Music / Amazon Music / Bandcamp / TidalGoldberg Variations (1981) - Glenn Gould (51m, no vocals)Spotify / Apple Music / YouTube Music / Amazon Music / TidalWhat’s your earliest memory of music?It’s really just flashes of many memories more than any complete one, and it’s not even that I remember it physically, but I do remember this feeling of being a tiny little thing and always bashing away on pots and pans. Apparently I had this compulsion to empty the kitchen cabinets and arrange everything in a big drum set on the floor. Just BANG BANG BANG. Bless my parents for putting up with it honestly. Maybe something that’s underappreciated is that behind a lot of drummers are very patient parents.How did you start playing piano? What was the first piano you played?I started playing the piano when I was six years old. I told my folks I wanted to learn, so one day I came home and we had a piano in the basement. That’s how they were. It was this little Kimball spinet that we traded up for a Yamaha a few years later. As for when I feel like I really started PLAYING the instrument, that was later. I was one of two drummers in my high school jazz band when the pianist, who was quite good, died tragically in a car accident in the middle of sophomore year. They needed someone to replace her, and the teacher knew I studied classical piano so he sort of volun-told me to switch instruments mid-year. I didn’t know anything about improvising or about jazz, but as I started learning I just became obsessed. That’s when everything changed. I had clarity. By the end of that year I had effectively quit playing the drumset and oriented my whole life and future around the piano. I still think about that girl almost every day. To be quite frank it’s been a heavy debt to carry.What were the early records or songs that pointed you in the musical directions you ultimately pursued in your solo work and as Bing & Ruth?The first time I heard Beethoven’s “Moonlight Sonata” it was less like I was hearing music and more like I was learning about a whole new sense. Sight, sound, touch, taste, smell, and… whatever this feeling was. It seems obvious, but the more you open yourself to being moved by music, the more you’ll get moved by music, and so it just kept happening. I found Bach, then Chopin and Debussy. Then as I got older and some of my mental health struggles started to present themselves, I had this whole special world I could go to for relief. By that point I also had McCoy Tyner and Bill Evans in the mix too. All this music became a ground to stand on when no other ground felt solid. Then, one day when I was 19 I stumbled into a Barnes & Noble in Kansas City and heard Steve Reich’s New York Counterpoint, and everything just immediately clicked into place. That’s when the whole thing became about developing this language, a voice to channel the emotive qualities of this more romantic and impressionistic piano music I had been drawn to with the motion and philosophies of minimalist composition. I’m still eating off that sandwich to be honest.The new record is solo piano. Tell us about the experiences and motivations around focusing on the instrument in this form.Every direction I have grown as a performer, composer, and human has come out of the piano specifically. It has always been this window through which I looked at and tried to make sense of the world, and it’s where almost everything I do musically starts and returns to. So for Graze the Bell, there’s something in me that feels like it’s important to honor that source, because in the end what I’m honoring when I do that is the human singular. So much of music and the performing arts more broadly is about interplay – a reaction sprouting from the space between us, but there is something so different about performing alone. It lets you explore more thoroughly the ...
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  • Across the Horizon Ep. 57: David Moore (Pt. 1)
    Jan 21 2026

    On today’s episode of Across the Horizon, Bob Holmes from SUSS is joined once again by composer and pianist David Moore (Bing & Ruth, Cowboy Sadness). In this first of two parts, they discuss deep listening and solo piano pieces, including artists Glenn Gould, Morton Feldman, Sergei Prokofiev, and Emahoy Guèbrou. Bob and David also discuss the music and recording process behind David's forthcoming album of solo piano works, Graze the Bell.



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  • Across the Horizon Ep. 56: Six Missing
    Jan 7 2026

    On today’s episode of Across the Horizon, Bob Holmes of SUSS is joined in this episode by co-host Six Missing aka TJ Dumser. Dumser is best known for his ambient and soundscape work, as well as his collaborations with Patrik Berg Almkvisth, Foam and Sand, Robert Koch and B9. One of his latest collaborations was with SUSS, which they discuss in this episode. Most surprisingly, TJ brings along a playlist of music that inspired his initial love for performing including Pink Floyd, Phish, Grateful Dead, Nels Cline, The Allman Bros., and many more.



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  • Across the Horizon Ep. 55: Best of 2025 w/ Stephen Brower
    Dec 3 2025

    On today’s episode of Across the Horizon, host Bob Holmes of SUSS is joined once again by Stephen Brower, Head of Music, US for Amazon Music and, more specifically, the curator of the “Cosmic Strings” playlist on Amazon Music. They list their favorite artists and music from 2025, including William Tyler, Steve Gunn, Julianna Barwick, Hayden Pedigo, Gwenifer Raymond, Mary Lattimore and many, many more. All Across the Horizon episode playlists are now available here.

    For Flow State we’re listening to two of the records highlighted in this conversation. First we’re playing Luke Schneider and Jamie Lidell’s collaboration from October, A Companion for the Spaces Between Dreams. We’ve featured Schneider’s work before, including his August record, For Dancing In Quiet Light. We’re also playing Patterner by Golden Brown, an ambient country record rooted in acoustic guitar with many effects applied to create atmosphere.

    A Companion for the Spaces Between Dreams - Luke Schneider & Jamie Lidell (44m, no vocals)Spotify / Apple Music / YouTube Music / Amazon Music / Bandcamp / Tidal

    Patterner - Golden Brown (44m, no vocals)Spotify / Apple Music / YouTube Music / Amazon Music / Bandcamp / Tidal

    Have a great Wednesday.



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  • Across the Horizon Ep. 54: Jake Xerxes Fussell & James Elkington
    Nov 12 2025

    In the latest episode of the Across the Horizon podcast (formerly Ambient Country), host Bob Holmes (of SUSS) is joined by guitarist and folklorist Jake Fussell and his collaborator James Elkington who discuss their latest release, the soundtrack score to the film Rebuilding. Jake and Jim discuss their inspirations, including classic soundtracks from Angelo Badalamenti, Ry Cooder, Bruce Langhorne, and Daniel Lanois.



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  • Across the Horizon Episode 53: Woody Jackson
    Oct 15 2025

    Bob Holmes of SUSS invites Woody Jackson to be this episode's co-host. He's best known for his game soundtrack work for RockStar Games' Red Dead Redemption and its follow-up, which broke all opening weekend revenue records for any movie, TV show or game release. The Spaghetti Western soundtrack for RDR2 is now considered a classic of the genre. Woody also brings a wide playlist of music, including music from Ennio Morricone, Bill Frisell, Marc Ribot, Ry Cooder as well as some of his own recent work . But most importantly, Woody brings a lifetime of stories – the likes of which you've never heard.



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  • Across the Horizon Ep. 52: Marc Byrd of Hammock (Pt. 2)
    Sep 24 2025

    In Part 2 of his conversation with Marc Byrd, one of the founders of ambient & post-rock pioneers Hammock, Bob Holmes of SUSS talks with Marc about his early days with Hammock as well as the music of Slow Meadow, Peter Broderick, Holly Kenniff and many more. In this episode they also take a deep emotional dive into the music and inspirations behind Hammock’s latest Release "Nevertheless."



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    55 min