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A 'howdie-skelp' is the slap in the face a midwife gives a newborn. It's a wake-up call. A call to action. The poems in Paul Muldoon's striking new collection include a nightmarish remake of The Waste Land, an elegy for his fellow Northern Irish poet Ciaran Carson, a crown of sonnets that responds to the early days of the COVID-19 pandemic, a translation from the ninth-century Irish and a Yeatsian sequence of ekphrastic poems that call into question the very idea of an 'affront' to good taste.

Read by the author, Selected Poems 1968-2014 offers 45 years of work drawn from 12 individual collections by a poet who 'began as a prodigy and has gone on to become a virtuoso' (Michael Hofmann). Hailed by Seamus Heaney as 'one of the era's true originals', Muldoon seems determined to escape definition, yet this volume, chosen by the poet himself, serves as an indispensable introduction to his trademark combination of intellectual high jinx and emotional honesty.