Risultati letto da "Kevin E. Green" in Tutte le categorie

Rhys Blackseed is a knight favored by the king of Kasculbough in the land of Mura. When a portal opens and two women and a dragon come through, his orders are to kill them. Rhys is loyal to his king, but how can he kill the beautiful witch named Medea when all he really wants to do is kiss her? Rhys holds and hides the power of extreme strength, however, all the strength in the world isn't enough to fight off dark magic or a dragon. The race is on to capture the dragon and send it and the witches back through the portal before all of Mura is doomed.

The New York Times bestselling author draws from his popular show #AskGaryVee to offer surprising, often outrageous, and imminently useful and honest answers to everything you’ve ever wanted to know—and more—about navigating the new world. Gary Vaynerchuk—the inspiring and unconventional...

In Season 3 of Coming to the Stage, Comedy Dynamics’ first original series, host Tom Green introduces a new group of up-and-coming comedians who people WILL be talking about tomorrow. This season features: Matthew Brassard, Kevin Christy, Travis Howze, Jamel Johnson, Miles K, Liz Miele, Jared Moskowitz, Dave Ross, Caleb Synan, Mo Welch, Paige Weldon, Nick Youssef, and Comedy Dynamics' very own, Mr. Microphone!

Based on the journalist-playwright's original article in The New Yorker, Betrayed is the story of three young Iraqi translators who risk everything for America's promise of freedom while their country collapses around them.

The complete, uncensored history of the award-winning The Daily Show with Jon Stewart, as told by its correspondents, writers, and host. For almost seventeen years, The Daily Show with Jon Stewart brilliantly redefined the borders between television comedy, political satire, and opinionated news...

THE INSTANT NEW YORK TIMES BESTSELLER Who has the right to change the world forever? How will we live online? How do we find comfort in an increasingly isolated world? The Carls disappeared the same way they appeared, in an instant. While the robots were on Earth, they caused confusion...

The statues disappeared in an instant. While they were on Earth, they caused confusion and destruction without ever lifting a finger. They also contributed to the untimely death of April May: a young woman who stumbled into their path, naming them the Carls and gaining viral fame in an avalanche of conspiracy theories. When April's friends try to carry on with their lives, a series of clues arrive - mysterious books that seem to predict the future - and which also seem to suggest April may be very much alive...But there's a bigger mystery to solve. 

Zann Blackseed is the huntsman for the king of Evandorm in the land of Mura. Zann has the power to shapeshift into a white wolf, and does so to help in the hunt. But when the king decides to send Zann to hunt in the forests of Glint, things take a nasty turn. While in his shapeshifting form of a wolf, Zann is struck by an arrow and wounded. Little does he ever expect to see that a beautiful wench shot him, and that she happens to be the elven queen of this magical land.

Darium Blackseed is convinced his destiny has been determined from birth. Being the eldest of the three brothers, he is expected to follow in his father's footsteps, being the Sin Eater of the land of Mura. Taking on the sins of the dead isn't a hard job, but it dooms one's soul for all eternity. Everyone fears a Sin Eater. Darium has accepted that he will never find love, since no woman would go anywhere near him. When a tear in the veil between two worlds appears, a portal opens to the Land of the Dead. Spirits and dark entities start to emerge, and Darium must close it.

Cinema has had a hugely influential role on global culture in the twentieth century at multiple levels: social, political, and educational. The part of British cinema in this has been controversial—often derided as a whole, but also vigorously celebrated, especially in terms of specific films and film-makers. In this Very Short Introduction, Charles Barr considers films and filmmakers, and studios and sponsorship, against the wider view of changing artistic, socio-political, and industrial climates over the decades of the twentieth century.