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The Great War is over, and the Roaring Twenties are promising a bright new future. Young people have broken free of the bonds that tied them to propriety and for the members of Cullen’s Celtic Cabaret it’s an exhilarating time to be alive. England offers a world of possibilities, but with audiences desperate to hear them perform, everyone only too happy to put the awful war years behind them, the Irish troupe finds themselves facing their biggest challenge yet.

When Cullen’s Celtic Cabaret rolls into a sleepy Irish seaside town, their eccentric and theatrical presence stirs up a flurry of excitement—the public clamouring to buy tickets for the greatest show in Ireland. Set against the backdrop of a relentless war for Ireland’s freedom, the stakes are higher than ever for Peter Cullen and his troupe as they try to stay out of the conflict. But as they soon discover, that’s a luxury nobody can afford. As well as fighting the forces of occupation, some people are using this time of chaos to settle old scores.

The opportunity of a lifetime lands in Peter Cullen’s lap and nothing is going to stop him taking full advantage, not even the misgivings of his wife. Cullen’s Celtic Cabaret has been flying high, but the real goal, the secret desire of Peter’s heart, America, is finally, incredibly, looking like a reality. The troupe are not at all prepared for what awaits them in prohibition era Atlantic City and they are dazzled by the bright lights. Keeping discipline and ensuring everyone remains focused drives Peter to the edge of his patience, but he soon realises that this is the least of his problems.

Dublin, Ireland 1915. Eighteen-year-old May Gallagher is beautiful but restless, and longs for the freedom to live her own life, to decide her own destiny. Mollycoddled as the only remaining child of middle-class parents in the suburbs, she sneaks out to the theatre when she can. She is mesmerised by the captivating actor Peter Cullen, and wishes she could enjoy a more bohemian life. The Great War is taking all the boys away, and the promise that it will all be over by Christmas is ringing more hollow with each passing month.

Ballycarrick is changing rapidly and not everyone is happy. No more a sleepy backwater, where everyone knows everyone else, and their business, the expansion of cities and towns into rural Ireland means opportunity for some undoubtedly, but not for everyone. Sergeant Mags Munroe finds herself faced with a situation so unlikely it's almost laughable, but as things unfold, what seemed like a joke, is no longer funny, as sinister influences from much further afield take a keen interest in Ballycarrick, but why?