Risultati letto da "Eimear McBride" in Tutte le categorie

The dazzling, fearless debut novel that the New York Times hails as “a future classic”. WINNER: The Bailey Women’s Prize for Fiction, the Goldsmiths Prize, the Kerry Group Irish Novel of the Year Award, the Desmond Elliott Prize, the Geoffrey Faber Memorial Prize A BEST BOOK OF THE YEAR...

A breathtaking award-winning novel about an extraordinary, all-consuming love affair One night an eighteen-year-old Irish girl, recently arrived in London to attend drama school, meets an older man—a well-regarded actor in his own right. While she is naive and thrilled by life in the big city...

Eighteen months later, the flat feels different. Love is merging with reality. Stephen's teenage daughter has re-appeared, while Eily has made a choice, the consequences of which she cannot outrun. Now they face a reckoning for all that's been left unspoken – emotions, secrets and ambitions. Tonight, if they are to find one another again, what must be said aloud?

A nameless woman enters a nondescript hotel room she's been in once before, many years ago. Though the room hasn't changed, she has, as have the dimensions of her life. As she goes on to occupy a series of hotel rooms around the world - each of which reflects back some aspect of herself - we begin to piece together the details of what transpires in these rooms, the rules of engagements she's put in place for herself and the men she sometimes meets, and the outlines of the absence she is trying to forget.

The three-day Folio Prize Fiction Festival 2014 brought together some great writers and audiences and gave them a real opportunitey to talk in depth about their work and similar subjects. The festival included interviews and discussions with top writers, novelists, poets, critics and publishers, including Eimear McBride, Paul Baggaley, Sergio De La Pava, Rachel Kushner, Sarah Hall, Pankaj Mishra, Stephanie Merritt, Jane Gardam and Mark Haddon.

In her blistering non-fiction debut, Eimear McBride unpicks the contradictory forces of disgust and objectification that control and shame women. From playground taunts of 'only sluts do it' but 'virgins are frigid', to ladette culture and the arrival of 'ironic' porn, via Debbie Harry, the Kardashians and the Catholic church - she looks at how this prejudicial messaging has played out in the past, and still surround us today.