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First produced by the Negro Ensemble Company in 1969, this classic masterpiece by Academy Award nominee Lonne Elder III gives us the portrait of a Harlem family that dreams of a better life, but pursues it in tragic ways. Ceremonies opened the door for new generation of African American playwrights, August Wilson among them. NBC-TV called Elder’s dramatization of rituals "exciting drama, filled with meaningful insight and original comedy."

An intense, chilling take on life behind bars, this performance strikes a fine balance of intellectual vigor and sophistication on the one hand and so much anguished passion on the other.

She'd kill to be a mother. Darkford General Hospital is deeply shaken when its star midwife, Sarah, is arrested for trying to steal a baby. In the ensuing shock, midwives Erica and Sue rally to reassure Darkford’s patients, including Leila – an expectant mother whose trust has been broken before. Leila reluctantly accepts the hospital’s support – after all, she isn’t getting enough of that at home. But when Sarah is released from custody, Leila’s paranoia escalates.

When Jess meets five-year-old Daisy and her mum, Morag, in a local London park, they seem a perfectly happy and loving pair. Until Daisy whispers four little words that send ice seeping down Jess’ spine: she’s not my mum. Determined to save Daisy, Jess becomes obsessed with unearthing Morag’s secrets. As she digs ever deeper, her friends and family start to question her own increasingly paranoid behaviour.